CSI: MIAMI
1X23: FREAKS AND TWEAKS
ORIGINAL AIR DATE ON CBS: 05/12/2003
TRANSCRIBED FROM DVD
Written by ELIZABETH DEVINE
Story by JOHN HAYNES
Directed by DERAN SARAFIAN
Transcript by Intrepid
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Do not archive this transcript without permission from the Transcriptionist.
RATING: TV-PG-LV
HDTV
==========================
DISCLAIMER:
==========================
"CSI: MIAMI", "CRIME SCENE INVESTIGATION", "CSI" and other related entities are
owned, (TM) and (c) by ANTHONY E. ZUIKER, JERRY BRUCKHEIMER Television, CBS
Worldwide Inc., Alliance Atlantis Corporation, CSI Productions and CBS
Productions, All Rights Reserved. For Fair Use, for entertainment and for
educational purposes only. This transcript was made without their permission,
approval, authorization or endorsement. Any reproduction, duplication or
distribution of this material in any form is expressly prohibited. It is
absolutely forbidden to use it for commercial gain.
CONDITIONS OF USE: (1) Do not alter the content of this file. (2) Leave the
headers/disclaimers intact because it lists all those who have made this
transcript possible for your enjoyment. (3) Provide a link back to the site
where this file originated: http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
==========================
SUMMARY: Horatio, Delko and Speedle investigate the death of a known drug user
whose head was bashed in by a cue stick. Calleigh investigates the death of a
man who turns out to be a friend of Alexx's.
==========================
CSI: MIAMI
1X23: FREAKS AND TWEAKS
==========================
COLD OPEN:
[EXT. VARIOUS MIAMI-DADE CITY (STOCK) - DAY]
[VARIOUS FLASHES OF: CSI VEHICLE ON THE ROAD]
[EXT. MIAMI-DADE CITY (STOCK) - DAY]
[EXT. MARSHES (STOCK) - DAY]
[EXT. ROAD -- DAY]
(Horatio drives up the road and parks the car. Officers with Det. Frank Tripp
are waiting for him. Horatio, Delko and Speedle step out of the car.)
DET. FRANK TRIPP: Like the drive?
HORATIO: Scenic. Guy lives in a barn?
DET. FRANK TRIPP: Yeah.
HORATIO: What do you got, gentlemen?
OFFICER: We saw our victim -- he's a white male, he's 25, and he's bound with
duct tape.
SPEEDLE: You been in yet?
DET. FRANK TRIPP: Nope. Waiting on you guys.
HORATIO: All right, gentlemen, let's do it.
SPEEDLE: Let's go.
(Horatio, Speedle and the others head inside.)
[INT. BARN - DAY - CONTINUOUS]
(The barn door squeaks open. Horatio, Det. Frank Tripp, Speedle, and Delko step
inside. They find a man unmoving, hands and mouth taped. Delko snaps some
photos.)
HORATIO: We've got yellow powder on the table. Bathtub methamphetamine.
SPEEDLE: Speed.
HORATIO: Cocaine high, no off button. I've seen people stay up for fifteen
days on it.
DET. FRANK TRIPP: Look at this place-- disassembled radios, TVs taken apart.
Tweakers just tweak stuff till they drop, don't they?
SPEEDLE: He doesn't look like he dropped. He looks like somebody beat the crap
out of him.
(Horatio heads upstairs.)
HORATIO: Could've been the result of an argument.
DET. FRANK TRIPP: Problem is, when a meth-head starts something ...
DELKO: No off button.
(Delko follows Horatio up the stairs.)
(An empty beer bottle is knocked and starts spinning on itself on the floor.)
HORATIO: Just take it easy. Something ... is not right here.
(The bottle stops spinning. Delko finds a box of naked polaroids. He snaps a
photo of it.)
DELKO: Tweakers love their porn.
(A single drop of liquid falls from the roof and splashes onto Horatio's
sleeve.)
(Horatio sees it and looks up.)
(He sees two bottles of liquid dripping. He smells the liquid on his arm.)
DELKO: Let's see how kinky our guy was.
(Delko picks up the box.)
HORATIO: Eric ...
(Delko looks at Horatio.)
HORATIO: run.
(Delko drops the box. He and Horatio run out of the second floor.)
HORATIO: (shouts) Everybody, run!
(Det. Frank Tripp and Speedle look up.)
DELKO: Get out, everybody out!
(Delko and Horatio run down the stairs.)
(Camera holds a beat on the box of polaroids.)
CUT TO:
[EXT. BARN - DAY - CONTINUOUS]
(Slow motion. Det. Frank Tripp and Speedle are running out of the barn.
Horatio and Delko are following.)
(As soon as they clear it, the barn explodes.)
FADE TO
END OF TEASER
ROLL TITLE CREDITS
FADE IN.
[EXT. BARN -- DAY]
(Personnel work on the smoking barn. A K-9 dog and its handler step out of the
barn. Speedle sits on the side waiting for them to finish. Delko also waits
for the dog to finish.)
HORATIO: (to Delko) You okay?
DELKO: Yeah. Thanks, H.
HORATIO: Under the heading of "no crime scene is ever safe," huh?
DELKO: Lesson learned.
HORATIO: The problem is that our murder scene has been compromised in a very
big way.
DET. FRANK TRIPP: Bomb squad's through sweeping. You're up.
HORATIO: Okay.
CUT TO:
[EXT. MIAMI CITY (STOCK) - DAY]
[EXT. CONVENIENCE STORE -- DAY]
(Calleigh steps out of the parked vehicle. She walks up to Det. John Hagen.)
CALLEIGH: Just you and me?
DET. JOHN HAGEN: You sound disappointed.
(Calleigh giggles as she puts on her gloves. Det. John Hagen holds up the crime
scene tape for her to duck under. They head inside the building.)
DET. JOHN HAGEN: Joe family man. Makes a milk run to the convenience store and
gets popped. No wallet. Figured robbery.
CALLEIGH: Shot in the heart. That's kind of personal, don't you think?
DET. JOHN HAGEN: I do. So I had patrol canvass for the wallet. Found it over
there in the trash. Cash, credit cards.
(He opens the back car seat door for her. She sees two shells on the car seat.)
CALLEIGH: I've got two rounds here, and, you know, maybe I can get a
fingerprint off of this one.
(She picks one of the shells up.)
DET. JOHN HAGEN: No way. Heat from the primer burns the prints off.
(Quick CGI POV of: The bullet with a fingerprint on it. The primer hits the
back and the print burns off as it's heated. End of CGI POV. Resume to
present.)
(Calleigh looks at the bullet.)
CALLEIGH: That's true, except this one is unspent, so it didn't go through the
barrel. I guess the primer probably malfunctioned because of humidity, so when
the firing pin hit it-- nothing, it was a dud.
(Quick CGI POV of: The bullet with a fingerprint on it. The primer hits the
back and it doesn't heat off. The print remains. End of CGI POV. Resume to
present.)
CALLEIGH: Hopefully leaving behind a set of fingerprints.
DET. JOHN HAGEN: I stand corrected.
CALLEIGH: That's what I like about you, Hagen.
(Calleigh turns and sees the victim through the rear view mirror. She
recognizes him.)
CALLEIGH: Oh, my god.
DET. JOHN HAGEN: Calleigh?
CALLEIGH: His name's Dennis Harmon.
DET. JOHN HAGEN: You know him?
CALLEIGH: I know someone who does.
CUT TO:
[INT. CSI - FORENSICS LAB - DAY]
(Alexx and Calleigh accompany the gurney into the Forensics Lab.)
ALEXX: Yes, I remember my christmas party. I told you no gifts -- you brought
one for each of my kids. Why?
CALLEIGH: The couple there, the Harmons -- Dennis and Julie.
ALEXX: Yeah. Two of my oldest friends. What about them?
(Calleigh looks at Alexx. It takes her a moment, but she begins to understand
what Calleigh's getting at.)
ALEXX: No.
(Alexx pulls the sheet down off the body to look at the victim underneath.)
ALEXX: (crying) Dennis ... we're still young. Oh, Dennis ...
CALLEIGH: You know, Alexx, you could reassign this to another M.E. I talked to
Jones, and he said he'd be willing to take it.
ALEXX: I'm all right.
MEDICAL EXAMINERS: Ready?
(They move the body from the gurney onto the table. The Medical Examiners
leave.)
(Alexx begins her exam.)
ALEXX: His pupils are dilated. Opposite of what they'd normally do at death.
I'll get blood to tox. Homicide notified Julie yet? I should be there when
they talk to her.
CALLEIGH: Yes, Hagen is doing it. He's doing it. And, Alexx, there's
something else that I think you ought to know. This killing has the marks of an
acquaintance murder. There was a faked robber and a bullet to the heart, that
sort of a thing.
(Alexx pulls the sheet down and sees the chest wound.)
ALEXX: Oh, it's got to be a random. Dennis wouldn't get caught up in something
like ... (She stops herself.) Listen to me. Like every victim's friend comes
down here -- thinking I know somebody, what they'd be caught up in. Truth is
... nobody really knows anyone.
CUT TO:
[EXT./INT. BARN - DAY]
(Horatio talks with the Bomb Technician.)
BOMB TECHNICIAN: It's all clear. Lots of blast damage. This was no little
pipe bomb.
HORATIO: No.
BOMB TECHNICIAN: Probably dynamite.
HORATIO: Yeah. Enhanced by gasoline, set on a time delay.
BOMB TECHNICIAN: Yeah. Lucky for you. We're talking at least 16,000 feet per
second.
HORATIO: Really? Felt like fifteen. Thank you.
BOMB TECHNICIAN: (chuckles) Right.
(The Bomb Technician turns and leaves.)
(Speedle looks around.)
SPEEDLE: What I don't get is, if you're trying to destroy evidence, why not put
the device right next to the body?
HORATIO: He wasn't trying to cover a murder. He rigged the bomb for kicks and
destroyed evidence as a bonus.
(Delko picks up something.)
DELKO: Another piece of the guitar.
SPEEDLE: Blew that thing apart, huh?
DELKO: Yeah, I've been picking up pieces of this all over the room. Hmm.
Guitar string.
(He holds a guitar string and looks at it.)
SPEEDLE: Check this out.
(Horatio looks at Speedle. Speedle throws it to Horatio who catches it.)
SPEEDLE: That's some sort of material adhered to the surface.
HORATIO: That's a capacitor.
SPEEDLE: Energy storage unit?
HORATIO: The first component of our bomb. Judging by the oxidation, we're near
the seat of detonation.
SPEEDLE: Part of the signature?
HORATIO: Mm-hmm. If we I.D. the signature, we can I.D. the suspect.
CUT TO:
[INT. CSI - FORENSICS LAB - DAY]
(Alexx starts on the body found at the barn.)
HORATIO: So how is our Tweaker?
(Alexx cuts the first part of the duct tape off.)
ALEXX: What is it with white boys and duct tape?
SPEEDLE: Tape's hardly damaged.
HORATIO: They say that roaches and duct tape will survive the end of the world.
SPEEDLE: Well, at least something's in our favor. Killer's prints might be on
this. So, is that the last of it?
ALEXX: Yeah. Don't get confused. I marked my cuts with black ink.
SPEEDLE: Got it. I'll be in trace.
(Speedle takes the tape and leaves.)
HORATIO: I'm going to need a ten-card on this guy A.S.A.P., All right?
ALEXX: More like a one-card. Hands are singed.
(Alexx hands the card to Horatio who looks at it.)
HORATIO: All right. I'll take what I can get.
ALEXX: I'm finding a lot of this material inside your victim's head wound.
This is the biggest piece so far.
(Alexx pulls out a piece of wood from the body's head.)
HORATIO: That looks like wood. Is it from the blast?
ALEXX: No. Hemorrhagic tissue indicates he was alive when the wood fragmented
with the impact. Blunt force trauma.
(Quick CGI POV of: A Close-up of: The piece of wood sticks into the victim's
head. Blood spurts out. End of CGI POV. Resume to present.)
HORATIO: So we're talking about a possible murder weapon.
ALEXX: Murder was redundant. He only had a year or so by the looks of his
liver.
HORATIO: Let's find out who stole the last twelve months of his life, all
right?
(Alexx nods.)
CUT TO:
[SCOPE VIEW OF THE WOOD]
HORATIO: Maple. Nice.
[INT. CSI - LAB - DAY]
(Horatio is looking at the scope.)
HORATIO: How much of the pre-explosion crime scene do you remember?
SPEEDLE: About three pages worth. I'll put it in my F.I. report.
HORATIO: You remember a pool table?
SPEEDLE: No. I wouldn't have missed that.
HORATIO: Our murder weapon is a pool cue. Take a look at that. That's at
400x. Pool cues are made from pressed wood -- 20 laminates per inch.
SPEEDLE: What's the shiny stuff?
HORATIO: The shiny stuff is sugar.
SPEEDLE: Sap. Standard Canadian Maple.
HORATIO: Mm-hmm.
SPEEDLE: So we got two tweakers up for days getting cranked, start scratching
at each other. Our victim gets subdued somehow, bound with duct tape and beat
to death with a pool cue.
(Det. Frank Tripp walks into the lab.)
DET. FRANK TRIPP: Hey, guys. The title to the crime scene is held by Judith
Lindeman. Rents to our victim, Darwin Capshaw.
SPEEDLE: Darwin? That's ironic.
DET. FRANK TRIPP: He's in the system -- small-time drug dealer.
HORATIO: Which means he has enemies.
DET. FRANK TRIPP: I took a look at his friends. Last time he was arrested, the
report listed a crime partner: Tommy Lee Harkins.
HORATIO: Tommy Lee Harkins. Let's bring him in.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Horatio and Det. Frank Tripp interview Tommy Lee Harkins.)
HORATIO: You seem very agitated to me. Very agitated. Is that the meth?
TOMMY LEE HARKINS: I wasn't ... no, I'm not agitated, no.
HORATIO: Are the shadow people chasing you, Tommy? Is that the meth playing
with your head? Look at those eyes, Frank. Take a look at those eyes. Tommy
... did you and Darwin have an argument that escalated?
TOMMY LEE HARKINS: N-no.
HORATIO: Okay. What's that on your shirt?
(He looks down at the red spatter.)
TOMMY LEE HARKINS: It's-it's-it's nothing, man. I had a burger on the way
here.
HORATIO: No, you didn't. You didn't have a burger. You're cranked -- your
body wouldn't accept food, so you did not have a burger. Don't lie to me. It
looks like blood, and if it's blood, Tommy, that means you were within feet of
Darwin during the beating.
(Quick flash of: Tommy's white shirt. A squishy sound as someone's head gets
bashed in. The white shirt is spattered with blood.)
HORATIO: (v.o.) Which also tells me you participated.
(End of flash. Resume to present.)
TOMMY LEE HARKINS: Oh ... okay, I was there, but I didn't do nothing. It was
Chaz. When he was beating on Darwin, I bailed.
HORATIO: Who is Chaz?
TOMMY LEE HARKINS: Um ... plays the banjo ...
(Quick flash to: Chaz is playing the banjo.)
TOMMY LEE HARKINS: (v.o.) All night, all day.
(End of flash. Resume to present.)
TOMMY LEE HARKINS: Crazy ass weird songs.
HORATIO: Why was he beating on Darwin?
TOMMY LEE HARKINS: Uh, Darwin told Chaz that his music sucked.
(Quick flash to: Chaz plays the banjo.)
DARWIN CAPSHAW: Your music sucks, man. Nothing worse than what you play.
(End of flash. Resume to present.)
TOMMY LEE HARKINS: So Chaz ... he knocked him on his ass.
(Quick flash to: Chaz gets up and hits Darwin Capshaw on the head.)
CHAZ: You're pathetic, man, it's ...
(End of flash. Resume to present.)
TOMMY LEE HARKINS: He was ... laughing ... while he taped him up, and then he
beat on him some more.
HORATIO: With a pool cue.
(Quick flash to: Darwin is tied up. Chaz starts beating Darwin with the cue
stick. End of flash. Resume to present.)
TOMMY LEE HARKINS: Yeah. Yes. How'd you know all this?
HORATIO: I'm magic.
TOMMY LEE HARKINS: Did he kill the girl?
HORATIO: What girl?
TOMMY LEE HARKINS: Just a girl that Chaz brought around.
HORATIO: You know what, Frank, let's put out a broadcast. Maybe the girl is
still alive.
FADE OUT.
FADE IN.
[INT. CSI - INTERVIEW ROOM - DAY]
(Det. John Hagen interviews Julie Harmon.)
DET. JOHN HAGEN: Ma'am, did your husband have any enemies?
JULIE HARMON: Enemies?
DET. JOHN HAGEN: Business, personal ...
JULIE HARMON: He's a dentist. I'm a doctor. The only people we know are
people at the club or ... or at the kids' school.
DET. JOHN HAGEN: Was there a chance perhaps that he was seeing someone outside
of the marriage?
JULIE HARMON: Our marriage, our family is our life. No, there's no one.
(There's a light knock on the door. John Hagen opens the door and lets Alexx
in.)
DET. JOHN HAGEN: (to Alexx) You okay?
(Alexx looks at Julie who stands up. They hug. John Hagen steps out of the
room.)
JULIE HARMON: I can't believe it. I just can't.
ALEXX: I know, baby, I know.
JULIE HARMON: I don't think I can tell the kids.
ALEXX: They're going to remember who told them the rest of their lives.
JULIE HARMON: I don't think I'm strong enough.
ALEXX: I'll go with you.
JULIE HARMON: I can't ask you to do that.
ALEXX: Yes, you can. We'll get through this. We'll get through this, honey.
(They hug. Camera holds on Julie's look.)
CUT TO:
[INT. CSI - LAB - DAY]
(Delko walks into the lab where Speedle is.)
DELKO: Get any prints off the tape from Darwin?
SPEEDLE: No, nothing.
DELKO: Hmm ... the duct tape is pretty standard. Polyethylene resin on one
side, adhesive on the other. Nothing unique enough to lead us to this guy.
SPEEDLE: Yeah, by itself, duct tape is virtually untraceable, but look at this
section from the ankles and this section from the wrists.
(Delko looks at the scope.)
[SCOPE VIEW of the two pieces side-by-side.)
DELKO: Lock and key.
SPEEDLE: On this mouth section, there's a physical match with the wrists.
DELKO: Torn consecutively from the same roll of tape.
(Quick flash to: Chaz rips and cuts the tape. He tapes up Darwin's mouth. End
of flash. Resume to present.)
SPEEDLE: We find that tape, we can match it to one of these ends.
DELKO: Yeah-- hey, he's got something in his pocket.
(He reaches inside the pants pocket and removes something.)
SPEEDLE: More tape?
DELKO: Uh-uh. It looks like paper.
SPEEDLE: Can you read it?
DELKO: No. Char damage -- it's pretty bad. I'll be in QD.
CUT TO:
[INT. CSI - QD LAB - DAY - CONTINUOUS]
(Delko empties the paper onto the table and shows it to Welch, the QD Tech.)
DELKO: There it is. Think you can do something with it?
(He picks it up and a piece breaks off.)
WELCH: Damn.
DELKO: Careful, man.
WELCH: It's fragile.
DELKO: Yeah, it's the only link we have to a tweak killer, so if you're going
to make it worse, just maybe forget it.
WELCH: I got a way to do it.
(Welch puts it on a paper and puts it in the machine.)
WELCH: All right, here we go. This paralene will adhere to the paper. It
hardens it. Makes it stable enough for analysis.
(Welch turns the machine on. The machine whirs.)
(Quick CGI POV of: Inside the machine, the grid slowly rotates. Gas is sprayed
into the machine around the piece of fragile paper. It hardens on the paper.
End of CGI POV. Resume to present.)
(Finished, Welch removes the machine cover.)
WELCH: All right.
DELKO: Looks the same.
WELCH: Looks are misleading.
(He picks up the paper and puts it inbetween two pieces of glass.)
(He puts the glass under infrared light. It starts appearing on the monitor.)
DELKO: Why infrared?
WELCH: Charred ink absorbs light at a different wavelength than charred paper.
Lets us see it.
(On the monitor, the writing appears:
CHAZ
555-0189
WELCH: Yeah.
(Delko laughs.)
WELCH: There you go.
DELKO: A name and a phone number.
(Camera pulls away and we see Horatio in the lab.)
HORATIO: Yeah, but it's a cell phone number. Meth-heads don't use land lines.
DELKO: You shouldn't sneak up on people.
HORATIO: Chaz isn't people, so let's break out the global positioner and sneak
up on him.
(Horatio turns and leaves.)
CUT TO:
[EXT. MIAMI-DADE CITY LIGHTS (STOCK) - NIGHT]
[EXT. TRAILER PARK - NIGHT]
[INT. TRAILER PARK - NIGHT]
(Someone is putting drugs in a tin foil and heating it up.)
(He lights a book of matches from a burning candle. He uses it to heat up the
tin spoon full of drugs.)
(A syringe is filled with the liquid.)
(The syringe is inserted into the arm.)
(More drugs is cut on a small sheet of glass with a razor.)
[EXT. TRAILER - NIGHT]
(Horatio steps out.)
(Speedle, Delko and Det. Frank Tripp are also there. Their guns are out.)
SPEEDLE: There's a lot of extension cords.
HORATIO: mm-hmm.
DET. FRANK TRIPP: They're not people who pay their electric bill. Free power.
VOICE: (over radio) SWAT team move into final position.
(The SWAT team with their guns raised move quietly into position.)
(Once in position, Horatio shuts the power lights off.)
VOICE: (from inside trailer) Get out of there! Let's go!
(The door opens and someone steps outside.)
SWAT: Go! On the ground!
MAN: Who turned my lights off, man? I can't see my hands.
SWAT: Police department! Everyone on the ground now!
SWAT: Move!
(The guys there get on the ground.)
(More people step out of the trailer. Helicopters whir overhead.)
HORATIO: Would everybody please stand up!
(Everyone stands up.)
HORATIO: We're looking for somebody named Chaz.
DET. FRANK TRIPP: Chaz beat a Darwin Capshaw to death. Had a young woman he
was going to do next. Anybody seen her? Know of her whereabouts?
(No one says anything.)
HORATIO: Ladies and gentlemen, if this lady dies, and you have knowledge of
her, you are an accomplice. Am I understood? Okay, here's what I want you to
do: Everybody take their left hand and stick it out, please. Left hands.
(Scruffy shows his right hand.)
DET. FRANK TRIPP: Your other left hand, scruffy.
(Scruffy shows his left hand.)
HORATIO: Very good.
(Horatio checks their left hands.)
HORATIO: Thank you. Oh, boy. Thank you.
(He's checking their fingertips for calluses. He finds some. Camera zooms in
for a close-up.)
HORATIO: Very interesting calluses. So you're a guitar player ... Chaz.
Where's the girl?
CHAZ: I know all about you. Lieutenant Horatio Caine. Homicide. Bomb squad.
HORATIO: I run you in on something?
CHAZ: I actually know your brother, Officer Raymond Caine. Well, I ... I knew
your brother. Big meth-head. (smiles) God he loved his crank, didn't he? You
probably know that, don't you? Considering you had to do the mop-up on him
after he checked out.
HORATIO: Chaz ... if you don't tell me where this girl is, I'm going to tear
this place apart, you understand?
CHAZ: Whatever. (He chuckles.) I just crash here.
HORATIO: Okay, you had your chance. Call in the cadaver dogs, please.
CUT TO:
[INT. CSI - LAB - NIGHT]
(The door opens. John Hagen looks in on Calleigh.)
DET. JOHN HAGEN: Hi, Calleigh.
CALLEIGH: Hey.
DET. JOHN HAGEN: Any luck on AFIS?
CALLEIGH: Done run out, and done moved on to a different database. Miami
employees.
(She's running the fingerprint and finds a match.)
CALLEIGH: Well, looks like we got our shooter.
(The results read:
MIAMI EMPLOYEE SECURITY DATABASE
BRAD KENNER
EMPLOYEE SS#: 987-65-4320
389 SURFGLIDE RD.
COCONUT GROVE, FL 33133
DOB: 2/27/81
EMPLOYER: SUNRISE HARBOR SECURITY
HEADQUARTERS ADDRESS: 1223 ORANGE GROVE CRT.
BLANCH PARK, FL 33134
DET. JOHN HAGEN: Brad Kenner. No priors. 22 years young. I'll arrange an
interview.
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Calleigh and Det. John Hagen interview Brad Kenner.)
DET. JOHN HAGEN: You know Dennis Harmon?
BRAD KENNER: No.
DET. JOHN HAGEN: Then how did your bullet get in him?
CALLEIGH: You put this bullet in the magazine. That's your fingerprint.
(Quick CGI POV of: He loads the bullet into the gun. End of CGI POV. Resume
to present.)
DET. JOHN HAGEN: First one was a dud. Second one got him right in the heart.
BRAD KENNER: Never met the man.
DET. JOHN HAGEN: Okay. He's a stranger. You try to carjack him, things went
sideways?
BRAD KENNER: No.
CALLEIGH: Brad, I don't think you understand the evidence that we have. Ridge
analysis says that you, and only you, loaded the gun ...
[OBSERVATION ROOM]
(Alexx watches the interview.)
CALLEIGH: (over speaker) ... and I can tell you exactly where you keep it --
you either keep it in your basement or you keep it at your place of employment
at the loading docks. And the reason that I know this is is because ...
[INTERVIEW ROOM]
CALLEIGH: ... humidity caused the primer to malfunction. There aren't a lot of
basements in Florida, so my bet is, it's at the loading dock.
DET. JOHN HAGEN: I'll drive over there right now, recover your gun.
BRAD KENNER: It's not my gun, it's a friend's.
DET. JOHN HAGEN: What's his name?
BRAD KENNER: It's a she. She's older.
DET. JOHN HAGEN: What's her name?
BRAD KENENR: Julie Harmon.
CALLEIGH: The wife of the deceased. Do you have her picture?
BRAD KENNER: Yeah.
(He shows Calleigh the photo of Julie Harmon. Calleigh looks over at the mirror
where she knows Alexx is listening.)
CALLEIGH: That is Julie Harmon. She's a pretty woman.
BRAD KENNER: Yeah, she is. She's a lot of things.
DET. JOHN HAGEN: You meet her in a bar?
BRAD KENNER: Her office. She's an eye doctor.
DET. JOHN HAGEN: Julie know you were going to shoot her husband?
BRAD KENNER: Yeah. She told me to.
(Alexx turns to leave the room. Calleigh turns to intercept Alexx.)
[INT. CSI - HALLWAY - DAY - CONTINUOUS]
(Alexx exits the observation room. Calleigh calls out to Alexx.)
CALLEIGH: Alexx!
(Alexx digs into her bag.)
CALLEIGH: Alexx ... wait.
ALEXX: (upset) Why would she lie to me to my face? Why would she have me sit
there and tell her kids their daddy passed like she had no idea why? My friend-
- to my face.
CALLEIGH: I don't know, but all I know is that she's not your friend right now,
she's a suspect, and anything you do or say can jeopardize the case. And I
think it would probably be better if you just threw everything over to Jones:
Tox, final report. I think you should just turn the case over.
ALEXX: When are you and Hagen going to interview Julie?
CALLEIGH: I think that it would be better if you didn't know the particulars of
this case anymore.
ALEXX: Okay. I'm out.
(Calleigh nods. Alexx turns and leaves.)
CUT TO:
[EXT. TRAILER PARK - NIGHT]
[INT. TRAILER - NIGHT]
(Horatio looks around the trailer. Speedle walks in.)
SPEEDLE: Cadaver dogs are coming up empty. What's all this?
HORATIO: These are the ramblings of a drugged-out tweaker.
(Speedle looks at the pages of rambling notes in front of him.)
SPEEDLE: Chaz say anything about Darwin or the missing woman?
HORATIO: No. No, he didn't.
(He picks up the notebook and looks at it.)
SPEEDLE: This one's all about a "tin man."
HORATIO: Did you say "tin man"?
SPEEDLE: Yes. Tweaker speak for meth-heads. "Friends of Tina," "smoking off
tin."
HORATIO: Yeah.
(Speedle picks up the notes and puts it in a bag.)
SPEEDLE: This is great intel, I'll get it to narco.
HORATIO: Right. Burn me a copy of that, will you?
SPEEDLE: Sure.
HORATIO: Thanks.
(Speedle leaves.)
(Horatio walks into the next room and finds some different kind of supplies.)
HORATIO: What do we have here?
SPEEDLE: Shotgun shells, soldering iron, wire cutters ...
HORATIO: Trademark tools of bomb-making.
CUT TO:
[EXT. TRAILER - NIGHT - CONTINUOUS]
(Horatio steps out of the trailer. Det. Frank Tripp walks up to him.)
HORATIO: What've you got?
DET. FRANK TRIPP: (sighs) I checked the out-buildings -- no girl nowhere.
HORATIO: Same here.
DET. FRANK TRIPP: All we've got to hold him on is the word of that burned-out
tweaker, Tommy Lee.
(Horatio looks over and sees the dog house in the cage.)
HORATIO: Did animal control take the dog?
DET. FRANK TRIPP: There was no dog.
HORATIO: What do you mean?
DET. FRANK TRIPP: There was no dog.
HORATIO: Empty doghouse. Let's take a look at this.
(They head over to the doghouse.)
(They hear a loud thud.)
HORATIO: Did you hear that, Frank?
DET. FRANK TRIPP: Yeah, I did.
(They walk into the cage.)
HORATIO: Give me a hand with this, Frank.
DET. FRANK TRIPP: Yeah.
HORATIO: Give me a hand. Ready?
DET. FRANK TRIPP: Go!
(They lift up the dog house and find a girl inside.)
SUSIE BARNHAM: Don't shoot!
HORATIO: Miss, hang on a second. Miss, hang on.
(He reaches down and gives her a hand out of the doghouse.)
HORATIO: You're okay. I got you. Who put you in there?
SUSIE BARNHAM: I tell you, he'll kill me.
HORATIO: I don't want you to worry about that right now. Tell me who put you
in there.
(She turns and sees the officers pulling Chaz toward the dog house. They stop.
Chaz and Susie Barnham look at each other.)
HORATIO: Miss?
(Susie turns and looks away from Chaz.)
(Horatio turns and looks at Chaz.)
HORATIO: Well ... I guess I know all about you, too, huh?
FADE OUT.
FADE IN.
[EXT. TRAILER -- NIGHT]
(Horatio talks with Susie Barnham.)
HORATIO: It must have been scary down in that hole, huh?
(She nods.)
SUSIE BARNHAM: When I was underground, I wasn't worried I'd die, I was worried
I'd die without doing meth again.
HORATIO: How long you been a friend of Tina?
SUSIE BARNHAM: Couple of years. Couple hundred years.
HORATIO: Hmm.
SUSIE BARNHAM: I used to be beautiful.
HORATIO: You still are, Susie.
SUSIE BARNHAM: (chuckles) You know, it's so weird. You ... you look like this
guy used to get cranked with Chaz. Real meth freak. Tin man.
HORATIO: I'm going to need you to testify against Chaz for what he did to you
and Darwin.
SUSIE BARNHAM: It's one thing to say he shoved me in a box, but diming him out
for an actual murder ...
HORATIO: What would it take to make that happen?
SUSIE BARNHAM: Move my probation to Indiana. Get me a job there. Maybe I can
... kick this.
HORATIO: Okay. Let me look into that. Why don't you tell me what happened?
SUSIE BARNHAM: Uh ... me ... Chaz, Darwin and Tommy Lee, we'd been, uh ...
snorting crank for, like, five days straight. I was so tired, like LSD awake.
Chaz was ... writing songs on his guitar. I was making my matchstick houses.
(Quick flash to: [DAY] The group is together and getting high.)
SUSIE BARNHAM: You have to make sure that you line up all the matches perfectly
straight, so that they're, they're perfectly ...
(Susie gets confused and rubs her eyes. Chaz is playing his guitar.)
GUY: (laughs) Stupid bitch. (echoing) Stupid bitch, stupid bitch.
(End of flash. Resume to present.)
SUSIE BARNHAM: And Chaz just started tripping, yelling at Darwin.
HORATIO: About music?
SUSIE BARNHAM: Yeah. Grabbed my cue, started hitting him with it.
(Quick flash to: [DAY] Chaz hits Darwin with the cue stick over and over
again. The guys watching grow alarmed.)
SUSIE BARNHAM: No!
(She grabs him.)
SUSIE BARNHAM: Baby. No, you hit him too hard!
CHAZ: Get off me!
(End of flashback. Resume to present.)
SUSIE BARNHAM: Darwin's head popped open like a tomato. And then Chaz started
taping him up.
(Quick flash to: [DAY] Chaz and another guy sit Darwin up.)
CHAZ: Help me get him up.
(They take his hands, ankles and mouth.)
GUY: I don't think he's dead.
(Chaz takes the stick and starts beating on Darwin again. The guy runs.)
(End of flash. Resume to present.)
SUSIE BARNHAM: I ... I froze. He noticed me, drug me to his car ...
(Quick flashback to: [DAY] Chaz opens his car trunk.)
SUSIE BARNHAM: Let me go!
CHAZ: Get in the trunk.
SUSIE BARNHAM: You son of a bitch. Let me go!
CHAZ: Get in the car!
(He puts Susie in the back of his car and closes the hood.)
(End of flashback. Resume to present.)
SUSIE BARNHAM: Drug me to the dog house ...
(She cries.)
SUSIE BARNHAM: And here I am ... looking at you looking at me.
HORATIO: I'm going to need you to swear out a statement.
SUSIE BARNHAM: I'm good at swearing.
HORATIO: Good.
CUT TO:
[EXT. MIAMI-DADE CITY LIGHTS (STOCK) - NIGHT]
[INT. CSI - INTERVIEW ROOM - NIGHT]
(Calleigh and Det. John Hagen interview Julie Harmon.)
JULIE HARMON: I have made such a mess of things.
CALLEIGH: Well, then, help us put them in order. Did you plan the shooting
with Brad?
JULIE HARMON: God, no.
DET. JOHN HAGEN: He says you gave him the gun. A .25 registered to your
husband.
JULIE HARMON: Yes, I did give him the gun for protection. He was mugged
working down at the docks. I was worried about him.
(She sighs.)
DET. JOHN HAGEN: Brad says you asked him to kill your husband.
JULIE HARMON: He said that?
DET. JOHN HAGEN: Said you met at your office, you gave him new glasses and he
could see for the first time in his life. And when he saw you, he knew he was
in love.
JULIE HARMON: He did say that. He said the same thing to me. Look ... it was
just four months. I ... I kept trying to end it. I told him, I told him I
could never be with him. That ... well, that if I'd met him ten years ago, or in
some other life where I didn't have a husband and three children ... that's ...
that's why Brad thinks I told him to kill Dennis.
(An officer joins them in the hallway.)
JULIE HARMON: Are you arresting me?
CALLEIGH: No. A determination won't be made until all the evidence is in.
CUT TO:
[EXT. MIAMI (STOCK) - DAY]
[EXT. -- DAY]
(Delko and Speedle approach an abandoned car.)
DELKO: Well, this has got to be Chaz's car.
SPEEDLE: Patrol found it.
DELKO: No leaves or debris on the windshield. Hasn't been here long.
SPEEDLE: You want to tow it?
DELKO: Nah. I think it's easier to examine it here.
(Delko opens the front door and looks through the seats.)
DELKO: Got one jumbo-sized bag of beef jerky. Two disposable cameras. (He
picks up the cameras and straightens to show Speedle.) More pictures.
SPEEDLE: More porn.
DELKO: Won't be taking this to one-hour photo.
(Speedle opens the trunk. Under the blanket, he finds a roll of duct tape with
"CHAZ" written in blue ink on the side of the roll.)
SPEEDLE: Well, this is definitely Chaz's duct tape. Only he cut the end this
time.
DELKO: Which means you can't match it to the other sections. Dead end. It's
pretty smart for a tweaker.
SPEEDLE: Maybe not. I'll see you back at the lab.
DELKO: Seniority?
SPEEDLE: It's a priority.
CUT TO:
[INT. CSI - LAB - DAY]
(Speedle works on the duct tape.)
(He matches the side of the used tape with the roll.)
CUT TO:
[INT. CSI - LAB - DAY]
(Speedle reports to Horatio.)
HORATIO: Tell me something good, Speed.
SPEEDLE: Well, the roll of tape we recovered from Chaz's car was cut, so any
comparisons to torn ends was out.
HORATIO: But you went further, didn't you?
SPEEDLE: I looked macro, not micro. Chaz wrote his name on the side of the
tape.
(Quick flash of: Someone writes on the side of the tape. End of flash. Resume
to present.)
SPEEDLE: So as the pieces were torn there's small amounts of ink on the edges
and ink from the torn sections lines up perfectly.
HORATIO: So it was Chaz's roll that restrained Darwin, wasn't it?
CUT TO:
[EXT. COURTHOUSE -- DAY]
(Officers escort Chaz to the courthouse. Horatio watches him walk by.)
(As he walks up the stairs, Chaz pauses in front of the Horatio.)
CHAZ: I want to thank you for providing a lawyer.
DON HAFFMAN: The system does that, not us.
HORATIO: Don ...
VALENTA: Just to be clear, this arraignment is for the murder of Darwin Capshaw
only, correct?
DON HAFFMAN: We're going to be filing separate charges for the kidnap of the
girl at a later date.
VALENTA: Then the case is over. No arraignment necessary.
DON HAFFMAN: What are you talking about? We got key evidence that proves that
Chaz murdered Darwin.
VALENTA: A roll of duct tape with Chaz's name written on it? Anyone could have
used that on the victim.
HORATIO: Hang on a second, guys. There is an eyewitness to that murder.
VALENTA: Susie Barnam is a convicted felon.
HORATIO: That is not my point.
VALENTA: Yeah, well, you better read this note. It's from Susie Barnam, your
star witness.
DON HAFFMAN: "Chaz, I told you I'd get back at you, you bastard. I hope you
fry in hell. Susie"
VALENTA: Translation: Game over. Murder charge and Susie's alleged kidnap.
CHAZ: (smugly) It's been nice, Lieutenant.
HORATIO: Mmm.
(They leave into the building.)
HORATIO: She's telling the truth, Don.
DON HAFFMAN: Her character's been trouble for us from the start.
HORATIO: I don't care. I believe her.
DON HAFFMAN: It's over, Horatio. A judge would kick it, no jury would buy it.
HORATIO: No, Don ... you know this guy kills people for thrills, right?
DON HAFFMAN: Bring me proof. Didn't we have some narco task force on this Chaz
guy?
HORATIO: That operation is classified.
DON HAFFMAN: Right, right. Wasn't your brother Ray part of that unit?
HORATIO: That was classified.
DON HAFFMAN: Not classified anymore. Bring me proof or Chaz stays a free man.
(Don Haffman turns and walks into the building.)
(Horatio turns and leaves.)
FADE OUT.
FADE IN.
[INT. CSI - BALLISTICS LAB - FIRING RANGE -- DAY]
(Calleigh loads a gun and fires several times. She removes her ear phones.
Alexx walks into the lab.)
ALEXX: Did you see this? Dennis had cyclopentolate in his bloodstream -- 150
micrograms per mil, according to the tox report.
CALLEIGH: Aren't you supposed to be off this case?
ALEXX: Jones got the report. Can't help it if I can read upside down.
(Calleigh looks at Alexx and smiles.)
ALEXX: See those ingredients?
(She points to:
PHENIRAMINE MALLEATE, NAPHAEOLINE EYDROCLORIDE (EYE DROPS)
ALEXX: That's why Dennis's eyes were dilated at post -- prescription eyedrops.
And who has access to eyedrops and who is an eye doctor at Coral Gables
professional building?
CALLEIGH: Your friend Julie. I'll talk to Hagen about it.
ALEXX: You're not even going to ask me why she'd slip Dennis eyedrops?
CALLEIGH: I'm a lawyer's daughter. I don't ask a question that I have the
answer to.
(Alexx looks at Calleigh. She turns and leaves.)
CUT TO:
[INT. CSI - INTERVIEW ROOM - DAY]
(Calleigh and John Hagen interview Julie Harmon.)
CALLEIGH: Julie, do you have any idea how your husband came in possession of
this eyedrop solution?
JULIE HARMON: I prescribed it for him a couple months ago.
DET. JOHN HAGEN: Why?
JULIE HARMON: He was getting migraines. They're not designed for that, but
they help de-constrict arteries.
(Quick CGI POV of: An eye. A single drop is dropping into the eye.)
(Camera zooms in and shows the blood flowing through the arteries.)
(End of CGI POV. Resume to present.)
DET. JOHN HAGEN: Mrs. Harmon, what is the prescribed use of these drops?
JULIE HARMON: To dilate the pupils so a physician can get a better look at the
ocular muscle.
CALLEIGH: It also blurs vision, isn't that right?
JULIE HARMON: That is a side effect, yes.
CALLEIGH: So it would've made it impossible for your husband to see Brad
approach him with a gun.
(Quick flash to: Dennis walks back to his car. He rubs his eyes. He gets into
his car. He looks in the side view mirror. His vision's blurry.)
DENNIS HARMON: Hey, what do you want?
(A gun cocks.)
(A gun fires.)
(End of flash. Resume to present.)
JULIE HARMON: You're saying I slipped my husband the eyedrops before he left
the house?
DET. JOHN HAGEN: Did you?
JULIE HARMON: No. I was taking care of a sick kid, I told you that. Dennis
must've taken the drops before he got in the car.
(Quick flash to: Dennis sits in the car and puts in some eye drops. He blinks
a couple of times.)
(End of flash. Resume to present.)
JULIE HARMON: His migraines came on fast. He only thought he'd be gone five
minutes.
(Calleigh and John Hagen look at each other.)
JULIE HARMON: You don't look convinced. I, uh ... I guess it's time I call a
lawyer.
CALLEIGH: We have a phrase in law enforcement -- it's called "equivocal
evidence." It means when you can interpret the evidence both for and against
the suspect equally, we are obligated to give the suspect the benefit of the
doubt.
JULIE HARMON: What happens to Brad? Uh ... he's just 22.
DET. JOHN HAGEN: We've got his prints, his confession. It's murder one. The
state's going to ask for L-WOP.
JULIE HARMON: "L-WOP"?
CALLEIGH: Life without parole.
CUT TO:
[INT. CSI - LAB]
(Horatio's in the lab working. Delko walks into the lab.)
DELKO: H, just finished logging in all the evidence from Chaz's vehicle like
you asked.
HORATIO: Okay. Anything from the bomb debris?
DELKO: Uh, Speedle's on it. Nothing so far. I'm going over to the photo lab
to get the film in these disposable cameras developed.
HORATIO: Wait a second. What disposable cameras?
DELKO: From Chaz's car. (He shows the two cameras to Horatio.) Found them on
the floor.
HORATIO: Let me see that. From Chaz's car?
(He picks one up and presses the button. It starts humming.)
HORATIO: It works. Smile.
(Horatio looks at the camera.)
(Speedle is in the lab.)
HORATIO: Susie said that she and Chaz were up for five days at Darwin's, but by
day four, Chaz had run out of radios to fix. Now, disposable cameras like this
one, run off capacitors that are powered by batteries, right? But in this case,
our bomber placed a nail opposite the flash button right here.
(Quick flash of the nail in the camera. It's placed against something.)
(End of flash. Resume to present.)
HORATIO: So when Eric lifted the box, tension from something caused a chain of
events.
(Quick flashback to: [TEASER] In the barn, Delko finds the box of porn.)
DELKO: Got some porn. Let's see how kinky our guy was.
(He picks up the box.)
(The box is attached to the table.)
(Quick CGI POV of: Inside the box, the movement triggers the nail to move, and
the capacitor inside the box charges.)
(End of CGI POV. Resume to present.)
DELKO: Allowing the capacitor to charge.
HORATIO: Right. So we have a time delay. Once fully charged, the capacitor
sent electricity down the wires to the blasting cap.
(Quick CGI POV of: Inside the box, the electricity pulses through the wires out
of the box.)
HORATIO: (v.o.) The cap explodes ...
(The cap explodes.)
(Cut to: Everyone is running out of the barn.)
HORATIO: (v.o.) ... and air is displaced at sixteen thousand feet per second
...
(The explosion rocks the bottom of the barn under the two containers of liquid
stored above.)
(Cut to: The barn explodes.)
HORATIO: (v.o.) ... setting off the jugs of gasoline.
(The explosion reaches the two containers of liquid.)
(Cut to: The barn explodes.)
(End of flashback. Resume to present.)
HORATIO: But how did it get there?
(Speedle picks up the guitar string from the things on the table. He hands it
to Horatio.)
SPEEDLE: Guitar string caused the tension. When I first went onto the scene, I
noticed a guitar.
DELKO: Yeah, so did I, against the couch. So?
SPEEDLE: So it didn't have any strings.
(Quick flashback to: The guitar doesn't have strings. End of flash. Resume to
present.)
HORATIO: No, it didn't, but a guitar string could work, couldn't it?
(Quick flash to: One of the wires running out of the box is a guitar string.)
HORATIO: (v.o.) That would create the tension.
(The movement releases the nail.)
(End of flash. Resume to present.)
SPEEDLE: I guess Chaz is making a different kind of music.
DELKO: You guys collected wire cutters inside his trailer, right?
HORATIO: Yes, we did. Nice going, Speed. This is the coup de grace.
CUT TO:
[INT. CSI - LAB]
(Horatio cuts a guitar wire. He puts it under the scope and compares it with
the guitar wire.)
(It's the same cut.)
HORATIO: Hmm ... boom. Got you.
CUT TO:
[INT. CSI - INTERVIEW ROOM -- DAY]
(Horatio and Det. Frank Tripp interview Chaz.)
HORATIO: Take a good look around, Chaz. This is the last room you're ever
going to be in that has windows.
CHAZ: Susie's a stoner. Nobody's going to believe her.
HORATIO: We're not charging you with Darwin's murder, are we, Frank?
DET. FRANK TRIPP: We're charging you with the attempted murder of all county
employees that responded to Darwin's crime scene.
CHAZ: What attempted murder? I wasn't even there.
HORATIO: Yeah, but your explosive was.
CHAZ: Well, who says it's mine?
HORATIO: And so was your guitar string and your wire cutters. And so you know,
physical evidence, my friend, is always better than an eyewitness. This is a
warrant for your arrest.
DET. FRANK TRIPP: You ask me, Chaz, you're looking at 15 to twenty years.
CHAZ: What is this, your consolation prize?
HORATIO: Consolation prize?
CHAZ: Yeah, for the loss of your brother ... Tin Man.
HORATIO: Chaz, this is no way to start your rehabilitation.
CHAZ: Tin man was a dirty cop. Who do you think taught me how to make bathtub
meth? Got himself killed before anyone found out the truth. Probably went out
squealing like a little girl.
(Horatio grabs Chaz by his shirt lapels and hauls him out of his seat.)
HORATIO: Frank ... get him out of here before I soil my reputation.
CUT TO:
[EXT. MIAMI-DADE CITY (STOCK)]
[INT. CSI - FORENSICS LAB]
(Alexx is in the lab cleaning her exam table. The doors open and Julie Harmon
walks into the room.)
JULIE HARMON: Police released me.
ALEXX: Yeah, I heard.
JULIE HARMON: Oh, come on, you know I didn't do it.
ALEXX: Hey, that's between you and your maker.
JULIE HARMON: Come on, you believe me, don't you, Lex?
(Julie steps forward to hug Alexx, but Alexx stiffens up. Julie stops.)
(Alexx continues to wipe her table down.)
ALEXX: You're smart, and you always get what you want.
JULIE HARMON: Get what I want? Come on. My husband is dead, and that young
boy is going to prison. Get what I want?
ALEXX: And look who's still alive and fancy-free.
JULIE HARMON: You really think I did it?
ALEXX: No. You didn't pull the trigger ... but you are responsible. Believe
me, Julie, you are responsible.
JULIE HARMON: You don't think I don't know that?
ALEXX: There's no telling what you think. Our families spent every weekend
together, and you got this whole other life right under my nose.
JULIE HARMON: And I wanted to tell you, I wanted to tell you a thousand times,
but I didn't because I didn't want to put you guys in the middle.
ALEXX: But you let Denny take my kids out for ice cream. Do you know what kind
of danger you put them in? If that boy had shot him some other night with my
kids in the car, he could've killed them. He could've killed yours.
JULIE HARMON: Alexx, I ... I am so sorry. Can you, uh ... can you find it ...
can you forgive me?
ALEXX: If it was the other way around, could you?
(Julie turns and leaves the room.)
CUT TO:
[EXT. PARKING LOT -- NIGHT]
(Horatio walks Susie Barnham to the car.)
SUSIE BARNHAM: Chaz won't find out where I went, will he?
HORATIO: No. Only your P.O. and I will know where you are.
SUSIE BARNHAM: Thanks. I thought once I couldn't help your court case against
him, you'd burn me.
HORATIO: Well, life is filled with surprises, isn't it?
SUSIE BARNHAM: Tin man used to say that.
HORATIO: Did you crank with him?
SUSIE BARNHAM: No. No, Chaz always thought we did, but, um ... (She shakes
her head.) uh-uh. Isn't that what narcos do, pretend?
HORATIO: What about you?
SUSIE BARNHAM: I'm not going to lie to you. Tina's too good.
HORATIO: That stuff will kill you, Susie.
SUSIE BARNHAM: I'm hoping for a few more years.
HORATIO: Okay. I will be here if you need me.
SUSIE BARNHAM: Thanks.
HORATIO: Okay.
(He opens the taxi cab door.)
HORATIO: You take care.
SUSIE BARNHAM: Thank you.
HORATIO: All right.
(He closes the taxi cab door.)
HORATIO: Go ahead.
(The taxi leaves.)
FADE TO:
[INT. CSI - HORATIO'S OFFICE - NIGHT]
(Horatio stands behind his desk and looks at the notes taken from the trailer.)
CHAZ: (v.o.) "Tin man's whack. Ask all kinds of questions, going to get
himself killed someday."
(Horatio looks away.)
HORATIO: (v.o.) "If the crank doesn't first."
FADE TO BLACK.
==========================
THE END
==========================
[Captioning Sponsored by CBS and CSI Productions Captioned by Media Access Group
at WGBH access.Wgbh.Org]
Courtesy of http://www.webphilia.com/~anthology/wnp.html
Contact the Transcriptionist at (intrepidly002@yahoo.com)
Do not archive this transcript without permission from the Transcriptionist.
==========================
TITLE/OPENING CREDITS
==========================
CSI: MIAMI
1X23: FREAKS AND TWEAKS
ORIGINAL AIR DATE ON CBS: 05/12/2003
TRANSCRIBED FROM DVD
Starring:
DAVID CARUSO as Horatio Caine
EMILY PROCTER as Calleigh Duquesne
ADAM RODRIGUEZ as Eric Delko
KHANDI ALEXANDER as Alexx Woods
with
RORY COCHRANE as Tim Speedle
Created by ANTHONY E. ZUIKER, ANN DONAHUE, CAROL MENDELSOHN
Starring
REX LINN as Det. Frank Tripp
HOLT McCALLANY as Det. John Hagen
DEBRAH FARENTINO as Julie Harmon
AZURA SKYE as Susie Barnham
CLAYNE CRAWFORD as Chaz
STEPHEN TOBOLOWSKY as Don
MARK HARELIK as Valenta
TROY WINBUCH as Welch
BILLY RJECK as Tommy Lee Harkins
Music Composed by: GRAEME REVELL
Edited by J. BENJAMIN CHULAY, A.C.E.
Production Designer: CAROLS BARBOSA
Director of Photography: ROBERT M. STEVENS, A.S.C.
Co-Producer: FRANK BALLOU
Co-Producer: BRUCE GOLIN
Co-Producer: LOIS JOHNSON
Producer: STEVEN MAEDA
Producer: JOE CHAPPELLE
Supervising Producer: MARK ISRAEL
Consulting Producer: ELIZABETH DEVINE
Co-Executive Producer: LAURIE McCARTHY
Co-Executive Producer: DANNY CANNON
Executive Producer: DAVID BLACK
Executive Producer: SAM STRANGIS
Executive Producer: JONATHAN LITTMAN
Executive Producer: NANCY MILLER
Written by ELIZABETH DEVINE
Story by JOHN HAYNES
Directed by DERAN SARAFIAN
==========================
END CREDITS
==========================
Executive Producer: JERRY BRUCKHEIMER
Executive Producer: ANTHONY E. ZUIKER
Executive Producer: CAROL MENDELSOHN
Executive Producer: ANN DONAHUE
JERRY BRUCKHEIMER Television
Alliance Atlantis Productions Inc.
CBS Productions, Inc.
Co-Starring
SEAN DOUGLAS as Officer Lyle
JOHN BENTLEY as Officer German
DAN WARNER as Bomb Tech
CHOPPER BERNET as Dennis Harmon
S.E. PERRY as SWAT Leader
CRAIG GELLIS as Hairy Tweaker
PATRICK FLUEGER as Brad Kenner
ALLEN G. DI GIOIA as Medical Examiner
Line Producer: JEAN HIGGINS
Associate Producer: GINA LAMAR
Associate Producer: SCOTT LAUTANEN
Casting by: NAN DUTTON SELLS & JOHN A. AIELLO, C.S.A.
Original Casting by: ROBERT ULRICH, C.S.A., ERIC DAWSON, C.S.A., CAROL KRITZER,
C.S.A.
Story Editor: GWENDOLYN PARKER
Unit Production Manager: JEAN HIGGINS
First Assistant Director: ALLEN G. DiGIOIA
Second Assistant Directors: NANCY P. TOWNSEND
Costume Designer: MYNKA DRAPER
Forensics Consultant: JOHN HAYNES
Production Sound Mixers: DONOVAN DEAR
Script Supervisor: CLAUDIA YARMY
Special Make-Up Effects: MATTHEW W. MUNGLE / CHRIS BURGOYNE
Art Directors: TIM BEACH
Set Decorator: CINDY COBURN-ROTH
Construction Coordinator: JOHN KERSEY
Special Effects Coordinators: GARY D'AMICO
Property Master: MIKE SEXTON / GEORGE ASHTON
Key Grip: JOEY KRAFT
Gaffer: JEFF ZUCKER
Key Make-Up Artist: PEGGY TEAGUE
Key Hairstylist: TERRY ROBBINS
Camera Operator: MIKE GENNE
2ND 2ND Assistant Director: ROBYN WILLEY
Location Manager: MICHELLE LATHAM
Costume Supervisor: BRIAN MAHON
Transportation Coordinator: BOB CAWLEY
2ND Unit: MICHAEL PHIRMAN
Colorist: GARETH COOK
Supervising Sound Editor: MATTHEW SAWELSON
Music Supervisor: JASON ALEXANDER
Assistant Editor: SCOTT LERNER
Post Production Supervisor: MICKIE REUSTER
Loop Group: THE REEL TEAM
Dialogue Editor: TODD NIESEN
ADR Editor: RUTH ADELMAN
Sound Effects Editor: BRAD KATONA
Re-Recording Mixers: YURI REESE / BILL SMITH
Music Editor: ASHLEY REVELL
Visual Effects Supervisors: MARC LEIDY / LARRY DETWILER
Digital Effects by STARGATE DIGITAL
Computer Playback and Graphics by E=MC2
High Definition Post Production by ENCORE
Film Laboratories by FOTOKEM
Post Production Sound Provided by TODD STUDIOS
Filmed at EL SEGUNDO STUDIOS
"Won't Get Fooled Again"
by Pete Townshend
Performed by The Who
The persons and events portrayed in this film are fictitious. Any similarity to
actual persons, living or dead, or any events is unintentional.
(c) 2003 CBS Worldwide Inc., and Alliance Atlantis Productions, Inc. All Rights
Reserved.
CBS Broadcasting Inc, and Alliance Atlantis Productions Inc, are the authors of
this program for the purposes of copyright and other laws.
Dated:12/26/2004~lky
http://www.webphilia.com/~anthology/wnp.htm