M I L L E N N I U M

"FORCE MAJEURE"

Ep. # 1.13  [MLM-112  (4C12)]

[ First Season ]  (Complete Transcript)

U.S. Air Date:  February 07, 1997

==================================================================
Disclaimer: This transcript was made from a personal video copy
and is presented for Fair Use only to Millennium fans. All of
the characters and scripts are the properties of Chris Carter,
1013 Productions, Fox Broadcasting Company and their respective
authors. No copyright infringement is intended nor implied by
the distribution of this document. It is solely meant for
entertainment purposes only.

-- Maria Vitale   
==================================================================


[Trademark music cue as the scene fades in from white... ]

[OPENING SCENE: A room somewhere. Heavy breathing in the background. The
camera pans to a man in an iron lung, his face reflected in a mirror. His
breath clouds the reflection. A woman, the ILM's daughter Myra, speaks off-
camera... ]

  Myra: "Papa, it's begun."

[Fade out.]

[CUT TO a violent thunder storm erupts, lightning flashes horizontally
across a night sky.]


WASHINGTON POLYTECHNIC UNIVERSITY
GRADUATE SCHOOL OF ARTS & SCIENCES


[Students everywhere are running for cover. Some find it under an entrance
to a building on the campus. As they do, it suddenly begins to hail; chunks
of ice so large that they rupture the lamps that light the quad. And just as
suddenly, it is replaced by sheets of pouring rain.]

[One young man steps out from the entrance to pick up a piece of the ice. He
brings it back to the other students to show them its size. It is as large
as his entire hand.]

  Man: "Can you believe it?"

[A young woman lights a cigarette, then sees a blond woman walking in the
rain slowly towards them.]

  Woman: "Lauren! What are you doing?"

[She doesn't reply but continues walking. Lightning flashes and draws the
blond woman's attention.]

  Woman: "Come over here! Hurry up! God, you must be freezing."

[The blond still does not answer but she begins to raise her right arm
toward the other woman.]

  Woman: "Lauren, are you okay?"

[The blond holds up two fingers indicating that she wants the cigarette
which the other woman places between her fingers.]

[The moment the cigarette reaches her hand, the blond becomes engulfed in
flames. No one can do anything to save her. They watch helplessly as she
burns. Through the flames she is seen down on her knees, her hands clasped
with her fingers entwined, facing upward.]


[FADE to black... Logo fade in... Music and main titles roll]


M I L L E N N I U M


wait


worry


starring

Lance Henriksen (Frank Black)
Megan Gallagher (Catherine Black)


created by Chris Carter


who cares?


--------- commercial segment ---------


[Trademark music cue... ]


[Episode quote]


"You remember
a single deluge only,
but there were
many previous ones."

Plato


[Trademark music cue as the scene fades in from white... ]


[Episode credits roll during the next scene]


Terry O'Quinn (Peter Watts)
Brittany Tiplady (Jordan Black)

Guest Starring

Brad Dourif (Dennis Hoffman)
Morgan Woodward (Iron Lung Man)
Timothy Webber (Sheriff Camden)

and

CCH Pounder as Cheryl Andrews

Music by Mark Snow
Editor: G. Richard Potter
Production Designer: Mark Freeborn
Director of Photography: Robert McLachlan
Associate Producer: Jon-Michael Preece
Consulting Producer: Ted Mann
Consulting Producers: James Wong & Glen Morgan
Co-Producer: Ken Dennis
Co-Producer: Chip Johannessen
Co-Producer: Frank Spotnitz
Co-Executive Producer: Jorge Zamacona
Co-Executive Producer: Ken Horton
Co-Executive Producer: John Peter Kousakis
Written by Chip Johannessen
Directed by Winrich Kolbe


[SETTING: The Black residence. Scene opens on a television news report
on the aftermath of storm.  A reporter, off-camera, narrates her piece as
images of the massive flooding are shown. A station ID is at the bottom
right-hand corner of the screen: `FTN NEWS 4.']

  {Reporter: "Seven confirmed deaths and the
  number of missing persons continues to mount
  in the wake of the freak storm the National
  Weather Service has officially labeled `the
  worst of the century.' Twenty-five inches of
  rain... "}

[The telephone rings. Frank Black and his daughter are sitting at the
dining room table. She is coloring and he is writing. He answers the
phone.]

  Frank: "Hello."

  Catherine: "Hi. It's looks like I'm going to
  be pretty late."

[CUTS alternate between Frank at home and Catherine elsewhere throughout
the phone conversation.]

  Frank: "I figured, with all the flooding."

  Catherine: "No, actually, it's this case. I'm
  with the parents of a grad student who lit
  herself on fire."

  Frank: "Did she survive?"

  Catherine: "No, and the parents keep saying
  that she'd never kill herself so, it's pretty
  intense her. Your guy has been a real comfort
  to them though."

[She turns to look at the man who is sitting with the parents in the
other room.]

  Frank: "I'm sorry, Catherine. What guy?"

[He gets up to lower the volume on the TV.]

  Catherine: "Dennis- something. He said he worked
  with you- I thought from the Group."

  Frank: "I probably just haven't met him yet."

  Catherine: "You'd definitely remember him if
  you had."

  Frank: "Make sure you get his name."

  Catherine: "I will. I- I better get back to the
  parents now. Love you."

  Frank: "Love you."

[They both hang up. Catherine turns to speak to Dennis but he's already
gone. The grieving parents she is counseling are alone on the couch.]

[Back at the Black home... ]

  Jordan: "Was that Mommy? What did she say?"

[He walks over to her, picks her up and carries her as he speaks to her.]

  Frank: "I have a secret plan that I can't tell
  to any spies unless they're in their pj's. Hmm?"

[They touch foreheads, she giggles and he places her back down on the
floor.]

  Frank: "Scoot."

  Jordan: "I'll be right back, Daddy."

[She rushes off with to change her clothes.]

[Frank picks up the remote control and raises the volume on the TV. The
news broadcast is still on. Now they are covering the story of the girl
Catherine mentioned on the phone. The reporter is off-camera, narrating
the images on screen. Someone at the university caught the incident with
a video camera.]

  {Reporter: "Some think this self-immolation,
  if that's what it was, had the trappings of a
  political act."}

[The images on screen show the girl completely in flames, the outline of
her body can be seen.]

  {Reporter: "But none of the students we
  interviewed had any idea what she may have
  been protesting."}

[Scene shifts to Frank's computer in his basement where he is looking
at the same footage which was shown on the news: the immolation of the
grad student at the university, without sound. Frank is manipulating the
images, viewing it frame-by-frame. The girl's hands can be seen through
the flames.]

[Catherine, who has arrived unheard, clears her throat calling Frank's
attention. She looks at his monitor and sees the images.]

  Catherine: "I hope her family hasn't seen this."

  Frank: "Yeah, it was on the news."

  Catherine: "She reminds me of those Buddhist
  monks protesting the Viet Nam War."

  Frank: "Yeah, I think so too."

[The images are shown again, advancing frame-by-frame. Her arm and hand
can be seen.]

  Frank: "Ritualistic pose. Focused beyond herself,
  somehow."

  Catherine: "Maybe this is why the parents kept
  saying someone else had to be responsible."

  Frank: "Who?"

  Catherine: "They had no idea, so, I took it as
  a defense mechanism... you know, find someone
  out there to blame. Honestly, that guy who knew
  you actually encouraged them."

  Frank: "Did you find out what his last name was?"

  Catherine: "No, he never came back."

[They look at the monitor as the images fill the screen, a mass of flames.]

  Catherine: "And it's got to feel worse when it's
  an only child."

[Frank touches Catherine's hand which has been on his shoulder throughout.]

  Catherine: "I'm going to go peek in on Jordan."

[She kisses his forehead and leaves.]

  Frank: "I'll be up in a minute."

[Frank logs in to the Millennium Group. He receives his usual message:
`MG Welcome Frank Black. Starting up... ' A communication menu comes up:
`Fax - Modem - Telephone' Frank chooses the phone.]

[He auto dials `555-0172' -- Peter Watts' number. The computer `dings'
until it finally connects.]

  Peter: "Watts."

  Frank: "Peter, Frank."

  Peter: "So you weren't washed away?"

  Frank: "No, still here. Did you see the grad
  student on the news?"

  Peter: "Yeah, pretty grim."

  Frank: "Do we have somebody working on that?
  Dennis- something?"

  Peter: "No, no one. You think we should?"

  Frank: "Catherine spoke to the family. They
  say it wasn't a suicide."

  Peter: "If I were the parents, I'd be telling
  myself that too. If you want, I can do a little
  research."

  Frank: "Thank you."

[He disconnects from the call.]


WASHINGTON POLYTECHNIC CAMPUS
8:44 AM


[The next day, Frank goes to the school to speak with the dead girl's
friend, Maura -- the same woman who gave her the cigarette during the
storm. He knocks on her dorm door.]

  Maura: "It's open."

[Frank opens the door, enters but leaves the door wide open.]

  Frank: "Frank Black. I spoke to you on the
  phone."

[The girl hides the cigarette she's been smoking to one side.]

  Maura: "Right. Look, could you close the door,
  please. I'm not allowed to smoke in here."

[He closes the door.]

  Maura: "You'd think I'd quit after yesterday."

[But she takes a drag on the cigarette anyway. Frank looks at the room
and points to a desk across from the girl.]

  Frank: "Is this Lauren's desk?"

  Maura: "Not anymore."

[He picks up a book from the desk. The cover reads: `theory and examples
of Point-Set Topology.']

  Frank: " `Point-Set Topology.' "

  Maura: "Lauren. She was mutant bright. She was
  offered a faculty appointment at Oxford last
  year."

  Frank: "Why didn't she take it?"

  Maura: "Her parents. They're nice people.
  They're just like, uh... `Great Britain?
  Isn't that somewhere near England?' "

  Frank: "What do you think, Maura? Were there
  any warning signs before yesterday?"

  Maura: "Like what? What, like little fires
  flaring up? I'm sorry... but do you people
  not compare notes? I mean this is a complete
  xerox of what your partner already asked me!"

  Frank: "Someone was here?"

  Maura: "A Dennis Hoffman? You know, the snappy
  dresser."

[Frank looks around the room and spots something.]

  Maura: "And the only reason I was willing to
  go through this again is 'cause he said you
  would be able to tell me what happened."

[It is a 3-D model of the solar system: the nine planets and the sun,
with all of the planets in alignment with the sun. He turns it around to
look at the planets.]

  Maura: "He said you'd be interested in that."

[Outside, Frank walks along the quad. A worker can be seen on top of a
ladder, replacing the broken balls of the lamps.]

[A makeshift memorial of candles and flowers has been created by the
students on the spot where Lauren died. Two students stand by the memorial,
with flowers in their hands, talking about the incident.]

[Frank stands and watches the students, then turns to watch the men
working on the lamps. As the worker climbs down from the ladder, the lamps
are turned on. He stares at them, then walks a bit so that they will all
be aligned. There are seven lamps. Frank flashes on the 3-D model he saw
in Maura's room. He then looks at the spot where the girl chose to die.
It was in direct alignment with the lamps.]

[A man approaches Frank.]

  Man: "Frank Black?" (sighs) "I would have come
  sooner, but I... wanted you to see for yourself."

  Frank: "Have we met?"

  Man: "Dennis Hoffman. I'm glad we're teamed up
  on this. The girl? The alignment?"

[He points to the lamps and to the spot where the girl died.]

  Dennis: "Boom. Boom. Doesn't get much clearer
  than that."

  Frank: "What doesn't?"

  Dennis: "On May 5th, 2000, seven inner planets
  align for the first time since the Great Flood.
  Uranus at the meridian of its epicenter. Earth
  the focus of the biggest gravitational tug-of-
  war in 6,000 years. Catastrophic Earth changes
  on alignment day, preceded by abnormal weather
  now as stresses build. Example: hurricanes --
  Edouard; Andrew; Andhra Pradesh, Bay of Bengal.
  Example: The Sahara Desert advancing 70.7 meters
  per year. Example: Lima earthquake, 7.3; Loma
  Prieta, 7.1; Irian Jaya, 8.0. Example: ... "

[He nods toward the spot where the girl died, site of the previous night's
storm.]

  Frank: "The hailstorm."

  Dennis: "Exactly as predicted."

  Frank: "You mean prophecy?"

  Dennis: "I mean scientific fact. Alignment
  every 6,000 years. Obviously, Lauren knew."

  Frank: "She killed herself because a hailstorm
  confirmed the world was about to end?"

  Dennis: "Nobody kills themselves over something
  that happens three years from now. I have to
  believe that she was protesting something else."

  Frank: "People close to her have no idea what
  that might be."

  Dennis: "Someone does. So obviously there's
  others involved... someone behind this."

  Frank: "Dennis, you've been telling people we
  work together."

  Dennis: "Only those with a need to know."

  Frank: "I've never met you before."

  Dennis: "Ask Peter Watts, he'll confirm.
  There ARE others involved."

[He walks away from Frank, leaving him near the dead girl's memorial.]

[Later that night, Frank drives to a location where Peter Watts is waiting
for him. He gets into Watts' car.]

  Frank: "Thanks for helping me out with this,
  Peter."

  Peter: "It wasn't exactly a pleasure dealing
  with Dennis Hoffman again but I think I
  impressed upon him the need to leave you and
  Catherine alone."

  Frank: "How'd you find him?"

  Peter: "Email. He's always eager to talk. Dennis
  came forward on a zodiac cult investigation a
  few years back before you joined us. Once he
  found out about the Group it took a year to get
  him off our backs."

  Frank: "But he's not dangerous?"

  Peter: "Only if you listen to him."

[He hands Frank an envelope.]

  Peter: "On the girl, I came up with some
  pertinent information. Actually... a lack
  of pertinent information. There's no birth
  certificate. Subsequent public documents list
  Lauren as the Padillas' genetic child but that's
  all but impossible. Too many   recessive traits."

[Inside the envelope are some papers and photos of the dead girl. One is
a graduation photo with her parents, the Padillas.]

  Frank: "So she was adopted."

  Peter: "Never formally... meaning that there's
  no record of her biological parents. There's
  something else. The scholarships, appointments,
  an endless list of special programs starting at
  an early age."

  Frank: "I was told the Padillas weren't this
  sophisticated."

  Peter: (nods) "Exactly. There's been a pattern
  of positive interference in her life -- from
  outside."

  Frank: "The genetic parents."

  Peter: "Whoever it is taking pains to remain
  anonymous. But there are definitely others
  involved."

  Frank: "That's what Dennis Hoffman said."

[Peter chuckles.]

[NEXT SCENE: The room with the Iron Lung Man. The woman enters and walks
over to speak with him. The man's labored breathing fogs the mirror before
him.]

  Woman: "It's Carlin. She's not coming."


MATHER RESIDENCE
RIVERSIDE, OREGON


[NEXT SCENE: Carlin's bedroom. The camera slowly pans across the room.
There are stuffed animals on a dresser next to a 3-D model of the solar
system identical to the one that Maura had in her dorm room. All of the
planets here are also in alignment with the sun. Moans can be heard in
the background as the camera continues to pan until it finds Carlin,
sitting at her computer.]

[She is breathing heavily. Then she places a bloody razor down on the
desk as a woman (her mother?) knocks repeatedly at her door.]
 
  Woman: "Carlin? Carlin? Honey?"

[Carlin then takes a tissue and places it over an area on her right upper
thigh and presses down on it. We see her face finally. She looks exactly
like Lauren. Identical. As she moves her hand away from her leg it reveals
what she has done with the razor. She has carved a circle with a straight
line drawn out from it.]

[Next, we see Carlin at the top of a dam's gate overlooking its spillway.
She steps over the railing and stands outside of it, over spillway drop off.
She turns her palms upward and interlocks her fingers. Then purposefully
steps off edge and into the spillway to her death.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


SNOHOMISH COUNTY MORGUE


[At the morgue, Lauren's body is being examined by Cheryl Andrews. Also
present are Frank and Peter. She is reporting her findings into a tape
recorder.]

  Cheryl: "Cheryl Andrews, M.D., conducting autopsy
  under the auspices of Snohomish County Coroner.
  Subject of reported self-immolation, grad student
  Lauren Padilla: P-A-D-I-L-L-A. White female, age 25.
  Elevated carboxy hemoglobin confirms cause of death
  was hypoxia and severe thermal injuries."

[On the table before then are the charred remains of Lauren. Peter looks
intently at the body.]

  Cheryl: "Bone shrinkage and fourth-degree
  burning of extremities consistent with use of
  acetone accelerants. Body posture consistent
  with acetone accelerants as well." (shuts off
  the recorder)

  Peter: "The kneeling position?"

  Cheryl: "Well, `kneeling' makes it sound
  voluntary. This is called `the pugilistic
  attitude.' It's very typical. It's caused by
  the muscles contracting under intense heat."

[Frank moves closer for a better look at the girl's hands.]

  Frank: "What about the hands?"

  Cheryl: "Less typical, much less."

[Peter mimics the pose with his own hands, interlocking his fingers with
the palms facing upwards.]

  Peter: "The Mandala position... if you're a
  Buddhist."

  Frank: "What does that mean? Protest?"

  Peter: "Uh, an offering... supplication."

[Cheryl opens one of Lauren's eyelids to look at her eye. It is bright
blue color.]

  Cheryl: "Beautiful eyes."

[Frank puts on his eyeglasses for a closer look at something on the
body as Cheryl continues her findings into the tape recorder.]

  Cheryl: "Congenital coloboma occlusion at
  three o'clock."

[Frank pulls an overhead lamp closer to the body to better illuminate
an area. The three of them gather around to look at it.]

  Frank: "What do you think?"

[On the girl's charred upper thigh is the same wound that Carlin had made
with the razor: a circle with a straight line drawn out from it.]

  Cheryl: "It's obviously self-inflicted. I
  wouldn't call it self-mutilation. The shape
  means something."

  Peter: "In astronomy it's the symbol for
  conjunction."

  Frank: "Alignment."

[Frank and Peter continue to discuss the case as they leave the building
and head towards the parking lot.]

  Frank: "She had a model of the solar system in
  her office. The seven planets were aligned the
  day she died."

  Peter: "Hoffman was there first. He probably
  aligned them himself."

  Frank: "He said others were involved. Someone's
  behind it."

  Peter: "He always says that. He's bound to be
  right once in a while."

  Frank: "I think he knows something."

[As they approach Frank's Jeep they find Dennis Hoffman leaning against
his own car waiting for them. Peter gets upset at the sight of Hoffman
and shouts at him.]

  Peter: "Dennis! We had an agreement!"

  Dennis: (calmly) "Yes, we did. But now you've
  found something on the body, haven't you?"

  Peter: (more calm) "Get in your car and go."

  Frank: "What's this mean to you?"

[He uses his finger to draw the symbol of conjunction on the dirty trunk
of Hoffman's car.]

  Dennis: "May 5th. I knew it."

[Peter becomes impatient again as Dennis goes into his litany once more.]

  Dennis: "5/5/2000. Seven inner planets align
  for the first time since the Great Flood.
  Uranus at the meridian of its epicenter... "

  Frank: (interrupts) "Yes, you told me about
  that before."

  Dennis: (continues) "Catastrophic Earth changes
  on that day preceded by abnormal weather
  conditions now... "

[Frank interrupts again, beginning to tire of hearing this again, heads
for the car. Peter has already given up and gotten into Frank's Jeep.]

  Frank: "The Bay of Bengal... you said that too."

  Dennis: (continues) "Seven planets align. Seven
  people survived with Noah."

[Frank gets into the Jeep.]

  Dennis: "Seven separate prophecies by Nostradamus
  predicting the apocalypse in May."

[Frank starts up the engine.]

  Dennis: "Listen... This is the beginning of
  the Thousand Days. When the first trumpet
  sounds there came hail mixed with fire and
  blood. Revelations, verse seven. Blood. Exodus,
  chapter seven. `And the river was turned to
  blood.' River of blood. There'll be more."

[Frank finally shifts into reverse and pulls away leaving Hoffman standing
there.]

[Back at home in his basement office, Frank goes online on the Internet
to do some research. His Macintosh shows that he's accessing the database
at the Palomar Electronic Observatory, `Category: Solar System. Planetary
Positions.' For date and time, he enters: `05/05/2000 GMT'.]

[While it searches for the necessary plotting information, Frank looks
at a book. He finds a drawing of an erupting volcano.]

[The computer dings to signal that it has completed its task.]

[The screen displays the following: ]


Solar System: Friday Year 2000 May 5 @ 19:07 GMT
Extremely Rare Alignment

Splendid Syzygy as illustrated by
this artist interpretation


[Frank clicks his mouse to see the illustration. It shows a color
rendering of the seven inner planets in alignment with the sun. Frank
prints out a copy of the illustration while he goes back to his books.]

[In another book he reads: `The Plague of Hail,' accompanied by an
illustration. He turns some pages and finds another illustration with
the caption: `The River of Blood.']

[Returning to the computer, he does a search of the words: `RIVER+BLOOD'
at a search engine web site, `URL: http://www.Peripheral/Home.html' The
banner across the top of the page reads: `Welcome Home... ' As it completes
its search, the new URL becomes: `http://www.Peripheral/SearchResults' and
several references are listed. Frank scrolls down until he reads... ]


The Riverside [ Oregon ] Gazette

URL: http://www.westmedia.com/gazette/search.html
Summary:   Scientists baffled. Malheur river turns blood red. EPA called in.
EPA Insp. D.J. Jorge flying in from Seattle Wa. Local tourist river closed.


[Frank selects the link and receives a reprint of the front page of the
Riverside Gazette. Headline reads: `Malheur River Turns Red' `Scientists
Baffled -- Pyroclastic Surge' A photo of the river and beneath it: `River
Water Turns Blood Red']

[He scrolls down the screen to read another front page article... ]


Local Girl Missing
National Merit Scholar Carlin Mather Disappears


[NEXT SCENE: Frank, Peter and Cheryl meet with a Sheriff Camden in Oregon
as they stand before Carlin's remains in a body bag.]

  Sheriff: "We found her right where you said
  she'd be -- a few hundred yards downstream from
  the dam just off the spillway."

[Frank pulls open the bag's zipper.]

  Sheriff: "We left her the way we found her."

  Frank: "Good."

  Sheriff: "It wasn't pretty."


MALHEUR GENERAL HOSPITAL
RIVERSIDE, OREGON
12:11 PM


[Frank, Peter and Cheryl are wearing surgical gloves. The sheriff moves
away in order to give more room to Peter who picks up and looks at some
sediment found on the body.]

  Peter: "Undissolved soil. Volcanic."

  Sheriff: "The river bed ruptured just below the
  dam. Fish never knew what hit 'em."

  Peter: "They speculate that volcanic ash from
  Santorini turned the Nile River red in ancient
  Egypt."

  Frank: "River of blood."

  Sheriff: "That's what people around here been
  calling it."

  Cheryl: (examining the body) "Connective
  fascia's pretty degraded. I'd guess two or
  three days underwater."

  Sheriff: "Yeah, she- she went missing, eh,
  three days ago. I figure she was murdered
  somewhere else and then dumped over the dam."

[Cheryl opens one of Carlin's eyes and find it is a bright blue color,
just like Lauren's.]

  Frank: "No, I don't think so."

  Sheriff: "Someone want to tell me what's going
  on here?"

[A woman (Carlin's adoptive mother) can be heard shouting from just outside
the doors.]

  Mother: "I want to see my baby! I want to see
  my baby!"

  Sheriff: "Criminy! Zip that thing up!"

[The woman pushes her way past someone outside and into the morgue where
the sheriff grabs hold of her and takes her outside again.]

  Sheriff: "Now, calm down, Lillian. No."

  Mother: "Let go!"

  Sheriff: "No!"

  Mother: "I have to see my little girl."

[He grabs hold of her by her shoulders and shakes her.]

  Sheriff: (shouts) "Now, listen to me!" (more
  calmly) "Now, I'm not saying you can't see
  her. I'm just asking you as a friend... please,
  let us clean her up first."

[Carlin's mother starts sobbing into the sheriff's shoulder.]

  Sheriff: "I don't want you to remember Carlin
  like this."

[Frank walks over to the doorway to see what's happening. The woman looks
up and notices him.]

  Mother: "You're the one who knew where she'd
  be."

  Frank: "Yes. I'm very sorry."

[She becomes frightened.]

  Mother: (to the sheriff) "He's one of them."

  Frank: (shakes his head) "No."

  Sheriff: "One of who? Lillian?"

  Frank: "Who are `they'? The ones that brought
  Carlin to you?

[She begins crying again.]

  Mother: "I don't know. I never knew. My perfect
  baby and they took her."

[Sobs once again into the sheriff's shoulder.]

[Inside, Cheryl continues examining Carlin's body. She's looking at her
eye and notices the same marking she saw in Lauren's.]

  Cheryl: "Same congenital coloboma at three
  o'clock."

[Peter is looking at the carving Carlin made in her thigh. Cheryl refers
to it as well.]

  Cheryl: "Carved icon I believe we all recognize."


3:27 PM


  Cheryl: "There's definite family resemblance.
  And I'm betting the pelvic cavity should be
  highly interesting."

[She begins cutting through the skin with a scalpel.]

  Cheryl: "There were needle marks in her buttocks
  and a slight abscess of the surrounding adipose
  tissue suggests repeated intramuscular injections."

  Peter: "Someone was drugging her?"

[She finishes cutting, tosses down the scalpel and peels back the skin.]

  Cheryl: "Well... by the angle of the needle she
  was almost certainly injecting herself. Both
  girls show extremely high post-mortem estrogen
  levels."

[She examines the exposed cavity through a microscope.]

  Cheryl: "I assumed Lauren's was a false reading
  due to extreme heat but seeing Carlin's... I'm
  quite sure they were both injecting menotropins."

  Peter: "Fertility drugs."

  Cheryl: "Gentlemen, welcome to the realm of the
  `truly' bizarre. She's a high school senior --
  by all indications a virgin and she's super-
  ovulated."

[Frank flashes on the seven planets and the sun in quick succession. He
even sees what Cheryl is about to see... ]

  Frank: "There are seven."

[Cheryl looks through the microscope and we see... ]

  Cheryl: "Seven mature egg follicles where there
  should be one."

  Frank: "They're the same the two girls?"

  Cheryl: "Right. They've got to be sisters."

  Frank: (shakes his head) "Identical twins."

  Peter: "Frank, they're not the same age."

  Frank: "Seven years apart. Identical offspring.
  Being readied for the cataclysm on May 5th, in
  the year 2000. Like Noah preparing for the
  flood."

[NEXT SCENE: Again the room where the Iron Lung Man is located. The sound
of heavy breathing from the apparatus can be heard throughout. Then man's
reflection can be seen in the mist-clouded mirror. Myra brings some news.]

  Myra: "They know about both girls -- Lauren
  `and' Carlin. What should we do?"

  ILM: "Call the others."

[A young woman appears in the doorway. She is identical in appearance to
both dead girls.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[NEXT SCENE: A room at the police station. Cheryl is showing Frank and
Peter a procedure on a computer monitor. There is a demonstration of the
process which she describes to them regarding cattle
eggs.]

  Cheryl: "This a technique called the blastomere
  separation that's been used for decades to create
  identical cattle. Take a fertilized egg and let
  it divide a few times in vitro. Then you tease
  the cells apart. Each new embryo is identical
  to the original. Freeze some for later and you
  could have identical girls, seven years apart."

  Peter: "Both providing eggs for the next generation."

  Frank: "A few -- how many is that?"

  Cheryl: "In cows, a practical amount would be...
  20 copies -- probably similar in humans."

  Peter: "So, who does this procedure?"

  Cheryl: "No one would admit to doing it in a
  human but any gynecologist could."

  Peter: "Pretty ugly breeding experiment. You
  think the girls who killed themselves wanted
  out?"

  Frank: "No. Staying in assured they'd survive
  on May 5th."

  Peter: "Both sets of parents said someone forced
  them. Maybe they were removed from the program."

  Cheryl: "If you've got the genes, you don't need
  the people."

  Peter: "20 identical human beings, no longer
  needed, no birth records -- scattered over 50
  states. Going to be tough to find."

[NEXT SCENE: Dennis Hoffman's hotel room. Frank knocks on the door. Dennis
tentatively opens the door.]

  Frank: "The river of blood happened just the
  way you said it would. How did you know?"

  Dennis: "I read Exodus. Would you like some
  water?"

  Frank: "Thank you." (he enters the room)
  "Dennis... there are others. There will be
  more deaths."

  Dennis: "Are you mocking me? Is that what you're
  doing?"

  Frank: "No. There is someone out there who
  believes in May 5th. He's responsible for the
  death of two girls already. I need to know
  who else believes in Earth changes."

  Dennis: "Einstein did."

  Frank: "I mean today."

  Dennis: "I don't know anybody like that."

  Frank: "Where would he be?"

[Dennis pauses, sits down, thinking, but does not respond.]

  Frank: "Where would `you' be?"

[Dennis still doesn't respond.]

  Frank: "Where will you be on May 5 in the year
  2000?"

  Dennis: "I really thought... that when I finally
  found someone who believed... they'd be good.
  That the future would somehow... be better. I
  reserved a hotel room in Pocatello, Idaho.
  Technically... it's a motel but it's supposed
  to be quite nice."

[NEXT SCENE: The same room used previously. Dennis, Peter and Frank are
present.]

  Peter: "Pocatello, Idaho."

  Dennis: "531 miles from the nearest coast.
  4,448 feet above sea level. A seismic oasis,
  especially compared to here."

  Peter: (to Frank) "Take a look at this."

[He types instructions at a keyboard and shows Frank a graphic display on
a monitor while Dennis continues his dissertation on Pocatello.]

  Dennis: "I mean, forget the Big One in L.A.,
  when the Cascadia subduction zone shifts Seattle's
  looking at a 9+. All the Starbucks will be about
  300 feet under."

  Peter (to Frank) "Since I don't believe in
  telepathy I had to assume the girls who killed
  themselves had prior contact."

  Dennis: "Peter, I just want to say it's great
  working with you again."

[Peter just ignores him and continues to type.]

  Peter: "They did have contact but it wasn't
  directly. This is a picture of their calling
  patterns."

[The monitor shows a 3-D representation of the data which each connection
represented by a ball. There are a number of radiating connections all
stemming from a central contact point. A small box near the upper right-
hand corner displays the telephone numbers linked to each of the connections.]

  Peter: "Both of them called this number just
  before they died."

  Frank: "The guy in the middle, that's who's
  pushing buttons?"

  Peter: "I don't know but watch this."

[The display expands to create two more sets of radiating connections, each
of which also connect with the central contact point.]

  Peter: "All in contact with the same guy.
  Roughly twenty total."

[Close-up of the small box on the monitor display telephone numbers which
scroll on the screen: ]


-1200 RESPONSE 213-555-1551

-1220 RESPONSE 403-555-1999

-1200 RESPONSE 701-555-5896

-1240 RESPONSE 310-555-1130

-1220 RESPONSE 212-555-8905

-1200 RESPONSE 970-555-0669

-1220 NO RESPONSE

-1220 RESPONSE 715-555-2991

-1240 RESPONSE 802-555-2300

SEQUENCE ENDS - ATV 20 555-1024

TASK COMPLETED


  Frank: "Twenty -- that's what Cheryl said."

  Peter: "I checked a few of them out. Missouri,
  blue-eyed blond -- AWOL."

[He points to links on the screen as he details some of his findings.]

  Peter: "Colorado, blue-eyed blond -- missing
  2 days. California girl -- missing 24 hours.
  Each one an only child."

  Frank: "You think they're being recalled?"

  Peter: "I think we could end up with a real
  mess on our hands."

  Frank: "Where, though?"

[The computer screen is shown again. It reads: ]


LOCATION VERIFICATION

ACCT # 208-555-1024

LOCATION: THE ATRIUM - SERVICE LEVEL

13275 COLEBROOK ROAD

POCATELLO, IDAHO


  Frank: "Pocatello, Idaho."


THE ATRIUM AT POCATELLO
POCATELLO, IDAHO


[NEXT SCENE: Frank, Peter, Dennis, as well as several local law enforcement
officers, walk through the motel on their way down to the service level with
the building manager leading the way.]

  Manager: "I know my building. I've got pumps,
  emergency generators, elevator equipment down
  here -- no elves."

  Peter: "Our records show a lot of activity."

  Manager: "No one has any access to this area
  without my knowledge."

  Lieutenant: "The bottom line is two dozen people
  are missing and they're all focused on this
  place."

[Along the way, Dennis, who has been at the rear of the procession, stops
and notices the motel's decor: it was designed to resemble the inside of
a boat, more specifically, to mimic an ark -- Noah's Ark.]

[Down on the service level, Dennis walks past the search party as they
unlock and check each room, shouting `clear!' as they complete each one.]

[Dennis, however, is on a search all his own. He turns a corner and finds
something but it's unclear just what it is that he's found.]

[Meanwhile, the others continue unlocking each door till they find one they
cannot open.]

  Manager: "Someone changed the cylinder."

[Frank slaps the door with his hand to acknowledge that they've found what
they'd been looking for. Then he uses a crowbar to pry the door open.]

[Upon opening it, Peter shines a flashlight into the darkened room as Frank
cautiously enters. Dennis has rejoined them by this point. On one wall he
finds, spray-painted in red, the same icon that was carved on the dead girls'
bodies -- a circle with a straight line drawn out from it, the symbol for
conjunction, alignment.]

[As the others also enter the room, Peter spots a black object on another
wall with his flashlight. It is a junction box of some sort.]

  Frank: "What's in the box?"

  Manager: "I don't know. None of this is supposed
  to be here."

[Peter examines the exterior carefully. Once satisfied that there are no
trip wires anywhere visible, he opens it. Inside, they find a number of
wires leading to a control switcher. The three presets are: `STANDBY,
ACTIVE and LINE SHIFT' with a numerical keypad just beneath it. Beside
each of the preset conditions is a red diode light. The one beside `LINE
SHIFT' is off. The one beside `ACTIVE' is on and the one beside `STANDBY'
is blinking.]

[In the corridor, just outside of this last room, they gather to discuss
what they've found.]

  Peter: "It's a phone switcher. It could be
  forwarding literally anywhere."

  Dennis: "Who designed this building?"

  Lieutenant: "Where'd you find this guy?"

  Frank: "Who did design it?"

  Manager: "A local woman, worked out of an
  office from a ranch about an hour from here. I
  forget her name, but you know I still remember
  the phone number." (begins dialing on his cell
  phone) "5-5-5... "

[Frank and Peter exchange glances. They both know the rest of the number.
Frank places his hand over the manager's hand to stop him from continuing
and finishes saying the rest himself... ]

  Frank: "2000."

[NEXT SCENE: Night. Outside the perimeter of the farm land, Frank and the
others watch the farm house in the distance. Frank looks through some
binoculars at the license plates of some of the cars parked outside the
house. `Oregon, KMH-8T5; California, 3PEA360; Nevada 491-APA; (last plate
is unrecognizable), S9X-381.']

  Lieutenant: "I know you could care less but I
  got a dozen guys about to go into golden time
  here. So, I say we go down there and knock on
  the door with a domestic disturbance complaint."

[Frank again looks through the binoculars at the house off in the distance.]

  Frank: "There've been two deaths already. This
  could become extremely volatile."

  Peter: "We have movement."

[Frank sees a young blond woman come out of the house, walk down a flight
of steps toward one of the parked vehicles.]

  Frank: "They're in there."

[Frank continues to watch as he sees her open the door of the car. Then
he sees another woman, Myra, come out of the house, waiting for the young
woman to return. As the she approaches the stairs she turns and notices
some movement in the direction of Frank and the others. She pauses, seems
to be looking directly at Frank. He pauses, wondering if she indeed has
seen him, when we see her running back up the steps and into the house.
It is clear that they have been discovered.]

  Lieutenant: (into a radio) "They've made us.
  Everybody in. Go, go, go!"

[All of the men rush towards the farm house. They burst through the door,
officers heading for all parts of the house. Some girls can be heard 
crying and yelling as they too rush about trying to get away from the
officers.]

[Frank notices several girls run through the kitchen and slam a door shut
behind them. He follows as... ]

  Officer: "Hey, I found something up here!"

[Dennis hears the officer call out from above and decides to follow up on
that instead.]

[Meanwhile, Frank opens the door off the kitchen and finds some stairs
leading down to the basement. He descends with the lieutenant and finds
several girls of various ages, all frantically trying to escape from them.
But there's nowhere for them to go except to a room at the rear of the
basement where they are huddled together, most are kneeling, some seem to
be praying -- all are blond and look very much alike. One of them looks
up at Frank as he comes near to her. She, like the others, is clearly
frightened and she is identical, in feature and appearance, to Lauren and
Carlin.]

  Frank: "It's okay. Nobody's going to hurt you."

[And meanwhile, upstairs, Dennis has found the Iron Lung Man. He slowly
approaches, looks at the man's face. The ILM turns his head to look at
Dennis. Then Dennis kneels before the ILM, places his hands in the
mandala position and bows his head.]


--------- commercial segment ---------


[Trademark music cue as the scene fades in from white... ]


[Outside the ILM's house. An Idaho Department of Corrections bus backs up
to the house, guided by the lieutenant on the scene.]

  Lieutenant: "Little more, little more... Okay,
  good."

[Frank and Peter come outside to see what's happening.]

  Frank: "Wait. What is this?"

  Lieutenant: "Protective custody."

  Peter: "You can't arrest them."

[Dennis comes out of the house.]

  Lieutenant: "Those ten-year-olds in there found
  out today they're about as individual as ants.
  I'm not taking any chances."

  Frank: "This is not necessary."

  Lieutenant: "Sorry. No way there's any Jonestown
  on my watch."

  Frank: "You're making things worse."

  Dennis: "Frank. He wants to talk to you upstairs.
  I told him you understood."

  Frank: "I don't want to understand."

[He turns and heads toward the house. Peter follows.]

[Frank enters the ILM's room. There is an officer standing guard and a chair
rests near the head of the machine. The sound of heavy breathing is heard
throughout.]

[He and the ILM exchange glances as Frank walks over to the window, past the
chair, pulls up the shade and leans there looking out the window, watching
the proceedings below. The flashing lights from police vehicles can be seen.]

  Frank: (to the ILM) "They're being locked in
  a bus. Shipped off. Do you know where? Do you
  care?"

[The ILM doesn't respond.]

  Frank: (to the officer) "Would you give us a
  minute?"

[The officer nods and leaves the room.]

  ILM: (weakly) "I want you to understand. Noah
  was an insane man... until the rains came.
  On that day the rains came, all the people who
  had jeered showed up. Imagine that scene -- 
  the chaos, the violence. People who had taunted
  Noah just hours before... now willing to commit
  any vile act... to secure a seat on his boat.
  I contemplated that scene for many years and I
  finally accepted... that the people I wanted to
  see in the next world -- people who would care
  for each other... as brother and sister -- did
  not exist." (draws a deep breath) "I would have
  to make them. When I saw the results -- how
  perfect they are to each other -- I knew that
  the next world... would be better."

[Frank finally sits in the chair by the ILM and draws it closer.]

[Frank alternately looks directly at the ILM and indirectly through the
mirror placed above his face.]

  Frank: "Your daughters are crying down there."

[The ILM lets out a deep moan.]

  Frank: "The arrogance -- not to take responsibility." 

  ILM: (shakes his head) "No. The humility of
  accepting my place in the universe."

  Frank: "You want to take God's place."

  ILM: "I accept... that on May 5th... the planets
  will align and massive Earth changes will occur
  -- not as a referendum... on man's wickedness
  but as part of the eternal order of the cosmos.
  We cannot stop this. It is not about us. And
  once you accept this, Mr. Black, it is your
  responsibility, as a human being, to do everything
  you can... to preserve what is good... about
  humanity. I was hoping for the future that you
  would understand." 

[Frank disgustedly rises and goes closer to the machine, resting on it
with one arm and leans in even closer to the ILM.]

  Frank: "The two girls. You talked to them before
  they died. They were your daughters. What did
  you tell them?"

  ILM: "The truth."

  Frank: "What truth?"

  ILM: "That the Thousand Days had begun... and
  that I'm dying. I won't make it with them...
  to the other side. All my children... I pray...
  they'll be all right."

[The ILM is clearly anguished by his situation and Frank is even moved
enough to let go of his own anger and disgust. He sits down again near
the ILM, silently looking at him.]

[Outside, the girls board the bus. The final girl to climb on board, turns
and looks back at the house one last time, then enters. She pauses to look
at the bus driver. He is very young, blond and yet another clone. They
smile at each other as she takes a seat.]

  Officer: "Come on, let's keep moving."

[An officer enters the bus, reaches over and pulls shut the gate, locking
the girls in the passenger section of the bus, then he exits and the driver
shuts the door and drives the bus away from the area.]

[Meanwhile, inside the house... Frank comes down the stairs and finds Peter
going through some scrapbooks. Each one chronicles the lives of one of the
clones, noting: awards, scholarships, achievements.]

[The particular book Peter is looking at shows a newspaper clipping, the
headline reads: `Local Girl Accepted at Oxford' with a photo of one of the
girls, in graduation cap and gown.]

  Peter: "A chance to remake the world in your
  own image."

[He turns the page and finds a color full-page graduation photo.]

  Peter: "Maybe you'd be crazy not to take it."

  Frank: "I don't think that's what he had in
  mind."

  Peter: "Well, that's what he got."

[Frank walks over to a bookcase crammed with other such scrapbooks, each
one labeled and dated. And each of them has a blue strip of tape on the
binding. Frank takes one and opens it.]

  Peter: "Look at this stuff. When you're breeding
  Einsteins 20 at a pop, that's a lot of ribbons."

[The book Frank has taken is of a male clone. Newspaper clippings of him
as a boy, headline reads: `Local Student Wins Oregon State Science Award.'
Frank turns the page and finds a color full-page college graduation photo
of the boy with his adoptive parents.]

[The lieutenant enters the room.]

  Lieutenant: "We're pretty much wound down here.
  I'm going to send my guys home."

  Frank: "Where's Dennis?"

  Peter: "He was out front when they were loading
  the girls on the bus."

  Lieutenant: "You mean that Hoffman crackpot? I
  haven't seen him since they left."

  Frank: "He's gone."

  Peter: "What do you mean?"

  Frank: "They're gone. They're all gone."

[He shuts the book he's been looking at and hands it to Peter.]

  Frank: "That bus will never get there."

[Peter looks at both books and notices that each has a strip of colored
tape on the binding. The one he has been reading: `Lauren,' has a red strip
while Frank's book: `David,' has a blue one, each obviously denoting the
sex of the clone chronicled inside.]

  Lieutenant: (to his men) "Mason, Baker, get
  out after that bus! Get out there now! Let's
  go! Go!"

[Peter walks over to join Frank by the bookcase to look at the volumes of
scrapbooks of the boy clones when... ]

[The lights suddenly go out all over the house.]

  Lieutenant: "What the hell is going on?"

  Officer: "The power's out."

[Frank runs past the lieutenant, grabbing a flashlight on his way up the
stairs to the ILM's room.]

[Meanwhile, on the bus... the girls turn in unison to face the rear of
the bus, each on their knees, hands clasped before them, leaning on the bus
seats -- praying. The camera pans down the aisle past each of the rows on
its way towards the rear... where Dennis Hoffman can be seen sitting on the
rear seat. One of the girls looks up at him, extends her left hand as he
reaches out his own to take it. She smiles at him. The bus continues along
a stretch of road.]

[Back at the farm house... the ILM is dead -- his machine, having been
turned off when the power was cut in the house. Frank places his hand over
the man's face, shutting his eyes.]

[Frank turns and notices for the first time yet another of those 3-D models
of the solar system: all of the planets are in alignment with the sun. He
also notices and pick up a large framed picture.]

[Elsewhere, police sirens can be heard as several of them approach the
abandoned bus. As the officers enter to investigate it, they find that it
is empty.]

[Peter enters the ILM's room.]

  Peter: "The power was deliberately cut. They
  found the bus empty. Dennis is still at large."

  Frank: "Wherever they vanished to, he'll be
  with them."

[Frank hands Peter the picture that he's been holding in his hands. It is
a colored artist's rendering of The Atrium, particularly detailed is the
structure resembling the inside of a boat -- more precisely: an ark.]

[CUT TO: The Atrium. Same exact view of the ark-like structural ceiling
support beams. The camera pans slowly across the ceiling. Peter and Frank
begin walking around the mezzanine level.]

  Peter: "The Ark."

  Frank: "Well, at least we'll know where they'll
  be on May 5, 2000."

  Peter: "It's a lot harder to dismiss when it's
  not just Dennis ranting."

  Frank: "He just didn't know what to do with the
  knowledge. These people obviously have a plan."

  Peter: "So how does it start? The Great Cataclysm?" 

  Frank Black: "Nobody knows exactly. All they
  know is how it's going to end. I'm going to
  get something for my daughter."

[He leaves Peter and heads toward a gift shop.]

[FINAL SCENE: The Black residence. Jordan opens a large box, her father's
present.]

  Jordan: "Thank you! What is it?"

[Catherine laughs as Frank removes the item from the box. It is the very
same 3-D model which has been prevalent throughout the episode. This one
is made of plastic instead of brass and each of the planets is of a
different color.]

  Frank: "It's our solar system."

[The planets are in alignment with the sun but as Frank places it on the
table, Catherine begins moving some of the planets.]

  Frank: "Here... this is the Sun... and this is
  us."

[He reaches over and moves the third planet, representing Earth, around to
the other side of the Sun, away from the other planets.]

  Jordan: "We live in a ball?"

  Catherine: (laughs) "Shall I tell Daddy the
  great news? She got in! Green Valley Day School.
  They accepted Jordan for next fall."

  Frank: "Good."

  Catherine: "Good? Frank, she's set through the
  twelfth grade. We're home free until 2010."

[All this time Jordan has been playing with the model, turning the Sun and
moving the planets around in their orbits.]

[Catherine picks up a giggling Jordan.]

  Catherine: "I am so proud of you!"

[Frank, meanwhile, looks quite pensive and worried. There is a shot of the
model and all of the planets are once again in alignment with the Sun. He
looks down and notices this.]

  Catherine: "Your Daddy and I think you're the
  smartest little girl and you're going to grow
  up to be a smart big girl."

[Frank continues to ponder their future as... ]


[Trademark music cue as the credit fades in from black... ]


Executive Producer: Chris Carter


--------- commercial segment ---------


[PREVIEW of next week's Millennium -- no image description]

  Young Frank: "Drop it!"

  Voice Over: "Frank Black put him away for life.
  Twenty years later he's getting even."

  Hance: "You know what I can do to you."

  Voice Over: "Next Friday, after `Doomsday'
  starting at 8/7 central, on Fox."


[End titles roll]


Ten Thirteen Productions
in association with

20th Century Fox Television (R)
A News Corporation Company

Co-Starring


Mitch Kosterman (Lieutenant)
Sarah Strange (Maura)
Kristi Angus (Lauren/Carlin)
Peter Hanlon (Manager)
Cindy Girling (Myra)
Phillip Mitchell (Uniform #1)
Merrilyn Gann (Carlin's Mother)

Casting by Rick Pagano/Debi Manwiller, C.S.A.
Vancouver Casting by Coreen Mayrs
Original Casting by Randy Stone, C.S.A.
Production Manager: Kathy Gilroy-Sereda
First Assistant Director: Craig Matheson
Second Assistant Director: Jerald Schoenroth
Set Decorator: Beth Nelson
Art Director: James Steuart
Construction Coordinator: Clare Davis
Script Supervisor: Kimi Webber
Location Manager: Danny McWilliams
Hair Stylist: Brenda Gibson
Makeup Artist: Natalie Cosco
Special Makeup Effects: Lindala Makeup Effects, Inc.
Costume Designer: Diane Widas
Head Painter: Jenny Seinen
Sound Mixer: Patrick Ramsay
Camera Operators: Rod Pridy, Mike Wrinch
Gaffer: Barry Donlevy
Key Grip: Brian Smith
2nd Unit Director of Photography: Les Erskine
Property Master: Kimberley Regent
Special Effects Coordinator: Bob Comer
Stunt Coordinator: Lou Bollo
Transportation Coordinator: James Perenseff
Extras Casting: Lisa Ratke
Assistants to Chris Carter: Mary Astadourian, Joanne Service
Production Coordinator: Toni Pedersen
Post Production Supervisor: Julie Herlocker
Casting Associate - Los Angeles: Alfred Gomez
Casting Associate - Vancouver: Heike Brandstatter
Post Production Sound: West Productions, Inc.
Supervising Sound Editor: Mark R. Crookston
Re-Recording Mixers: James G. Williams, Bryan Gladstone, Don MacDougall
Re-Recording Engineer: Steven Coker
Scoring Mixer: Larold Rebhun
Music Editor: Jeff Charbonneau
Assistant Editors: Robert Hudson, Jim Thomson
On-Line Editor: Bob Minshall
DaVinci Colorist: Philip Azenzer
Visual Effects by Area 51
Visual Effects Supervisor: Glenn Campbell
Visual Effects Producer: Tim McHugh
Main Title Sequence by Ramsey McDaniel/Storm Media
Processing by Gastown Labs
Telecine by Gastown Post
Electronic Assembly by Encore Video
Camera and Lenses by Clairmont Camera
Vehicles Provided by Chrysler
Filmed on Location in British Columbia, Canada
Presented in Dolby Surround ® where available

Copyright (c) 1997
Twentieth Century Fox Film Corporation
All Rights Reserved #4C12

Twentieth Century Fox Film Corporation is the author of this motion
picture for purposes of copyright and other laws. 

The characters and names depicted in this photoplay are fictitious. Any
similarity to actual persons, living or dead, is purely coincidental.

Ownership of this motion picture is protected by copyright and other
applicable laws, and any unauthorized duplication, distribution or
exhibition of this motion picture could result in criminal prosecution
as well as civil liability.

========================================================
Millennium
Copyright and TM, 1997 -- FOX Broadcasting Company
========================================================

Last Updated: April 14, 1997
Copyright (c) 1997 -- Nightowl Productions
Webmaster: Maria Vitale -- E-mail: nightowl@nyct.net