CSI: MIAMI
1X14:  FORCED ENTRY
ORIGINAL AIR DATE ON CBS:  02/03/2003
TRANSCRIBED FROM DVD

Written by MARK ISRAEL & LOIS JOHNSON
Directed by ARTIE MANDELBERG

Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html

Do not archive this transcript without permission from the Transcriptionist.

RATING:  TV-PG-LV
HDTV
==========================
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==========================
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==========================
SUMMARY:  Horatio and Speedle investigate the death of a man found sodomized on 
his bed.  Delko and Calleigh investigate the murder of a crematorium owner.
==========================
CSI:  MIAMI
1X14:  FORCED ENTRY
==========================



COLD OPEN:

[EXT. VARIOUS MIAMI-DADE CITY LIGHTS (STOCK) -- NIGHT]  



[EXT. POOL - NIGHT]

(A Man dives into the pool and starts swimming laps. He reaches the side, turns 
around and heads in the other direction.)  

(Done, he climbs out of the pool.  He grabs his towel.)

CUT TO:



[INT. RESIDENCE - BEDROOM -- NIGHT]

(The man turns the stereo on.)

(He walks over to his box and opens it.  He looks around and picks up his 
watch.)

(The doorbell rings.  He goes to answer it leaving the watch behind on the 
holder.)



[INT. RESIDENCE - FOYER - NIGHT -- CONTINUOUS]

(The man goes to answer the phone.  The doorbell continues to ring.)

(The man checks to see who it is, then opens the door.)

MAN:  What are you doing here?

WHITE FLASH TO:  



[INT. RESIDENCE - FOYER - DAY]

(The front door is partially opened.  It opens.  Det. Bernstein and Horatio step 
into the house.)  

DET. BERNSTEIN:  A mother-and-daughter girl scout team selling cookies found the 
door open, saw the blood and called 911.

(On the flooring are patches of blood leading into the house.)  

HORATIO:  Got to be a badge for that, right?

(They walk into the house.  Horatio notices the things around them.)

DET. BERNSTEIN:  There's no I.D.  We're running the car outside, and the 
homeowner's information.

HORATIO:  No sign of struggle or disturbance, is there?

DET. BERNSTEIN:  It's the same way in the bedroom ... only it's more disturbing.



[INT. RESIDENCE - BEDROOM - DAY - CONTINUOUS]

(They enter the bedroom and find a man face-down on the bed, his hands and feet 
are tied to the bed frame.)

(Horatio walks up to the bed and puts his kit down.  He notes that the man's 
ankles and wrists are tied.  He also notes that he man's mouth is taped.)  

DET. BERNSTEIN:  Check this.  (points to the watch box)  Got to be a hundred 
grand in watches.

HORATIO:  $100,000 in watches, untouched.  I guess we can rule out robbery.

DET. BERNSTEIN:  Vic had to know the killer.  Had my guys check the perimeter.  
No signs of forced entry.

HORATIO:  Oh ... I wouldn't be too sure about that.

FADE TO
END OF TEASER
ROLL TITLE CREDITS



FADE IN.

[INT. RESIDENCE - BEDROOM -- DAY]  

(Alexx examines the body on the bed.  Speedle is kneeling next to the bed 
looking at the bedsheet while Horatio looks at the watch box on the dresser.)  

HORATIO:  Set of expensive clothes, meticulously laid out, possibly for a date.

SPEEDLE:  Maybe the doorbell rang and his date had a little surprise for him.

(Horatio picks up the watch from the tray.)

ALEXX:  Which left our vic with severe anal trauma and lacerations in the distal 
portion of the rectum.

HORATIO:  Do we have a time of death?

ALEXX:  Liver temp was 88.2, so he took his last breath about twelve hours ago.

HORATIO:  That would be 11:00 last night.  Okay, Speed ... 

(Speedle picks up a strand of hair of the bedsheet.)

SPEEDLE:  I got about four or five hairs here.

HORATIO:  Let's test the sheets for semen.

ALEXX:  I've got something on this head wound.  Doesn't look like blood.  It's 
metallic.

(Camera close-up of the metallic bits in the blood-matted hair.)

(Det. Bernstein walks into the room.)  

DET. BERNSTEIN:  Porsche in the driveway registered to a Richard Lee Hauschild.  
The house is listed under Devereaux Jones.

(Horatio flips the watch he's holding over.)  

HORATIO:  And this watch is engraved to a Mr. Zack Kelsey.

DET. BERNSTEIN:  So who the hell is this poor guy?

HORATIO:  That is a very good question, isn't it?

CUT TO:



[EXT. MIAMI CITY (STOCK) - DAY]



[INT. CREMATORIUM - DAY]

(The door opens.  Det. Riboul, Delko and Calleigh walk inside.  In the center of 
the empty, trashed office space is a dead body, face down on the floor.)

DET. RIBOUL:  Welcome to the crematorium.

DELKO:  Thanks, Detective.  

DET. RIBOUL:  Watch your step.

(They make their way slowly toward the body.)

(On their way there, they note the broken jars and the ashes on the floor.)  

DET. RIBOUL:  One beaten body.  One or more burned bodies in the crematorium 
chamber.  What in the world went on here?  Benito Ramon owned the crematorium.  
A funeral director dropping off one of his customers called it in.

(Calleigh looks at the body on the floor.)  

CALLEIGH:  Looks like Benito had a side gig going on with the gold fillings.

(On the floor near the body are more than half-a-dozen gold-filled teeth.  
Calleigh kneels down.)  

(Delko sees a red, sequenced bag near the crematorium chamber.)

DELKO:  You check the purse?

DET. RIBOUL:  Yeah. I.D. inside said "Michelle Carter."  (Calleigh picks the bag 
up.)  No cash, just some makeup, breath mints, and a dried-out rose.

(An officer walks into the office space.)  

OFFICER:  You better come take a look outside.

(Det. Riboul, Delko and Calleigh head outside.)  



[EXT. CREMATORIUM - DAY - CONTINUOUS]

(Off Det. Riboul, Calleigh and Delko's expressions.  Calleigh takes a breath.  
Delko stares grimly ahead at the piles of dead bodies dumped outside in a pile.)

DET. RIBOUL:  Benito must've been dumping the bodies out here instead of 
cremating them.

CALLEIGH:  It's like Atlanta; there were over three hundred bodies in that one.

(Calleigh and Delko step forward to look at the bodies.)

DELKO:  We can I.D. them with toe tags, or ankle bracelets from the funeral 
home.

CALLEIGH:  The Medical Examiner will probably take the lead, so we'll roll out 
backup.  We stay on homicide.

(Calleigh backs away from the pile of bodies and heads back to the building.)

CUT TO:



[INT. CSI - FORENSICS LAB - DAY]

(Alexx goes over her preliminary report with Horatio.)  

ALEXX:  Bedroom boy has broken blood vessels in both eyes.  Signs of petechiael 
hemorrhages.

HORATIO:  Cause of death?

ALEXX:  Suffocation.  Found a little surprise when I cut the tape off his mouth.

(She holds out the sock.)

ALEXX:  Fabric is our murder weapon.

HORATIO:  Hmm. Either used to shut him up or kill him.

ALEXX:  Either way, when he started to struggle for air, it was sucked deeper 
and deeper into his esophagus until it had nowhere to go.

(Horatio doesn't comment.  He looks down and picks up the strap of tape in front 
of him.)  

HORATIO:  This is the tape from his mouth?

ALEXX:  Yeah.

(Horatio looks at the tape under the magnifying glass.)  

HORATIO:  The tape was cut and not torn.  That means we can look for a tool mark 
somewhere.

ALEXX:  He was also sodomized violently -- most likely with a foreign object.  
His spleen and colon are both damaged.

(Horatio finds a mark on the victim's upper left arm.)

HORATIO:  What's this?

ALEXX:  Some kind of scar.  Burn, maybe.  Or a tattoo that's been lasered off.

HORATIO:  That's what I think.  Seeing as we have no I.D. on this man and there 
are no prints in the system how hard would it be to raise that?

(Alexx lights a hand torch.)  

ALEXX:  Never tried this procedure myself, but, if the books are right ... 

(She burns the outer layer of skin and scrapes it off when it puckers.  Under it 
is the image of the tattoo:  A revolver with a palm tree in the handle.)  

HORATIO:  Well, there you have it.  That is a thing of beauty.

ALEXX:  Unique.

CUT TO:



[EXT. MIAMI-DADE CITY (STOCK) - SUNSET]



[INT. CREMATORIUM WAREHOUSE - SUNSET]

(Calleigh and Delko are cataloging evidence as Alexx examines the body on the 
floor.)

DELKO:  Alexx, we're working you double time today, huh?

ALEXX:  I can handle it.

(One by one, Calleigh picks up the gold-filled teeth near evidence marker 3.)

ALEXX:  Guy had the hell beat out of him.  His skull is fractured.  Death was 
likely caused by internal hemorrhaging in the brain.

(Delko swabs a blood stain on the wall.)

DELKO:  It was likely caused when his head smashed into this wall.  This'll 
crush a skull, don't you think?

ALEXX:  Don't know where you are or what's ahead of you but I bet you figured 
out it wasn't worth it, was it?  Payback's a bitch, baby.

(Det. Riboul walks in.  Delko turns and looks at her.)  

DELKO:  How many?

DET. RIBOUL:  Twenty-seven and counting.  The ones at the bottom are being 
pieced back together.  I just got back the check I ran on Michelle Carter.  She 
was reported missing two weeks ago, last seen in a red dress, red purse.

(Delko looks at the red sequenced bag on the floor.)  

CALLEIGH:  Any of the bodies out back dressed for a night out?

DET. RIBOUL:  Nope.

DELKO:  Well, this jerk left a body in the oven.  It looks like it broke down in 
mid-burn.

(Calleigh stands up and heads toward the Crematorium chamber.)  

CALLEIGH:  Maybe it's Michelle Carter.

(Calleigh looks into the crematorium chamber.)  

DET. RIBOUL:  Can you guys get a positive I.D. from bones?

ALEXX:  Mitochondrial DNA only gives us maternal lineage.

(Delko, Calleigh and Alexx all look into the crematorium chamber.)  

ALEXX:  There's not enough left for facial reconstruction but you can run the 
teeth to check I.D.

DELKO:  Takes three hours for a body to burn through.

(Quick flash of:  [INT. CHAMBER]  The body is being burned.)

DELKO:   (v.o.)  The fire has to be between 1,600 and 2,000  degrees fahrenheit 
to reduce the body to ash, ... 

(The fire poofs out and leaves the bones and ash left.  End of flash.  Resume to 
present.)

DELKO:  ... usually leaving about four to eight pounds of bone particles and 
dust.

CALLEIGH:  I used to think I wanted to be cremated.  Now I don't know. 

DET. RIBOUL:  Looking like the bodies outside are better?

(Calleigh stands up and walks away, back to her kit to get the camera.)  

CALLEIGH:  I don't know.  A casket-- embalmed-- it's not going to look like 
that.

ALEXX:  Hey, either way, ashes to ashes.

(Delko looks inside the chamber and sees something.)  

DELKO:  How about bloody ashes?  I've got some fresh blood here.  Blood would've 
evaporated before the bone broke down.

CALLEIGH:  But even if those are Michelle's bones, it can't be her blood.

(Delko stands up and turns around.  He looks at the dead body in the center of 
the room.)  

CALLEIGH:  I don't know ... Benito?  He's got ash all over his face.

DELKO:  Like Alexx said, payback's a bitch.

CUT TO:



[INT. CSI - LAB - DAY]

(Speedle sits in front of the computer looking at different tattoos trying to ID 
the body.)

(He finds a similar tattoo and matches it to the victim's:  NO MATCH.)

(Speedle sighs.)

CUT TO:



[INT. CSI - FORENSICS LAB - DAY]

(Alexx puts the x-rays up on the viewbox.  She reports her findings to Calleigh 
and Delko.)

ALEXX:  All Benito Ramon.  (points)  The partial skull from the crematorium 
chamber.  Palatine sutures have fused endocranially and exocranially.  Now, I'm 
no forensic anthropologist but I can estimate this person was over sixty years 
old.

CALLEIGH:  So Michelle is still missing.

DELKO:  I ran all the blood from inside the chamber.  Belonged to Benito.

ALEXX:  He had a fractured skull, broken jaw, clavicle three broken ribs and 
this ...

CALLEIGH:  What is it?

ALEXX:  Don't know.  He was holding something.

(On the x-ray is Benito Ramon's hand clenched in a fish.)

(Alexx turns and heads back to the body.  Delko and Calleigh follow.)  

DELKO:  Cadaveric spasm.

(Alexx tries to pry the fingers open, but can't do it.)  

ALEXX:  Yeah. The death grip.  Happens sometimes at the moment of death.  I'm 
going to need my saw and a microwave.

(Calleigh watches Alexx walks out.)

SHORT TIME CUT TO:



[INT. CSI - FORENSICS LAB - DAY]

(We hear the whirr of a hand saw.  Alexx is standing directly in front of the 
body, her back to the camera.  When she moves away, we see that she's cut the 
hand off at the wrist.)

(With the hand in a plastic dish, Alexx walks over to microwave oven.)

ALEXX:  I had to micro a hand just last week.  Only way we could get the 
evidence out.

(Delko watches as Alexx places the dish in the microwave and shuts the door.)

DELKO:  Well, let her rip.

CALLEIGH:  Wait.  (They turn to stare at her.)  Y'all are acting like this is no 
big deal.  That's someone's hand.

ALEXX:  Calleigh, you've picked up body parts before.

CALLEIGH:  Yeah, but I've never microwaved one, and it sort of ... freaks me out 
that y'all have.  (Noticing that they're all waiting for her, she deals with 
it.)  Okay, then.  All in a day's work.

(Alexx turns the microwave on.  As the dish turns, the hand slowly smokes and 
opens.)

(The longer it's inside, whatever's clutched in the fish sparks and sizzles.)

DELKO:  Whoa. Fireworks.

ALEXX:  Must be something metal.

(She turns the microwave oven off, opens it and removes the dish inside.  She 
shuts the oven door.)

(She places the dish on the counter and removes the flat metal disk clutched in 
the center of the palm.  She holds it up as she looks at it.)

ALEXX:  What the hell is this?

(Delko chuckles and recognizes it immediately.)  

DELKO:  This is a pass to paradise.  Ever heard of a club in South Beach called 
Canvas?

CALLEIGH:  Yeah. I've been there a couple of times.

DELKO:  Yeah. Me, too.  I spend my whole damn paycheck.  It's worth every dime, 
though.  Never had one of these.

CALLEIGH:  If you've got a badge, you don't need one.

(Calleigh turns and leaves.  Delko chuckles.)  

CUT TO:



[INT. CSI - LAB]  

(Speedle is in the lab still working on identifying the tattoo.  Horatio walks 
into the lab.)  

HORATIO:  Speed, how are we doing?

SPEEDLE:  (sighs)  Aw, I'm just staring at a lot of bad tattoos.  You?

HORATIO:  The neighbors say he kept odd hours and had no job.

SPEEDLE:  Well, that's weird.  That phat house?  

HORATIO:  mm-hmm.

SPEEDLE:  All those expensive toys?  (He sighs.)  That doesn't look like a 
prison tat.

HORATIO:  No, it doesn't.  There's too much detail.  Have you run it through the 
database?

SPEEDLE:  Yeah. Nothing.  I also checked with Ernie, the guy that did 
Calleigh's.

HORATIO:  (surprised)  Did Calleigh's?

SPEEDLE:  Yeah.  Not that she's ever going to let anybody see it, but uh, Ernie 
thinks this is one-of-a-kind.

HORATIO:  Hang on ... 

SPEEDLE:  Designed by ... 

HORATIO:  Hang on a minute.

(Speedle finds a comparative match.)  

HORATIO:  Designed by the tattoo artist that did this one.

(Speedle pulls up the mug photo of the tattoo artist.  The info board reads:
     BLUE, DANNY
     DOB  07-17-70
     DCJ 586068-03

SPEEDLE:  That's not our victim.

CAINE:  No, it's not.  But he's got the same tattoo, doesn't he?  Bring up his 
criminal history, will you?

(Speedle pulls up the criminal history on screen.)  

SPEEDLE:  Name is Danny Blue.  Released from prison-- get this -- five days ago 
on a robbery conviction.

HORATIO:  Shocking. You know what?  Let's bring in Danny Blue.

FADE OUT.



FADE IN.

[INT. CLUB CANVAS -- NIGHT]  

(On the dance floor stage, the two dancers - a man and a woman -- pour different 
color paints on each others' bodies.  Under black light, the colors glow.  The 
music pulses and the place is packed with patrons.)  

(Calleigh stands still as she looks around the place.  Behind her Delko talks 
with the manager.  He returns to Calleigh.)

DELKO:  He's going to get the owners.

CALLEIGH:  Did you read the article in Dade Distinctions about this place?  Two 
guys from Puerto Rico-- they're cousins.  I guess they had a couple of clubs 
down there, but the article said they were Miami versions of knock-around guys.

DELKO:  Well, you know what they say.  If you own the hottest club in the city, 
you own the city.

(They see the two owners approaching them.)  

DELKO:  Here come our guys.

MICHAEL GUERRO:  Hey, guys.  Michael Guerro, Jarod Parker.  How can we help you?

DELKO:  Seen either one of these two people?

(Delko shows the DMV licenses for the missing people.  Jarod Parker takes the 
copies and looks at them.)

DELKO:  Benito Ramon.  Michelle Carter.

JAROD PARKER:  No.  Sorry.  (He hands the copies back to Delko.)  What's going 
on?

CALLEIGH:  The male had this on him.

(She shows them the folder of the photo of the metal piece.)  

MICHAEL GUERRO:  That's our VIP palette.

(Calleigh notes the ring with a "C" insignia on Jarod Parker's left hand.)  

CALLEIGH:  He had it on his body.  He was murdered.  Can we look at your VIP 
list?

MICHAEL GUERRO:  Sorry, but membership in our club comes with an expectation of 
privacy, so, yeah, we mind.

(Calleigh's phone rings.  She turns away and answers it.)  

CALLEIGH:  Duquesne

DELKO:  It's okay.  We'll come back with a warrant.

MICHAEL GUERRO:  Whatever you got to do.

(Calleigh hangs up and turns back.)  

CALLEIGH:  (to Delko)  I think we found Michelle.  (to the club owners)  Thank 
you.

(She and Delko turn to leave.  Michael Guerro and Jarod Parker look at each 
other.)  

CUT TO:



[INT. CSI - INTERVIEW ROOM -- NIGHT]  

(Speedle takes Danny Blue's prints.  Horatio interviews Danny Blue.  Det. 
Bernstein and Danny Blue's parole officer are also in the room.)  

HORATIO:  Okay, Danny Blue, that wasn't too bad, was it?  Tell me ... do you 
recognize this gentleman?

(Horatio puts the crime scene photo of the victim spread-eagled on the bed in 
front of Danny Blue.  Danny glances at it and turns away uncomfortable.)  

DANNY BLUE:  No. Doesn't ring a bell.

HORATIO:  How about this tattoo?

(Danny Blue shrugs.)  

PAROLE OFFICER:  Pull up your right sleeve, Danny.

HORATIO:  Do what your parole officer says, Danny.

(Danny pulls up his right sleeve and exposes the gun tattoo on his arm.)

HORATIO:  So it does ring a bell.

DANNY BLUE:  (points to the photo)  It's ... it's Thomas.  Thomas Carpenter.  

SPEEDLE:  What happened to him?

PAROLE OFFICER:  He and Danny did some robberies together.  Danny got busted.  
Spent the last five years in prison.

DET. BERNSTEIN:  Without giving up your buddy?

SPEEDLE:  You guys both have the same tattoo.  You must be pretty close.

DANNY BLUE:  Yeah, well, not that close.

HORATIO:  No? I'm going to need a hair sample, Danny.

DANNY BLUE:  Wha ... ? Don't you got to get a warrant to do crap like that?

DET. BERNSTEIN:  Not when you're on parole and we have hair samples and 
fingerprints from the murder scene.

HORATIO:  That's correct.  So either you pull it out, my friend, or I will.

(Danny pulls out a hair sample and stuffs it in the envelope Speedle holds out.)  

HORATIO:  Thank you.  So, Danny, are we going to find your fingerprints at the 
crime scene?

DANNY BLUE:  I was at his house a couple days ago, but I didn't kill him.

HORATIO:  Convince me.

(Quick flashback to:  [DAY]  Danny Blue and Thomas Carpenter are yelling at each 
other.)  

DANNY BLUE:  Thomas, come on!

THOMAS CARPENTER:  I don't owe you a damn thing, Danny!

DANNY BLUE:  That's not what I'm saying!  

THOMAS CARPENTER:  If you had mentioned my name, you'd be dead now instead of on 
parole.  

DANNY BLUE:  Come on.

(End of flashback.  Resume to present.)  

HORATIO:  So you went to Carpenter's to see what he was into.  He turned you 
down, but you figured he still owed you.

DANNY BLUE:  Yeah, he did owe me.

HORATIO:  So you killed him.

(Danny Blue scoffs and glances over at his parole officer.)  

HORATIO:  Not two days ago -- last night.

DANNY BLUE:  No, I was at work last night.  All night.  You can check it out.

HORATIO:  I intend to.  What was Mr. Carpenter into?

DANNY BLUE:  I don't know.  Some scam -- said it was foolproof.  Been working it 
about a year.  Look, he didn't get into the details 'cause he got pissed off at 
me and he kicked me out.  That was two days ago.

HORATIO:  Two days ago ... but your scam wasn't foolproof, was it, Danny?  
You're on parole.  Just by meeting with Mr. Carpenter, you violated a condition, 
didn't you?  (Danny Blue looks frantically back at his parole officer.)  
Detective Bernstein, he's all yours.

(Det. Bernstein steps forward.)

CUT TO:



[EXT. MIAMI-DADE CITY LIGHTS (STOCK) - NIGHT]



[INT. APARTMENT - NIGHT]

(Horatio puts his gloves on as he walks into the residence.  He looks around.  
The place is crowded with officers.  One officer photographs various items on 
the table.)

(Horatio looks around and sees something on the table.  It's a piece of cloth.  
He picks it up and looks at it.  He continues to look at the other items on the 
table.)

(Speedle walks up to Horatio.)  

SPEEDLE:  How much of this stuff did this guy rip off?

(Horatio picks up a crystal glass.  The etching on it reads:  
     "Happy Anniversary ERIN LOVE LEONARD"

HORATIO:  Judging by the size of this house, I would have to say most of it, 
wouldn't you?  Let's bag that.

SPEEDLE:  "Erin love Leonard."

(Speedle turns and hands it to the woman tech passing by.)  

SPEEDLE:  Hey, can you add this to the list?

TECH:  Sure.

HORATIO:  Thank you.  What'd you get?

SPEEDLE:  Uh ... I compared Danny Blue's hair sample to the hairs I found on the 
victim's bed.  No match.

HORATIO:  So, maybe he was telling the truth.

SPEEDLE:  Oh, and I also compared the swabs Alexx took from the victim's head 
wound and rectum.  They both had traces of rust.  Likely from a corroded iron 
pipe.

HORATIO:  Okay, excellent.  You know what?

(Horatio gives Speedle the piece of cloth from the table.)

HORATIO:  Let's bag this, too.

SPEEDLE:  You got it.

(Speedle takes the cloth and leaves.  Det. Bernstein joins Horatio.)  

DET. BERNSTEIN:  Hey.  This diamond bracelet?

HORATIO:  Mm-hmm.

(Det. Bernstein shows Horatio a diamond bracelet.)  

DET. BERNSTEIN:  Worth about thirty grand.  Reported stolen by a Judy Johnson 
three weeks ago.  She also reported a 268.

HORATIO:  A 268?  So he's not just a b-and-e guy.  He's a rapist, too.

DET. BERNSTEIN:  Gets better.

HORATIO:  It gets better than a rapist being raped? How?

DET. BERNSTEIN:  He wrapped electrical tape around her hands, ankles and mouth 
before he sodomized her.  He also gagged her.

HORATIO:  So someone used his own M.O. on him, didn't they?

DET. BERNSTEIN:  Yeah. Makes for poetic justice.

HORATIO:  It also makes miss Judy Johnson a suspect.

DET. BERNSTEIN:  Except she committed suicide one week after he raped her.

HORATIO:  Did she have a distraught boyfriend or husband hanging around?

DET. BERNSTEIN:  She was married.

HORATIO:  She was married?  Well, let's find the husband then.

CUT TO:



[EXT. CREMATORIUM – BACK YARD -- NIGHT]  

(Det. Riboul shows Calleigh and Delko where the body was buried.  Night lights 
are set up around the area.  Officers and other personnel are there.)  

CALLEIGH:  Way to go, Riboul.  Michelle Carter in a shallow grave.

DELKO:  Can you believe she was buried under all those bodies?

CALLEIGH:  I believe it now.

(They reach the shallow grave and join Alexx who is looking over the body.)  

DELKO:  Are those scratches all over her face?

ALEXX:  No.  Postmortem rodent bites.

(Close-up of the bites on the body's face.)  

ALEXX:  She might have also been beaten.  I've got something in her hair.

CUT TO:



[INT. CSI - FORENSICS LAB - NIGHT]

(Alex turns the overhead light off and switches on a hand-held black light.  She 
shines the light in the substance in the victim's hair.)

(It glows.)

(The colored substance is all over Michelle Carter's skin.)

ALEXX:  Wait a minute.  Wait a minute.

CALLEIGH:  What's all over her skin?

ALEXX:  Tell you in a sec.  Looks like paint.

DELKO:  It looks like fluorescent paint.

CALLEIGH:  Like the kind of paint they were using at Club Canvas.  If Michelle 
worked in the paint, she was a dancer at the club.

DELKO:  The owners were lying.

CUT TO:



[EXT. MIAMI (STOCK) - DAY]



[INT. CSI - INTERVIEW ROOM - DAY]

(Det. Bernstein and Horatio interview Mr. Johnson.)

DET. BERNSTEIN:  We know your wife killed herself one week after she was raped, 
Mr. Johnson.  We're sorry for your loss.

JOHNSON:  Did you find the guy that did it?

HORATIO:  We think so.

MR. JOHNSON:  Good.  Charge him with murder.  Better yet, just give me five 
minutes alone with him.

HORATIO:  Well, it would appear that someone's beaten you to the punch, Mr. 
Johnson.

DET. BERNSTEIN:  Saturday night-- where were you?

MR. JOHNSON:  Out with some friends. Why?

HORATIO:  Because someone got revenge on your wife's rapist.  Someone who knew 
that he tied up his victims with tape, gagged them and sodomized them in their 
own home.

MR. JOHNSON:  You think it was me.

HORATIO:  Well, whoever it was knew an awful lot about what happened to your 
wife.

MR. JOHNSON:  If it was me, would you blame me?

HORATIO:  Are you saying it was you?

MR. JOHNSON:  No.  I thought you brought me in here to tell me something about 
Judy's case.  But you're actually helping the bastard that raped my wife because 
someone hurt him, right?  (scoffs)  Are you serious?  Are you really serious?

DET. BERNSTEIN:  The M.O.'S match exactly.

MR. JOHNSON:  (angry)  Of course I know how my wife was raped.  Every detail.  I 
also know how she died because I'm the one that found her with the scissors 
still stuck in her arm.

HORATIO:  Did you say scissors?

MR. JOHNSON:  Yes.

HORATIO:  Okay, I'm going to need to take a look at those.

MR. JOHNSON:  You people are unbelievable.  How can you care more about the 
rapist than his victim?

FADE OUT.



FADE IN.

[EXT. MIAMI- DADE CITY (STOCK) - DAY]



[INT. CSI - LAB - DAY]

(Speedle and Horatio are in the lab.)  

HORATIO:  The semen samples taken from Judy Johnson are a dead DNA match to 
Thomas Carpenter, which confirms that he raped her, right?

(Speedle's sitting in front of the computer.)  

SPEEDLE:  Yeah. Check this out.

(He pulls out three other photos on the monitor for:
     V-SMITH, COURTNEY FW/23
     V-DADDIO, NICOLE F. FW/27
     V-BROWN, PAMELA  FW/35

SPEEDLE:  She wasn't the only one.  There were three other victims.

HORATIO:  Three others?  Were they all robbed?

SPEEDLE:  Yep.

HORATIO:  Okay, well, Danny Blue said that Carpenter was working on a foolproof 
scam for the better part of a year, right?

SPEEDLE:  Yeah. So what's the scam?

HORATIO:  It's my guess that he was making his living as a thief, but getting 
his power from the rapes.  Medical Examiner confirmed that none of the women had 
been raped vaginally -- all sodomized.

SPEEDLE:  And he tells them, if they go to the police, that he'll come back to 
get them.

HORATIO:  So his scam could be that he threatened his victims into silence.

SPEEDLE:  Maybe one of the victims turned the tables on him.

HORATIO:  That's possible, isn't it?  Question becomes who?

SPEEDLE:  Well, the three other victims left Miami after they filed police 
reports.

HORATIO:  But Judy Johnson stayed behind and did what?  She stayed behind and 
killed herself.

SPEEDLE:  Her husband's alibi check out?

HORATIO:  Not conclusively.

SPEEDLE:  We can nail a grieving husband for killing his wife's rapist.  That's 
good.  I mean, I think the guy deserves a medal, don't you?

HORATIO:  Let's go find out.

CUT TO:



[INT. CLUB CANVAS - DAY]

(Calleigh scrapes a sample of the paint off of the wall.)

JAROD PARKER:  Please be careful.

DELKO:  Would you rather we take the whole thing back to the lab for processing?

VINCENT GRAZIANO:  (o.s.)  That won't be necessary.

(They turn around and see Det. Riboul with Vincent Graziano.)  

DET. RIBOUL:  Crime Scene Investigators Duquesne and Delko meet Vincent 
Graziano, legal counsel for the club.

VINCENT GRAZIANO:  Take note. We are cooperating with your investigation.

CALLEIGH:  It's funny how warrants bring out the best in people.

(He hands them two lists.)  

VINCENT GRAZIANO:  List of members, list of employees.

DELKO:  So Benito Ramon was a member, after all.

CALLEIGH:  Says here that Michelle Carter is an employee.  She worked as a 
painter?

(Quick flashback to:  [NIGHT]  Focus on the dancers on stage who are covered 
with body paint that glows under black light.  End of flashback.  Resume to 
present.)

DELKO:  And if Michelle was an employee, then that would make Jarod a liar.

(Jarod looks at Vincent.)  

VINCENT GRAZIANO:  You've got nothing to hide.

JAROD PARKER:  When Michelle was first missing, the police came here asking 
questions.  When you showed up, I figured that can't be good.

DET. RIBOUL:  So you decided to make things worse by hindering our 
investigation?

JAROD PARKER:  I admit I lied about Michelle, but I was telling the truth about 
Benito Ramon.  I give my word.  I've never seen him before.

CALLEIGH:  We know how much that means.  We'll be in touch.

(Calleigh and Delko both leave.)  

CUT TO:



[INT. CSI - LAB - DAY]

(Speedle is looking at the blade edges under the scope.  Laura walks into the 
lab.)  

LAURA:  How's it going?

SPEEDLE:  (sighs)  Striations on Judy Johnson's scissors don't match the 
striations on Carpenter's tape.

LAURA:  Try these.  Took me longer to process this pair.  So the only DNA I 
found on the blades was Judy Johnson's.

(Speedle takes the scissors out of the envelope.)  

SPEEDLE:  Nice job, Laura.  She used these to slit her wrists?  Let's see if the 
husband used them to avenge her.

(He cuts a piece of tape and checks it under the scope.)

LAURA:  Close?

SPEEDLE:  Not close enough.  (sighs)  Okay, means the husband didn't do it.

LAURA:  Not with those scissors, anyway.

SPEEDLE;  We'll have to go back to the murder weapon.

LAURA:  Which was?

SPEEDLE:  Fabric.

CUT TO:



[INT. CSI - LAB - DAY]

(Calleigh looks at the morgue photos of Michelle Carter up on the monitor.  
Alexx sits next to her.)  

ALEXX:  Cause of death was strangulation.

(Delko walks in.)  

DELKO:  No surprise here.  The paint in Michelle's hair matches the paint chips 
we took from Club Canvas.  (Delko hands the folder to Calleigh.)  Is that a UV 
photo?

(He looks at the photo of the bruised woman on the monitor.)  

ALEXX:  No. I took this post-autopsy.  To get the UV photo, all I did was add an 
ultraviolet filter and flood her face with light.  UV light penetrates the skin 
and picks up bruises and marks too deep to be seen under normal light.  Any 
bruising that's already visible won't show up on a UV photo.

(On the monitor, the UV photo appears.  All the bruises on the victim disappears 
and a single new bruise is evident.)  

DELKO:  Like that mark on her cheek?  What is that?

(Calleigh enhances the mark on the cheek.)  

DELKO:  Looks like a horseshoe.

CALLEIGH:  Or the letter "C."

DELKO:  As in Club Canvas.

CALLEIGH:  As in the rings Jarod Parker and Michael Guerra both wear.

DELKO:  I'll have Riboul bring them in.

(Delko turns and leaves the lab.)

CUT TO:



[INT. CSI - TRACE LAB -- DAY]  

(Speedle walks into the lab and stops next to the Trace Technician.)  

SPEEDLE:  Nice tie.

TRACE TECH:  You're desperate, aren't you?

SPEEDLE:  Well, you are the king of fibers.

TRACE TECH:  And you are lucky.  These fibers are man-made.

(Camera zooms in for a close-up of the frayed fibers on the cloth.)  

TRACE TECH:  Animal, vegetable or mineral fibers would be impossible to trace.  
Man-made fibers are produced on machines that leave distinct markings.

SPEEDLE:  And these cross-sectional shapes are unique to that machine.

TRACE TECH:  Both fabrics are made by the same company and, since manufacturers 
don't duplicate each other's dyes ... 

SPEEDLE:  We identify the dyes, trace it back to a design house might lead us to 
a suspect.

TRACE TECH:  I've already done all the above.  (He grabs the print results.)  
The dye is made by a company called RGJ textiles.  Now, according to their web 
site, that fabric is available through ten different design houses here in 
Miami.

SPEEDLE:  Did it say which ones?

TRACE TECH:  No, but I found out for you.  (He grabs another print out.)  See, a 
lesser tech would have left it at that.  I, however, am nothing if not thorough.

SPEEDLE:  And yet, your handwriting is terrible.  What does it say?

TRACE TECH:  Murphy home decor.  Owners are Leonard and Erin Murphy.

SPEEDLE:  (softly)  Leonard and Erin.

(Speedle leaves the lab.)

CUT TO:



[INT. CSI - LAB -- DAY]  

(Close up of the crystal vase with the etching on it.)  

SPEEDLE:  Thomas Carpenter had expensive taste.

HORATIO:  Mm-hmm.  But what he can't do is fence an item with someone's name 
engraved on it.  "Happy Anniversary Erin love Leonard."  Got to have some 
sentimental value to these people.

SPEEDLE:  She never reported it stolen.

HORATIO:  Mmm. Maybe she had a good reason not to.

CUT TO:



[INT. CSI - INTERVIEW ROOM - DAY]

(Delko and Calleigh both put their gloves on.  Michael Guerro and Jarod Parker 
both sit at the table.  Their lawyer walks in.)  

VINCENT GRAZIANO:  My clients have a club to run.  This is bordering on 
harassment.

CALLEIGH:  I can assure you it's perfectly legal.

VINCENT GRAZIANO:  Just the same, I advise them not to answer any of your 
questions.

CALLEIGH:  That's fine.  I can get the answers myself.  All I need are their 
rings.

JAROD PARKER:  Why?

MICHAEL GUERRO:  You know how much these things cost?  This is because of 
Michelle?

VINCENT GRAZIANO:  Michael.

DELKO:  What about Michelle?

CALLEIGH:  You opened the door.  If you don't close it, we will.

(Michael glances over at his lawyer who nods for him to answer.)  

MICHAEL GUERRO:  I discovered Michelle.  The deal was, she would work 
exclusively for us.

CALLEIGH:  But she decided to branch out?

MICHAEL GUERRO:  She wanted to be a promoter.  You know, she had the looks.  
Talked the talk, walked the walk.  Stepped on a lot of toes in the process.

VINCENT GRAZIANO:  She started hosting events at a place called the Thorny Rose.

(Quick flashback to:  [CREMATORIUM]  Calleigh picks up the red sequined purse, 
opens it and takes out a red rose.  End of flashback.  Resume to present.)

VINCENT GRAZIANO:  Why don't you talk to them?

CALLEIGH:  I will ... right after your clients give me their rings.

(Jarod and Michael both look at their lawyer who again nods.  They remove their 
rings off their fingers.)

CUT TO:



[INT. CSI - OBSERVATION ROOM -- DAY]  

(Delko stands in the observation room looking through the window over at Jarod 
and Michael sitting in the interview room.  Calleigh enters the observation 
room.)  

CALLEIGH:  These rings are clean.

(She holds out the rings in plastic bags.)

DELKO:  No way.  There's no blood, no epithelials?

CALLEIGH:  No cremation ash, no nothing.

DELKO:  Maybe they cleaned them.  Maybe they used some cleaning fluid-- bleach, 
maybe.  Could prove that they tried to destroy evidence.

CALLEIGH:  Well, Jarod and Michael are clean.

(Delko looks back at the two men in the interview room.) 

DELKO:  (sighs)  I doubt that.

CUT TO:



[INT. MURPHY HOME DÉCOR -- DAY]  

(Det. Bernstein, Horatio and Speedle enter the store.  Speedle carries his kit.  
They walk in and look around the area.  Horatio notices the cloth sample on the 
table.)  

SECRETARY:  (to phone)  (b.g.)  Good afternoon.  Murphy Home Decor.  Can I help 
you?

SPEEDLE:  Horatio, take a look at this.

(Speedle is looking through the mailing list book.)  

LEONARD MURPHY:  Hi.  You guys want to be on our mailing list?

DET. BERNSTEIN:  Leonard Murphy?

LEONARD MURPHY:  Um, yeah.

DET. BERNSTEIN:  We'd like to talk to your wife Erin.  Can we speak to her?

(Horatio looks through the mailing list and finds:
     THOMAS CARPENTER
   623 BEDLINGTON RD.

LEONARD MURPHY:  Sure. Follow me.

HORATIO:  (to Speedle)  You know what?  Let's get the mailing list back to the 
lab, all right?

CUT TO:



[INT. MURPHY HOME DÉCOR - SECOND FLOOR - DAY - CONTINUOUS]

(Leonard Murphy leads Det. Bernstein and Horatio up to the second level to talk 
with Erin Murphy.)  

(Erin is taping a box.  She cuts the tape with a pair of scissors.  Horatio 
looks around and sees the pipes stacked against the wall.)

DET. BERNSTEIN:  Erin?

ERIN MURPHY:  Yeah?

DET. BERNSTEIN:  Erin Murphy?  

ERIN MURPHY:  Yes. Can I help you?

(Horatio notices the more than a dozen scissors hanging on the holders nearby.)  

DET. BERNSTEIN:  I'd like to talk to you for a minute.

ERIN MURPHY:  Okay. What about?

(Camera zooms in on one particularly sharp pair of scissors.)  

HORATIO:  Well, as it turns out, it's about one of your customers.

ERIN MURPHY:  Okay.

DET. BERNSTEIN:  (to Leonard)  Why don't you and I go talk downstairs?

LEONARD MURPHY:  You going to be all right, hon?

ERIN MURPHY:  Uh, yeah.

HORATIO:  This'll only take a minute, okay?

(Det. Bernstein and Leonard Murphy leave.)

HORATIO:  His name is Thomas Carpenter.  Does he seem familiar to you?

(Horatio puts a morgue photo on the table for her to look at.)  

ERIN MURPHY:  No. My husband works out front more.  I do the buying, designing.  
What happened to him?

HORATIO:  Well, he was murdered.  And we believe he was murdered to avenge a 
rape.

ERIN MURPHY:  (shakes her head)  I'm sorry I can't help.

HORATIO:  Well, actually, you can.  I'm going to need all of the scissors that I 
see present and a sample of your hair.

ERIN MURPHY:  A sample of my hair?

HORATIO:  Mm-hmm.

FADE OUT.



FADE IN.

[INT. CSI - HALLWAY -- DAY]  

(Delko and Calleigh walk through the hallway.)  

DELKO:  We're going back to Club Canvas?

CALLEIGH:  Riboul tracked down the jeweler that made Jarod and Michael's rings.

DELKO:  Okay, but you said they were clean.

CALLEIGH:  Well, they are, but they weren't the only ones made.  There were 
three rings made for Club Canvas.

DELKO:  So, there's a silent partner?

(They walk into the elevator.  Calleigh presses the button.)  

CALLEIGH:  Not so silent anymore.

(The elevator doors close.)

CUT TO:



[INT. CSI - INTERVIEW ROOM -- DAY]  

(Horatio and Det. Bernstein interview Erin Murphy.)  

ERIN MURPHY:  You think I was raped?  Is this a joke?

HORATIO:  I can assure you this is no joke.

ERIN MURPHY:  I think you've got some wrong information.  If I was raped, trust 
me, the police would know about it.

HORATIO:  Why didn't you report your home being burglarized?

ERIN MURPHY:  Because it wasn't.  Obviously, you've got me mixed up with someone 
else.

HORATIO:  (nods)  Do you, um, own one of these?

(He shows her the photo of the crystal vase.)  

ERIN MURPHY:  I did.  There must be thousands of those vases.

HORATIO:  The problem is, is that this one is inscribed to "Erin love Leonard."

ERIN MURPHY:  But ours shattered into a million pieces.  It ... it fell off a 
shelf when my husband was moving furniture.  He called me while I was overseas 
buying fabric to tell me.

HORATIO:  When did this happen?

ERIN MURPHY:  A month ago, a couple of months, I don't know.  Would you please 
tell me what's going on?

HORATIO:  I will, but first you tell me what happened to your arm.

ERIN MURPHY:  My cat jumped on me.  She gets excited when I come home from my 
trips.

HORATIO:  Your trips?  Your fabric-buying trips?

ERIN MURPHY:  Yes. I've been in India for two weeks.  I just got back last 
night.

DISSOLVE TO:



[EXT. MIAMI CITY LIGHTS (STOCK) - NIGHT]



[INT. CLUB CANVAS -- NIGHT]  

(Delko and Calleigh are back at Club Canvas talking with Vincent Graziano.)  

VINCENT GRAZIANO:  I don't know what you're talking about.
I don't have a canvas club "c" ring.

CALLEIGH:  That strip of white, fish-belly skin on an otherwise tan hand proves, 
until recently, you were wearing a ring on that finger.

DELKO:  Yeah, you must have never heard about that guy in L.A. with the Bruno 
Magli's?

(Delko shows him a photo in a magazine of the three owners of the club - 
Vincent, Michael and Jarod.  They are each wearing a "c" ring.)  

CALLEIGH:  The police are at your house right now looking for your ring.

VINCENT GRAZIANO:  Fantastic.  Let me know when they're finished.  Until then, I 
think I'll have a drink.

CALLEIGH:  I don't think so.  

(Vincent turns to leave, but Calleigh stops him.)  

CALLEIGH:  You're coming with us.

(A couple of police officers approach them.  The officer escorts Vincent out 
with Delko and Calleigh.)

CUT TO:



[INT. CSI - LAB - NIGHT]

(Calleigh puts the "c" ring on the table in front of Vincent Graziano.  She, 
Delko and Det. Riboul interview Vincent Graziano.)  

CALLEIGH:  Diamonds are a girl's best friend and a suspect's worst enemy.

DELKO:  The setting was a perfect reservoir for Michelle's blood.

CALLEIGH:  Try it on.

(He reaches for the ring and puts it on.)

VINCENT GRAZIANO:  What do you know? It fits.  Quite a coincidence.

CALLEIGH:  I've got another one for you.  It turns out you're more than just 
legal counsel for the club.  You're the majority owner.

DELKO:  As a matter of fact, Michael and Jarod combined own less than one 
percent.

VINCENT GRAZIANO:  I needed someone with personality to attract customers.  I 
wanted my business to be successful.

CALLEIGH:  Unlike the other two clubs you had that failed miserably.  You filed 
for bankruptcy after both "Moist" and "Belly Button" were closed.

VINCENT GRAZIANO:  Proves I'm a bad businessman, not a murderer.

CALLEIGH:  It proves you have a vested interest in making club canvas the 
hottest club on the beach, which you did, by eliminating the competition.

DET. RIBOUL:  Competition like Michelle.

(Det. Riboul puts a couple of pamphlets for "Thorny Rose" on the table.)  

CALLEIGH:  Michelle used club canvas to create a name and she used her name to 
lure your VIPs to events at other clubs-- her events.

(Quick flashback to:  [NIGHT]  In the club, Michelle Carter passes out 
brochures.  Vincent sees her.  End of flashback.  Resume to present.)

CALLEIGH:  Michelle was a threat, so you decided to get rid of her.

(Quick flashback to:  [NIGHT]  Vincent finds Michelle outside at night.)  

VINCENT GRAZIANO:  Hey, Michelle!  You think I'm gonna let you steal my 
customers?  I own you, bitch!

(He punches her in the face.)

(He chokes her.)

(End of flashback.  Resume to present.)

CALLEIGH:  And, after you killed her, you knew exactly how to get rid of her 
body and you gave Benito Ramon a VIP membership in exchange for his services.

(Quick flashback to:  [CREMATORIUM]  Vincent instructs Benito.)

VINCENT GRAZIANO:  Burn her, Benito.  Burn her stuff, too.

(He hands Benito Michelle's purse.)

(End of flashback.  Resume to present.)

CALLEIGH:  You thought everything connecting you to her murder had been disposed 
of until you went back to pay Ramon.

(Quick flashback to: [CREMATORIUM]  Vincent holds out the VIP metal piece.)  

BENITO RAMON: (surprised)  What are you doing here?

VINCENT GRAZIANO:  I owe you, remember?

(Vincent sees the box with Michelle's bag in it.)  

CALLEIGH:  (v.o.)  But when you got there, you saw a few things  you didn't 
expect.

VINCENT GRAZIANO:  Why didn't you burn her purse?

(Vincent opens the chamber door and looks at it.)  

CALLEIGH:  (v.o.)  The chamber was broken.  

(Cut to:  Outside, he sees the pile of unburned bodies.)  

CALLEIGH:  (v.o.)  Michelle's body hadn't been cremated...

(End of flashback.  Resume to present.)

CALLEIGH:  ... so you killed Benito Ramon.

(Quick flashback to:  [CREMATORIUM]  Vincent heads back inside the building.)  

BENITO RAMON:  The chamber's broken.  Don't worry!  I'll cremate her!

(Vincent grabs Benito and slams him up against the wall.  He tosses Benito 
around.  A vase cracks.  He punches Benito in the face and throws him up against 
the concrete wall.)  

(Benito has the VIP metal piece in his hand.)  

(Vincent pushes Benito's head in the chamber.)

(End of flashback.  Resume to present.)  

CALLEIGH:  Because you knew that a buried body still contained DNA, but one 
cremated to ash doesn't.  No DNA ... no proof Michelle's dead.

(Quick flashback to:  [CREMATORIUM]  Vincent kills Benito.)

(End of flashback.  Resume to present.)

(Vincent smiles smugly at them.)  

VINCENT GRAZIANO:  That's a good story.  I enjoyed that.  But you forgot one 
thing ... I'm a lawyer, a damn good one.

CALLEIGH:  Oh, you know what? You're right.  I did forget one thing:  Michelle's 
blood wasn't the only one we found on the ring.  Benito Ramon's was there, as 
well.  

DELKO:  And cremated ash, and the chances of that happening to anyone but the 
murderer are about a million to one.

CALLEIGH:  You may be a lawyer, but I'm a CSI.  A damn good one.

(Det. Riboul steps forward and handcuffs Vincent.)

CUT TO:



[INT. CSI - LAB]  

(The table is filled with the scissors from Murphy's Home Décor.  Speedle is 
looking through the scope when Horatio walks in.)  

HORATIO:  You rang?

SPEEDLE:  Erin Murphy still here?

HORATIO:  Voluntarily, for the time being.  How we doing?

SPEEDLE:  I'm finished.  Take a look at that.

(Horatio looks through the scope.)

HORATIO:  Okay ...

(Speedle holds up a pair of scissors.)  

SPEEDLE:  These are the scissors that cut the tape we found on Thomas.

HORATIO:  All right.  You don't look too happy.  Well, it turns out that Erin 
Murphy was on a plane at the time of the murder.

SPEEDLE:  So that leaves the husband.

HORATIO:  She claims that she's never been raped. 

SPEEDLE:  Well, maybe she's still afraid.

HORATIO:  And maybe we're talking to the wrong victim.

CUT TO:



[INT. CSI - INTERVIEW ROOM -- DAY]  

(Horatio and Det. Bernstein interview Leonard Murphy.)  

LEONARD MURPHY:  I don't know what you're talking about.

HORATIO:  Leonard, I can get a court order in here for a doctor's examination, 
if that's what you want.

LEONARD MURPHY:  You're wrong.

HORATIO:  I can place you in Thomas Carpenter's bed.

LEONARD MURPHY:  It never happened.

HORATIO:  Leonard ...

LEONARD MURPHY:  I said it never happened.

HORATIO:  Leonard ... you were raped and you couldn't live with it.

LEONARD MURPHY:  I thought, uh ... I was just trying to get by.  Not deal with 
it.  I was so messed up.  And then he just walked into my store one day.

(Quick flashback to:  [MURPHY HOME DÉCOR - DAY]  Thomas Carpenter walks into the 
store.  Leonard Murphy looks up and sees him.)

THOMAS CARPENTER:  Excuse me a second.

(Several cuts of Thomas Carpenter looking at fabric samples.)  

LEONARD MURPHY:  (v.o.)  Shopping for fabric.

HORATIO:  (v.o.)  So you recognized him, but he didn't recognize you.

(Leonard watches Thomas Carpenter.)  

LEONARD MURPHY:  (v.o.)  I wanted to kill him.

(End of flashback.  Resume to present.)  

HORATIO:  So you got his address ...

(Quick flashback to:  [MURPHY HOME DÉCOR - DAY]  Leonard Murphy talks with 
Thomas Carpenter.)  

LEONARD MURPHY:  Why don't you write down your name and address for our mailing 
list.

(Thomas Carpenter signs the book.)

(End of flashback.  Resume to present.)  

HORATIO:  And you decided to even the score.  

(Quick flashback of:  [MURPHY HOME DÉCOR - DAY]  Leonard grabs some tape.  He 
grabs a pair of scissors.  He grabs a piece of fabric.)  

(End of flashback.  Resume to present.)  

(Leonard nods.)  

HORATIO:  You went to his place to do to him what he'd done to you.  Right?

(Quick flashback to:  [CARPENTER RESIDENCE - NIGHT]  Thomas Carpenter opens the 
front door.)

THOMAS CARPENTER:  What are you doing here?

LEONARD MURPHY:  I just thought I'd bring some fabric samples by for you to look 
at.

(When Thomas Carpenter turns his back to Leonard, Leonard takes out a pipe and 
hits him on the back of the head.  He goes down.)

(Leonard drags Thomas into the bedroom.)

(Cut to:  Thomas is tied to the bed.  Leonard grabs the fabric and shoves it 
Thomas' mouth.)

(Cut to:  Leonard tapes the fabric in place.  He cuts the tape with the 
scissors.)  

(He takes the pipe and ...

(Thomas groans.)

(End of flashback.  Resume to present.)  

LEONARD MURPHY:  So that's how it happened.

HORATIO:  An eye for an eye.

LEONARD MURPHY:  I didn't start this.

HORATIO:  No ... no, you didn't start it, but you finished it.

LEONARD MURPHY:  I wanted justice.

HORATIO:  Leonard, justice is not for you to dispense.  And now you're going to 
pay for it.

(Horatio looks to the officer in the room.  Leonard stands up as he's being 
handcuffed.  The officer leads him out of the room.)

(Horatio stands and watches them go.  Leonard looks back at Horatio.)

FADE TO BLACK.

==========================
THE END
==========================

[Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group 
at WGBH access.Wgbh.Org]

Courtesy of http://www.webphilia.com/~anthology/wnp.html

Contact the Transcriptionist at (intrepidly002@yahoo.com)

Do not archive this transcript without permission from the Transcriptionist.

==========================
TITLE/OPENING CREDITS 
==========================
CSI:  MIAMI
1X14:  FORCED ENTRY
ORIGINAL AIR DATE ON CBS:  02/03/2003
TRANSCRIBED FROM DVD

Starring:
DAVID CARUSO as Horatio Caine
EMILY PROCTER as Calleigh Duquesne

ADAM RODRIGUEZ as Eric Delko
KHANDI ALEXANDER as Alexx Woods

and
RORY COCHRANE as Tim Speedle

Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN

Starring 
CHRIS MULKEY as Leonard Murphy
EDUARDO VERASTEGUI as Jarod Parker
MICHAEL WHALEY as Det. Bernstein

SALLI RICHARDSON WHITFIELD as Laura
SANDRA THIGPEN as Detective Riboul
CASEY BIGGS as Dean Johnson
DOMINIC FUMUSA as Vincent Graziano

Music Composed by:  GRAEME REVELL

Edited by J. BENJAMIN CHULAY, A.C.E.
Production Designer:  CAROLS BARBOSA
Director of Photography:  WALT LLOYD

Co-Producer:  FRANK BALLOU
Co-Producer:  BRUCE GOLIN
Co-Producer:  LOIS JOHNSON

Producer:  STEVEN MAEDA
Producer:  JOE CHAPPELLE

Supervising Producer:  MARK ISRAEL
Consulting Producer:  ELIZABETH DEVINE

Co-Executive Producer:  LAURIE McCARTHY
Co-Executive Producer:  DANNY CANNON

Executive Producer:  DAVID BLACK
Executive Producer:  SAM STRANGIS
Executive Producer:  JONATHAN LITTMAN
Executive Producer:  NANCY MILLER

Written by MARK ISRAEL & LOIS JOHNSON
Directed by ARTIE MANDELBERG

==========================
END CREDITS
==========================

Executive Producer:  JERRY BRUCKHEIMER

Executive Producer:  ANTHONY E. ZUIKER
Executive Producer:  CAROL MENDELSOHN
Executive Producer:  ANN DONAHUE

JERRY BRUCKHEIMER Television
Alliance Atlantis Productions Inc.
CBS Productions, Inc.

Co-Starring 
MICHAEL BERGIN as Thomas Carpenter
CAITLIN DULANY as Erin Murphy
SKI CARR as Victor Eli
DAMIAN PERKINS as Damon Wyatt
RUBEN PLA as Benito Ramon
OSCAR ORLANDO TORRES as Officer Torres

Line Producer:  JEAN HIGGINS
Associate Producer:  GINA LAMAR
Associate Producer:  SCOTT LAUTANEN

Casting by: NAN DUTTON, C.S.A.

Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER, 
C.S.A.

Story Editor:  GWENDOLYN PARKER
Unit Production Manager:  JEAN HIGGINS

First Assistant Director:  ALLEN G. DiGIOIA
Second Assistant Directors: NANCY P. TOWNSEND
Costume Designer:  MYNKA DRAPER
Forensics Consultant:  JOHN HAYNES

Production Sound Mixers:  DONOVAN DEAR 
Script Supervisor:  GINA MICHEL
Special Make-Up Effects:  MATTHEW W. MUNGLE / KELCEY FRY
Art Director:  TIM BEACH

Set Decorator:  CINDY COBURN-ROTH
Construction Coordinator:  JOHN KERSEY 
Special Effects Coordinators:  GARY D'AMICO
Property Master:  MIKE SEXTON / DOUG POOLE

Key Grip:  JEFF CASE
Gaffer:  JACK S. SCHLOSSER
Key Make-Up Artist:  PEGGY TEAGUE
Key Hairstylist:  YVONNE DE PATIS-KUPKA
Camera Operator:  MIKE GENNE

2ND 2ND Assistant Directors:  ROBYN WILLEY
Location Manager:  FLIP WILLY, JR.
Costume Supervisor:  BRIAN MAHON
Transportation Coordinator:  BOB CAWLEY 
Stunt Coordinator:  TOMMY HUGG
2ND Unit:  MICHAEL PHIRMAN

Colorist:  GARETH COOK
Supervising Sound Editor:  MATTHEW SAWELSON
Music Supervisor: JASON ALEXANDER
Assistant Editor:  SCOTT LERNER
Post Production Supervisor:  MICKIE REUSTER
Loop Group:  THE REEL TEAM

Dialogue Editor:  TODD NIESEN
ADR Editor:  RUTH ADELMAN
Sound Effects Editor:  BRAD KATONA
Re-Recording Mixers:  YURI REESE / BILL SMITH
Music Editor:  ASHLEY REVELL

Visual Effects Supervisors:  LARRY DETWILER / MARC LEIDY

Digital Effects by STARGATE DIGITAL
Computer Playback and Graphics by E=MC2
High Definition Post Production by ENCORE
Film Laboratories by FOTOKEM
Post Production Sound Provided by TODD STUDIOS
Filmed at EL SEGUNDO STUDIOS

"Won't Get Fooled Again"
by Pete Townshend
Performed by The Who

The persons and events portrayed in this film are fictitious.  Any similarity to 
actual persons, living or dead, or any events is unintentional.

(c) 2003 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc.  All Rights 
Reserved.

CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of 
this program for the purposes of copyright and other laws.

Dated:09/30/2004~lky
http://www.webphilia.com/~anthology/wnp.htm