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TRANSCRIPT:
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At an apartment complex, two guys are sitting in an outdoor
hot tub.
First Guy: Every night, a different club. The most
gorgeous girls - all models! Each one hungry for the perfect guy.
Second Guy: Yeah, but guys like us? From Omaha?
First Guy: When an L.A. woman sees a cornfed Mid-Western
boy, it's like catnip.
Second Guy: Wow!
First Guy: Yeah, should have moved out here years ago. See
this tan line? From my convertible. You see that white thing through the
trees?
Second Guy: Yeah.
First Guy: That's the bottom of the "y" of the
Hollywood sign.
They hear a loud booming sound.
Second Guy: What was that?
First Guy: That's the girl next door practicing her
kick-boxing. Now, you should see this babe. Ass like a Brangus steer. Yeah,
L.A.'s crawling with stars. Everywhere they go, cameras flash, spotlights
shoot to the sky. I mean, they roll out the red carpet for Carrot Top when he
goes to the dry cleaners.
Suddenly, something flies over the rooftop and drops into
the hot tub. They start scrambling away from it, yelling: Oh, no! Oh, my
God!
It's a man.
LARA
In a Russian restaurant:
Lara's mother, Katrina: My head is splitting. I'm going in
the back to take aspirin.
Lara: Can I work the register alone?
Katrina: Give Mr. Solonick his check. Whatever he pays, is
fine.
She kisses Lara on the forehead and hurries into the back of
the resturant.
Lara takes the check on a small tray to a table. Mr.
Solonick is sitting at the table talking to a man standing across from him.
Mr. Solonick: Hey, hey, we're in America. Speak English.
Man: It's the dream to own my own gym. My name still means
something.
Mr. Solonick: In Russia, maybe.
Man: A risky dream, maybe, but I will pay back the first
loan. Every ruble.
Mr. Solonick puts some money on Lara's tray and she turns to
leave.
Mr. Solonick: T-t-t-t.
Lara walks back and Mr. Solonick gives her some more money
and pinches her cheek.
Lara: Thank you.
Man: I will pay back every dollar to remind you I'm a man
of my word. And if you see fit, you offer another loan.
Mr. Solonick pulls out a gun and shoots the man three
times. Lara crouches on the floor nearby and watches.
TERESA
Teresa is at the scene of the crime, examining the dead man.
Teresa: So, this is the third Russian shooting this month,
isn't it?
Joel: Yeah.
Teresa: The last one was a dying guy missing his
fingertips.
Joel: Do you know why he was missing his fingertips?
Teresa: The shooter chopped them off to avoid ID?
Joel: That's right. We had 27 people here at the time of
the shooting, but none of them saw anything. You know why?
Teresa: They must like their fingers.
Joel laughs: They like their fingertips. You'd make a hell
of a detective, Miss Ortiz.
Fearless calls out: Ortiz!
Teresa picks up her bag and walks over to where Fearless is
questioning Katrina and Lara.
Teresa to Lara: Oh, what happened, honey?
Fearless to Teresa: Broken glass cut her knee.
Fearless to Katrina: So, you're saying you saw nothing?
Katrina: Nothing. Lara and I live in back. We had gone to
get some aspirin.
Fearless: Yeah...I think you saw what happened here.
Katrina: We didn't. We were in the back.
Fearless: Is that true, Lara? The broken glass is on the
floor. Now, don't tell me it flew all the way back here and cut your knee.
Katrina: It happened like...when the shooting started, she
wasn't...
Lara interrupts her mother, who shushes her in Russian.
Katrina to Fearless: What are you doing? Get a little girl
to do your job for you? Drag her into court. Make her testify.
Fearless: Whoa, whoa, ma'am. I just want to know what she
saw. I promise, no one's going to make your daughter testify.
Katrina: And why should I believe you?
Teresa: Well, if it helps any, I believe him. And that's
because I know him and I know that he's a man of his word. Isn't that right?
Detective?
Fearless: Lara, can you tell us what you saw?
Lara looks at her mother, who reluctantly nods her head.
Lara: I saw who shot the man right there. Vadim Solonick
shot him.
TOM
Tom and Ray are interviewing the two men from the hot tub.
First Guy: It was like "X-Files" or something.
We were there, having a cuz, when Bam!
Tom: Albert Beechum. His body was stolen from a funeral
home.
First Guy: He was...uh...already...uh...dead?
Second Guy: Aww, man, that's just wrong!
Ray: That's why we need you to tell us everything that
happened the moment before he landed. Think carefully. We're looking for
details, Hollywood.
Tom and Ray question Albert Beechum's widow at the funeral
home.
Ray: So, your husband died of natural causes?
Darlene Beechum: Well, Albert and I were newlyweds
and...well, like a lot of newlyweds...
Ray: I understand. The deceased died "in
flagrante".
Darlene: No. He died during the act of love.
Tom: Uh...ma'am. Do you have any idea who might want to
steal your husband's body?
Darlene: Oh...well, there's one guy, but he'd never...
Tom: Who?
Darlene: Well, I used to go out with this guy, Charlie. He
was Albert's best friend, but he was such a wimp I dumped him and I hooked up
with Albert instead.
Tom: So, he's a guy with a grudge?
Darlene: Yeah. Oh, but he never could have done it. He's
never done anything in his life. If he threw himself at the ground, he's miss!
Tom: Okay, why don't we give him a call and see what he has
to say?
Darlene: All right. You'd think more people would have
showed up with all the nice things that Albert did.
Tom: Yeah...well, maybe it's traffic, ma'am. After
all...(Tom looks at his watch.) it is almost midnight.
Darlene: Do you think it's possible to live a whole life on
this Earth and then nobody gives a damn when you're finally dead and gone?
Tom: I guess it depends on how you live your life.
A man walks into the room.
Darlene: There he is. There's Charlie.
Tom approaches the man: Charlie Graham. I need to talk to
you about the disappearance of Albert Beechum.
Charlie, smiling: Oh, nothing to talk about. I did it.
I'm the one that stole Albert.
Ray walks up with his handcuffs: Put your hands behind your
back, Charlie.
Charlie: Huh?
DAVID MCNORRIS
David, looking a little unkempt, is at the polic station.
He, Joel and Fearless are looking through a two-way mirror at Katrina and her
daughter, Lara.
David: Look, for six years we've been trying to nail
Solonick, right? Murder, prostitution, fraud, extortion. This kid is the
first shot that we've had to actually put this guy away.
Joel: The mother said, "no testifying".
David: Then change the way she's thinking.
Fearless: All right, look. She has every reason to say
"no". She understands that her kid would probably never live to see
a prelim.
David: Then I'll arrange protective custody.
Joel: Oh, yeah! Because that never goes wrong!
David: Do you have any better ideas?
Joel: It's the Russian mob. It's not a softball team.
They have a code. The first rule of the code is: carry out punishment to all
offending parties. All of them, including 10-year-olds.
Joel and Fearless are looking around their desks for
something. Joel opens a drawer and says: I got it.
Joel: You might sleep like a baby at night knowing that you
put a 10-year-old girl's life on the line, but we don't.
David: Great! That's a really nice egalitarian point of
view and I love how you can assess all the situations, even though they're a
little tricky. However, my job is to get scum like Solonick off the streets
and while I will do my best to protect a witness, if I turn my back on every
case out of fear of what might happen, you wouldn't be able to walk a city
block without being raped, robbed or murdered.
Joel: No one walks in L.A.
David to Fearless: Are we keeping you awake, Detective?
Fearless is standing to the side, staring into the distance.
Joel: Are you okay, Bobby?
Fearless walks over: We're going to bring in Vadim. We're
going to make our case, but we're going to do it without the girl.
David: Well, by all means, bring in Vadim. But, I'm going
to start the wheels on protective custody. If you can make a case without the
girl, my hat's off to you. Just bring in Vadim.
CHARLIE
Charlie is at the police station, being questioned by Tom
and Ray. Darlene Beechum is standing nearby.
Charlie: Okay, I stole Albert Beechum's body from the
funeral home.
Ray: So, you're saying you broke into the place?
Charlie: Well, if you want to get all technical. It's not
like it was hard or anything.
FLASHBACK to Charlie outside the funeral home. He picks up
a nearby plant and hits the lock on the door. The lock breaks and he walks in.
Tom: You acted alone in this?
Charlie: Yes, sir. Just me - Han Solo!
Ray: You're hauling a 185 pound stiff this Sunday, all by
yourself?
Charlie: Hey, I was on the wrestling team in high school.
I had it all under control.
FLASHBACK to Charlie struggling to drag Albert's body out of
the funeral home and into the trunk of his car.
Tom: Why?
Charlie: Oh, it's a damn cool sport. Yeah. Plus, you get
to wear a unitard.
Ray: No, not "why wrestling". Why did you steal
Albert? You had a beef with him?
Charlie: Oh, no, no. No, sir! No way. It was nothing
like that.
FLASHBACK to Charlie dragging Albert's body and saying to
him: You know what this is, Albert? This is friendship and dedication. You
ripped my guts out when you stole Darlene because I love that girl. You were
my best friend and you stabbed me in the back, so I wanted to hurt you. But I
couldn't, because you're already dead. All right, this is it. Am I going to
honor that promise I made to you for so many years or am I just going to stew
in my own stinking juice of jealousy and fear?
Tom: A promise? Like a pledge?
Charlie: Yes. I made a pledge to Albert.
Ray: A pledge to dump his remains in a hot tub?
Charlie: No, no. It was supposed to be in the ocean. In
fact, if there's any part I'd want to take back, it would definitely be the hot
tub part.
FLASHBACK to Albert's body falling into the hot tub.
Charlie: The hot tub only happened because I hit the
trigger button.
Tom: Trigger button?
FLASHBACK in reverse - Albert's body flies out of the hot
tub, across the roof and back into a cannon.
Tom: You shot Albert's body out of a cannon?
Charlie: Yeah, it just went off, you know?
Ray: Wait a minute. This cannon...this is something that
you just have laying around the house?
Charlie: Uh, not exactly. I sorta borrowed it from a
circus supply store. But, I took it back right away. They never even knew it
was missing.
Tom: Which brings us back to the beginning. Why? Why did
you shoot your friend's body out of a cannon?
Darlene walks over: Because...every year Albert made
Charlie promise he'd launch him from a cannon when he died. But, Charlie, I
thought you knew. I thought you were just playing along.
Charlie: What do you mean?
Darlene: Well, it was a joke. It was just Albert's idea of
a joke.
Charlie looks crestfallen.
Darlene: Oh, no, no, no. Don't you see, Charlie? It
doesn't matter if it was a joke. See, Albert didn't think you had it in you to
do something like that. But, you did, Charlie. You shot him from a cannon!
Charlie: Yeah, I did, didn't I?
Darlene giggles.
Charlie: I really did!
JOEL
Joel and Fearless are questioning Vadim Solonick.
Solonick: I stood to use the restroom, walked a few feet,
heard the gun, turned to see my friend dead.
Joel: Yeah. You didn't see the shooter's face, huh?
Solonick: As I already said, no. I ran to him, called 911
and went after the man in the alley but he was gone.
Solonick's lawyer: It's late, gentlemen. My client has
been more than cooperative.
Joel: Your client's story is garbage.
Lawyer: We are sorry that you feel that way, but unless you
are prepared to charge my client with some crime...
Joel: Excuse me. You didn't have time to change your
shirt, Vadim? Or did you not notice? Look at the dots. The little red dots.
Fearless: Take the shirt off...Please!
Solonick stands and removes his jacket and shirt. His torso
is covered with tattoos.
Lawyer: And, if those splatters turn out to be blood,
Detective, my client told you he was standing over the victim who had been shot
in the heart and was splattering blood into the air.
Joel steps closer to Solonick to examine a large tattoo on
his back.
Joel: Brezhnev. So the prison guards won't shoot you in
the back.
Fearless: Looks like you had quite a ride.
Solonick: It is mostly about women, you know. I am romantic
at heart.
Joel: Yeah, I see you're also a member of Organizatsyia
and a known gangster.
Solonick: Your American obsession with gangsters is
amusing. Marlon Brando and Al Pacino, you make famous for being pretend
gangsters. Tupac Shakur and Shug Night, you make millionaires for being the
real thing. John Gotti's on the cover of People magazine. Tony Soprano gets a
big shiny statue. Yet, you stand here and say gangster, gangster, Mafia,
Organizatsyia, like it's a bad thing. I wish I was a gangster. I would have a
very big house, go to Hollywood parties. Instead, I'm a businessman. That's
right, a hungry businessman. So if you don't mind, gentlemen, I'm going home.
Joel: You're not going anywhere. Sit down...Sit your ass
down!
Fealess walks up to David and Joel: The lab did a
preliminary test. It's blood. Same as the vic's.
Joel: Yeah. Well, we can send it off for DNA, but that'll
take at least a week.
David: What's Solonick saying?
Fearless: He's saying the blood sprayed on him when he was
helping the guy.
Joel: The problem is this guy's going to be tough to crack.
David: The problem is you won't crack him. You can check
the DNA, but that doesn't prove the blood didn't get there the way he said it
did. The problem is you squeezed every single witness in the place and they're
all standing behind his story. All, except one. So, here's the question
you've got to ask yourself. What's the greater good? If you leave Solonick on
the street, he may or may not harm the girl, but he's certainly going to kill
again. Or we get the girl to testify, put Solonick away and bust our asses to
keep her safe. The greater good. An imperfect system, but it's all we've got.
Joel: Without the girl, he walks out of here.
Motioning to Joel, David silently indicates Fearless, who is
staring off into the distance, again.
Joel reaches over to Fearless: Bobby?
Fearless: I want to talk to Solonick.
David: All right. Let's talk to him.
Fearless: I want to talk to him alone.
Fearless walks back into the interrogation room.
David: Is he okay?
Joel: Yeah, he's fine.
KATRINA
Fearless is visiting Katrina and Lara at their apartment, in
the back of the Russian restaurant.
Lara: So, you like being the police?
Fearless: Sure, I like being the police.
Lara: Did you always want to be the police? Even when you
were ten?
Fearless: Well, I don't know about when I was ten. I don't
know if I had a game plan back then.
Katrina: Lushka, go watch "Friends".
Lara to Fearless: Do you want to watch with me?
Katrina: Lara!
Fearless: I'm going to stay and talk to your Mom. And
after that, I'm all over those kids.
Lara leaves the room.
Katrina: Did something happen?
Fearless: Yeah, well...it's more like what didn't. You
know, we're not going to find another way to get Solonick. There's not a
single person who saw the shooting that we haven't come down on hard and no one
is cracking.
Katrina: So, you want me to sign my own daughter's death
warrant? Is that what you came here to ask?
Fearless: I'm not asking anything. I just want you to know
where we stand, that's all.
Katrina: Everytime I try to explain, she looks at me and
says, "Mama, you always said 'don't be afraid'." You must see she's
all I have.
Fearless: I see, Katrina. I'm just not sure it's me you're
trying to convince.
Katrina: I was 19, got pregnant, of course I was going to
end the pregnancy like most women in Russia do. So, I went to a clinic. There
were thousands of women, many for the third or fourth time. They're all taking
about their struggles, the hardness of life that never changes. And I realized
they have no hope, these women. And that's when I knew I would rather die that
to be like that. So, I went home, watched my belly grow and I told the life
inside me that I would do better. That she could have a good life, that she
could have hope. I want to believe that things will be okay. So, if we do
this, can you tell me that things will be okay?
Fearless: I won't let anyone harm that little girl. I can
tell you that.
Fearless leaves the restaurant.
VADIM SOLONICK
Solonick is standing with a group of men, across the street
from the restaurant.
Solonick: Do it.
One of the men presses a detonator and the restaurant
explodes.
ANDREA
Andrea is watching the activity around the destroyed
restaurant. David McNorris, very disheveled, picks up a burnt Barbie doll and
walks over to her.
Andrea: Not a good day...Either there was a lot of vodka in
there or you've been drinking. How have you been?
David: Wonderful. The night that you said you didn't want
to see me any more, Marian asked if I was sleeping with you.
Andrea: What did you say?
David: I told her the truth. I told her, no. I'm not
sleeping with you any more, actually.
Andrea: There's a reason people tell lawyer jokes.
They watch the bodies being removed from the restaurant.
Andrea: Not a good day.
David: No.
He walks away, toward the crime scene.
FEARLESS
FLASHBACK to Fearless questioning Katrina and Lara at the
scene of the crime.
Fearless: I promise, no one's going to make your daughter
testify.
Katrina: And why should I believe you?
Teresa: Well, if it helps any, I believe him. And that's
because I know him and I know that he's a man of his word.
Fearless is staring over at the counter where a man in a
uniform is eating a sandwich.
Teresa: Isn't that right, Detective?
FLASHBACK to Fearless talking to David McNorris and Joel at
the police station.
David: We get the girl to testify, put Solonick away and
bust our asses to keep her safe. The greater good. An imperfect system, but
it's all we've got.
Joel: Without the girl, he walks out of here.
Fearless looks over in the corner. The same uniformed man
is sitting at a desk.
Joel: Bobby?
Fearless: I want to talk to him alone.
Fearless is in the interrogation room with Vadim Solonick.
Solonick: So, when do I get my shirt back?
Fearless: I know about the threats you've been making to
Katrina and her daughter.
Solonick: My lawyer stepped out for a piss. We'll talk when
he's back.
Fearless: No, we're not going to talk. You're going to
listen.
Solonick: Hmm.
Fearless: The girl's not co-operating as a witness. Her
mother won't let her. So, I want you to leave them alone.
Solonick: I appreciate you asking so nicely.
Fearless: I'm not asking. We, either, do this the easy way
- you leave them alone and your case goes away. Or you go after them - then, I
go after you. That's the hard way.
Solonick: I spent many years in Russian prison, Detective.
Russian prison is not like your prison here. Russian prison is hard. A fellow
prisoner once told me he will kill my family, cut out my tongue, eyes, burn off
my skin with acid and shut down my business. He did kill my family, but I
still have my eyes, tongue, skin. Most important, I'm still in business.
Because I understood the man. So, I was ready. See, we Russians don't make
threats - only promises.
Outside the station, Fearless starts to light a cigarette,
when he sees the soldier again.
Fearless laughs: I know why you're here. I'm going to keep
my word this time. It won't be like last time.
Joel steps outside: Last time what?
Fearless: Oh, hey. I know what you're thinking.
Joel: Yeah?
Fearless: Yeah. Why am I talking to myself? It looks a
little weird, huh?
Joel: Yeah, it looks a little weird.
Fearless looks over at the soldier, but he's gone.
Fearless: I've been thinking about Freaktown a lot,
lately. It's like he's just popped into my mind or something.
Joel: Freaktown. You haven't talked about him in a while.
Fearless: Yeah...well, I guess I hadn't thought about him
much. I mean, until now. You know?
FLASHBACK to Fearless and Freaktown in their tent during
Desert Storm.
Freaktown is looking through a magazine: Whoo-hooo! Good
Lord! Look out, Miss Boob Job, we got another fine hiney coming in. (He tears
a page out of the magazine and shows it to Fearless.) Bam! (It's a picture of
a steak.)
Fearless: Man, don't show me that while I'm eating.
Freaktwon: Why? You can't feel the love coming from your
little 12-ounce can of sand and dog food? Well, I understand. I truly do, my
brother. (He kisses the photograph and starts to hang it on the wall of their
tent, where a poster of a young woman is already hanging.)
Fearless: Uh-uh! If you touch Miss Amber Collins, you will
regret the day.
Freaktown: Whooo! Look at you! Nobody's going to mess
with your little girlfriend. I'm just going to hang up the porterhouse next to
Miss Implants and we'll just see who the real star is.
Freaktown is walking on patrol. Fearless comes up behind
him and taps him on the shoulder: Boo!
Freaktown: Man! Jeez!
Fearless is laughing.
Freaktown: Man, that ain't funny! What?!
Fearless: It's going to be a long war, Freak.
Freaktown: It's going to be a short one, if you keep that
up. Besides, I'm not the bad ass here. You the bad ass. Come on, General
George Patton. They should just pin that fruit salad on your chest and we can
all just go right home, right now.
Fearless: Yeah, yeah. You're pointing your weapon at your
boots.
Freaktown: You know, you're right. But, as long as I'm
with the General, the dogs are safe.
FLASHBACK to Fearless knocking Freaktown to the ground as a
mine explodes nearby.
Freaktown: Come on, man. How many times have you pulled me
from almost stepping on a mine?
Fearless: Too many.
Freaktown: Too many is right. That's why I hang with your
ass. Because you're the toughest, baddest General there is! Yeah! Too bad
you don't know a damn thing about life.
Fearless: About what?
Freaktown: About life, General. Sometimes, you got to
relax, man. You gotta step back and sniff the hot links, baby!
Fearless laughs: It's 'smell the roses'.
Freaktown: No. See, now, the negativity just dropped
again. You can't go sticking your nose in a bed of roses. That's like putting
bacon on a double-cheese or putting Armour All on some 20-inch tires. Those
are life's little beautiful moments because God's in every single, itty-bitty
detail.
Fearless: You done cracked up, you know that?
Freaktown: I might have cracked up, I might be cracking up,
might keep cracking up. But, you gotta promise me something, General. You got
to make me a promise that you'll keep me alive over here and I will unlock, for
you, the mysteries of life. Come on, General. It's a one-time offer. The
clock's ticking. Tick-tock, General. Tick-tock, tick-tock, tick...
Fearless: Okay!
Freaktown: Deal?
Fearless: Deal, man. (They shake hands.)
Freaktown: I knew I could count on you. I knew. I knew I
could depend on you.
Fearless, in present day, talking to Joel: And then, two
days later, we went to the crash site.
FLASHBACK to Fearless and Freaktown arriving at the crash
site. The sniper zeros in on Fearless, who bends down to pick something up and
Freaktown is shot in the head.
Fearless to Joel: He took the bullet that was meant for me.
Joel: Except, it doesn't work that way. That bullet was
not meant for you.
Fearless: You know that?
Joel shrugs.
Fearless: You don't think about things that happened?
Like, maybe, you could have done something, even though everyone keeps saying
that what happened wasn't on you.
Joel: Yeah. You know I do. I'm just trying to tell you
what a good friend keeps telling me.
Fearless: I guess, I keep thinking about Freaktown because
I promised Katrina that I would keep Lara safe. If I can keep my word on this
one, I just figure, somehow, I can make things right. Find some peace...you
know?
Joel nods.
FLASHBACK to the restaurant exploding. Joel is at the
scene, watching Teresa and another paramedic bring out a body. Fearless sees
Vadim Solonick and a group of men standing across the street. He walks over to
them.
Fearless: You're dead, man! You're dead, man! You son of
a bitch!
He grabs Solonick and shoves him against a fence.
Fearless: You hear me? You're dead. Your life is over.
You understand me? It's over for you, man. You're dead!
Joel runs over, grabs Fearless and pulls him back across the
street: Come on! Come on!
Fearless appears very upset, on the verge of tears.
Joel hustles him away from the scene and says: Nice job,
partner. Nice job.
Fearless drives to a motel and knocks on a door: It's me.
Katrina opens the door.
Fearless walks in: Hey.
Lara runs over: Hey! We're playing Go Fish. You want to
play Go Fish with us?
Katrina: Lara, that's enough games for tonight. We're
going to bed.
Lara: But, Mama!
Katrina kisses her on the forehead: Lara, go brush your
teeth.
Lara to Fearless: Just tell me one more story. Please!
Later, Fearless walks back into the room: She made it clear
she wouldn't go to sleep until I told her two stories.
Katrina: Not exactly shy, is she? I'm sorry.
Fearless: Hey, no problem. It just so happens, I enjoy
telling stories...There was a bomb at the restaurant, tonight. Vadim Solonick
did it. So, we covered it. Made it seem like you and Lara were killed.
Solonick saw the whole thing, body bags and everything.
Katrina: Every five minutes, I change my mind about this.
Fearless: That's okay. One step at a time, remember? End
of the day, you can still say "no".
Katrina: Thank you, my friend.
Fearless smiles and nods. Then, he seems to hear
something. He turns his head and sees Freaktown.
Katrina: What are you looking at?
Fearless: It's hard to explain.
Katrina: Okay. I have time to listen.
Fearless: Okay.
FLASHBACK to Fearless and Freaktown walking through their
camp.
Freaktown: See, the first thing you got to do - you gotta
make a list of everything you ever dreamed of and then toss in a bunch of
way-out stuff that you never even dreamed of. And I'm not talking about just
fun stuff, too, like eating a hot fudge sundae off a fine girl's ass. I'm not
talkin' about that kinda stuff, but stuff that scares you. You got to put it
all down. You know what I'm saying? Are you listening? You're not even
listening to me!
Freaktown stops, as Fearless keeps walking.
Freaktown calls to him: You know, I take it back. I think
the first thing on your list should be to take that giant stick up outta your
ass because you're the toughest case I ever did see. You don't sing. You
don't dance. You're just a wet dog blanket!
Fearless stops and turns around: Are you coming or are you
going to stand there and dance?
Freaktown: I'm gonna dance. That's what I'm gonna do. I'm
gonna dance, General George, because we'll all be dead and buried waiting on
you to move. You know that?
Freaktown starts singing, dancing and strumming his rifle as
though it were a guitar:
"I can see clearly now, the rain is gone
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It's gonna be a bright, bright sunshiny day."
Come on, General!
"I think I can make it now, the pain is gone"
Katrina: Did you start your own list?
Fearless: Well, I still have it, even. I'm slowly making
my way through.
Katrina: That's nice. And where is he, now? Your friend,
Freaktown.
Fearless: Believe it or not, he's here somewhere.
Fearless is standing outside the motel, smoking a cigarette.
Curt, the motel manager, calls to him: Detective Smith. I
got a call for you. Do you want to take it in the office or do you want it in
your room?
Fearless: The office is fine.
Inside the office.
Fearless: You did a good job clearing the place.
Curt: Hey, it's on the city's dime, right?
Fearless: Yeah, right.
He picks up the phone: Yeah?
Voice on phone: Bobby, John Summers down at the ME's.
Fearless: Hey, John. What's shaking?
John: Two cops came in about 20 minutes ago. They wanted
to see the bodies pulled from the restaurant fire.
Fearless: What? Which cops?
John: I didn't know them. Of course, I said
"no", but they were real insistent, man. So, I just...
The call is abruptly cut off.
Fearless: John. John!
He hangs up the phone: Curt! You got a gun in here?
Curt: A what?
Fearless: Pistol, rifle, what have you got? I need it
right now.
Curt hands him a shotgun.
Fearless: Great. Shells, too. Hurry up!
Curt opens a drawer and hands him a box of shells.
Fearless: That room behind you. Does the door lock from
the inside?
Curt: Yeah, it's where we keep the safe.
Fearless: I want you to get in there and lock the door
behind you. And don't come out until I tell you, all right?
Curt: All right.
Fearless: All right, hurry up! Keep the door locked!
He empties the box of shells into his pocket and dials a
number on his cell phone.
Joel answers: Joel Stevens.
Fearless: We've got a problem!
Joel: Hey, I just talked to the coroner. I'm on my way.
Fearless: I need backup. Lots of it. Now!
Joel: We're on our way.
Fearless walks outside and see three cars approaching. He
hurries up the outside staircase as the cars pull into the motel parking lot.
Lara steps outside of her room and Fearless silently motions for her to go back
inside. He, then, starts running in the opposite direction, firing his
shotgun. The Russian return fire with automatic weapons. Fearless jumps
backward through a window into one of the rooms. He shoots the lock off a door
and enters another room, where he stops to reload. Two Russians approach the
broken window and Fearless shoots them. He, then, shoots holes in a wall and
breaks through it to enter his room, where he gathers several more weapons. He
makes his way to Lara's room and finds her hiding in the bathtub.
Fearless: Hey, come on!
Solonick calls out: Come here, little girl!
Fearless: Where's your mother, Lara? Where is she?
Lara: She went out to find you.
Fearless: Okay. Listen, all right? You got to do
everything I say, okay?
Lara nods.
Fearless: Okay. All right, I want you to put this on.
He helps her to put on a bulletproof vest.
Solonick calls out: Your mother's here! Come out! Come
out!
Fearless: Hey, hey, don't listen to that. Okay? Just look
at me. You're going to be all right, okay? Come on. Follow me.
He steps outside and opens fire with an automatic weapon.
Then, he climbs up onto the roof of the motel.
Fearless: Give me your hand. Hold on tight.
He pulls Lara up onto the roof with him. Some of the
Russians run inside the rooms and begin shooting through the ceiling, as
Fearless and Lara run across the roof. One man climbs onto the roof and
Fearless shoots him.
Joel drives up: Fearless! Fearless!
Fearless: Can you catch her?
Joel: Yeah. Come on!
Fearless to Lara: You're going to go with my partner,
okay? He's going to take you some place safe.
Joel: Come on!
Lara: I'm scared.
Fearless: Just do everything I say and everything will be
all right.
He picks her up and throws her off the roof to Joel.
Joel catches her: Are you okay?
Lara: Uh-huh.
Joel puts her in his car and they drive off.
A Russian calls out to Fearless: If you want to see the
mother alive, bring out the girl.
Fearless: Over my dead body, you bastards.
Fearless runs across the roof and jumps off, firing two
automatic weapons at them. He lands on the hood of a car.
Fearless comes up behind a man standing outside the office.
He puts a gun against the man's neck and pushes him inside where Solonick is holding
Katrina at gunpoint.
Fearless: I'm here to send a message. If you ever look at,
ever touch this lady and her little girl again, you're dead. You got that?
Solonick: Is that another threat, Detective?
Fearless: I warned you. The hard way or the easy way.
Solonick: I don't care about him. He's nothing. I'm from
Chechnya...
Fearless shoots and kills him.
Fearless to the man he's holding at gunpoint: You got the
message?
The Russian nods.
Fearless: Tell your friends.
Solonick's body is wheeled out of the building into a
coroner's van. Joel is standing near his car and Lara is sitting inside.
Katrina hurries over to embrace Lara.
Katrina to Fearless: Thank you.
Katrina and Lara get into a patrol car and are driven away.
Joel: A night's work!
Fearless laughs: You think?
He looks up on the motel roof and sees Freaktown.
Joel: What's up? He's still on your mind, huh?
Fearless nods.
Joel: I hope you find some peace, Bob.
Fearless smiles and nods: Yeah.
Fearless is on the roof of the motel talking to Freaktown.
Fearless: Look, I know saving that girl's not going to
change things. But, if it helps even a little, maybe it begins to make up for
what happened.
Freaktown: What are you talking about, dawg?
Fearless: I'm sorry as hell that you got shot that day,
Freak.
Freaktown: I know you are! I know you are, but it wasn't
your fault!
Fearless: It was. I promised you!
Freaktown: And you made good on that promise. Come on,
man! You pulled my ass out of the fire like what? Like a hundred times. I
mean, what happened that day...Jesus, himself, couldn't have stopped. It was
an accident, brother. An accident!
Fearless: Yeah...well, I don't believe in accidents any
more.
Freaktown: Yeah, that's because I'm not done teaching you
about life, yet.
Fearless: Wait a minute. If you didn't come back because
of the girl...
Freaktown: No, don't get me wrong. I got to give the
heads-up on that. You see, I could see it was going to get all heavy and
there's nothing I like more than to see you go all Terminator. But, you and
me, man - I'm here because we got that other business to settle.
Fearless: What business?
Freaktown: Did you forget what today is?
Fearless thinks about it for a moment, then laughs: Aww,
no!
FLASHBACK to Freaktown placing a Glo-Stick in the center of
a fruitcake.
Fearless: Only you could find a cake out here.
Freaktown: Auntie Jasmine sent it to me. This thing's been
kicking around her condo for, like, 20 years.
Fearless: It's the thought that counts.
Freaktown: Man, it's sad! Come on. At least, sing to me
or something, dawg.
Fearless: Sing to your own damn self.
Freaktown: I can't sing to my own self. That's sadder.
Fearless: It's your birthday.
Freaktown: Well, fine! No candles, no song, a 20-year-old
cake. At least, I can still make a wish. No law against that.
Hmmmmmm....make me a promise.
Fearless: I heard you before. Be your great protector.
Freaktown: No, no, no. I mean, another promise.
Fearless: Man, you got more requests than an AM radio,
Freak.
Freaktown: No, man. All I want you to do is, next year on
my birthday, I want you to sing me a song. Come on, man. It doesn't have to
be a birthday song. It can be any song. Any song you want, but it's just
gotta be loud and it's gotta be proud. You promise?
Fearless: No.
A loud explosion, nearby, rocks them.
Freaktown: I'll tell you what, I'll put it to you this
way. It's my birthday and I'm about to get a SCUD missile up my ass. So,
what's it going to be, General? Loud and proud or what? Loud and proud or
what, General? Loud and proud or what?
Fearless: Okay! All right, all right! I promise. Next
birthday, I'll sing. Now, be quiet, man. Damn!
Freaktown: Loud and proud!
Fearless, on the the motel rooftop, laughs: Happy Birthday,
Freak! Happy Birthday, Freak.
He sings:
"I can see clearly now, the rain is gone
I can see all obstacles in my way
Gone are the dark clouds that had me blind
It's gonna be a bright, bright sunshiny day."
Joel is watching from below and smiles.
Fearless claps his hands: Yeah...
THE END