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TRANSCRIPT:
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ACT 1.

Opening Scene.

[Title Card: Highway 150. 75 miles east of Salt Lake City, Utah.]

(Lincoln drives, Michael's shotgun. They listen to the radio.)

Woman on Radio: This morning, authorities issued an update on the escaped convicts known, until now, as the Fox River Eight. Chicago Mob boss John Abruzzi was gunned down outside a Washington, D.C. motel last night after investigators received a tip from an informant. The other seven escapees are still at large and considered dangerous. A Florida man wanted in...

(Michael switches off the radio.)

Lincoln: I didn't think Abruzzi'd be the first to eat it.

Michael: I have a feeling we're in for lots of surprises.

Lincoln: They said seven are still out there. So much for faking our deaths.

Michael: I bought us some time. That's what counts. How much further?

Lincoln: Seventy, eighty miles.

Michael: Good. Means we should be hitting the Double-K Ranch by this afternoon.

Lincoln: Or we can keep driving, pick up LJ and hit Panama.

Michael: We can't hit Panama. We can't hit anything. We can't do anything without the money. We need to find Charles' stash.

Lincoln: I know some other guys who are thinking the same thing.

*Flashback*

Westmoreland: The money is buried under a silo at the Double-K Ranch, just outside of Tooele, Utah. There's $5 million there.

[Camera flashes of T-Bag, Tweener and C-Note.]

*End Flashback*

(Michael sits in thought.)

[EXT. A train crosses over a bridge.]

[Title Card: Green River, Wyoming.]

[1. INT. Train. Day.]

(The ticket checker approaches C-Note and the woman sitting next to him.)

Ticket Checker: Tickets.

C-Note: Oh. You know, when I was in Cheyenne, I pulled my ticket out of the bag - it tore in half and I have no idea what happened to the other part.

Ticket Checker: They didn't issue you a replacement?

C-Note: No. The young lady, I think her name was Sherry, she actually said that this half was okay because the barcode was on it.

Ticker Checker: Well, you really need the whole ticket.

C-Note: This is exactly what I was trying to avoid. She said that everything would be fine, because...

Ticket Checker: That's okay. It'll do for now. But make sure you ask for a replacement when you get to Provo.

C-Note: I definitely will. Thank you.

(He moves on. C-Note smiles at the woman next to him.)

C-Note: It's always something, huh?

Woman: Oh, God, I know.

(C-Note turns to the window, looking relieved.)

[EXT. Motel - day.]

[Title Card: Mack, Colorado. 10 miles from the Colorado/Utah border.]

[2. INT. Motel. Day.]

(Tweener and Debra Jean are lying in bed.)

Debra Jean: I don't wanna go home. I wish we could keep driving.

Tweener: I don't think your pops will be down for that.

Debra Jean: Wouldn't it be fun? We could go to...Hawaii.

Tweener (smiling): No, you can't drive to Hawaii.

Debra Jean (laughs): I know. I know. I'm just saying. I wish.

(There's a knock at the door.)

Tweener: No, no, don't get it. They'll leave.

Debra Jean: Just let me see who it is.

(She goes over to the window.)

Debra Jean: It's a cop.

(Tweener's thrown into panic.)

Tweener: No, no, no, no. Whoa, whoa...

(He runs into the bathroom as Debra Jean opens the door.)

Cop: Sorry to disturb you ma'am. Have you happened to see this person?

(He holds up a mug shot. The man in the picture has hair but it's definitely Tweener. Debra Jean stares at it. Tweener waits anxiously in the bathroom.)

OPENING CREDITS.

[3. INT. Motel. Day.]

Cop: Last night we got a few phone calls that he was spotted in the area. So we're going door to door.

Debra Jean: Why are you looking for him?

Cop: He escaped from prison in Illinois a couple of days ago. Have you seen him?

(Debra Jean hesitates. The cop stares at her. Tweener looks scared.)

Debra Jean: No. He doesn't look familiar.

Cop: Are you sure?

Debra Jean: Yeah. I'm sure.

Cop: All right. Thanks for your time.

(She nods and shuts the door, now looking frightened. Tweener comes out of the bathroom. Debra Jean backs away, her hand reaching for the doorknob.)

Tweener: Whoa. Whoa, whoa...this ain't...this is not what you think, a'ight? Look, trust me. Just...just listen, okay? All I did was steal a baseball card, okay? I'm not like those other fools up in there.

Debra Jean: I'm gonna go for a walk, okay?

Tweener: Just...

Debra Jean: I'm gonna leave my keys right here. And when I come back, my car will be gone. I'm sure in a few hours, they'll find it somewhere. Abandoned.

(She turns to leave.)

Tweener: Wait. Wait... I wish it could be different.

Debra Jean: I have to go.

[4. EXT. Toole. Day.]

(Lincoln and Michael drive into Toole.)

Lincoln: Tool-e.

Michael: I think it's "Too-ella".

Lincoln: Hell of a town.

Michael: Small is good. Means the ranch'll be easier to find. All we gotta do is get that money, and be out of here by nightfall.

Lincoln: Nice.

(They drive off down the street, not noticing that they drive past T-Bag, who is wearing different clothes and carrying the old ones in a paper bag. He dumps them in a trash can and picks up a newspaper from the free news stand.)

[Title Card: FBI Field Office. Chicago, Illinois. - Day.]

[5. INT. FBI Field Office. Day.]

(Mahone enters the office.)

Agent Lang: Oh, Sir. Soil tests came back from Scofield's crash. Not that you need any more proof, but he really went out of his way this time.

Mahone: What else do you have?

Lang: A man was violently assaulted in Nebraska by a hitchhiker matching Bagwell's description. He was headed west on the I-80. Omaha's putting together a photo line up.

Mahone: What do you have on Scofield? What does anybody have on Scofield?

Pertz: Uh...I've got some results from his hard drive. The one recovered from the river. We were able to use the sector editor to restore the master boot. So from that...

Mahone: I don't care how you did it. What do you have?

Pertz: More than half the contents of the buffer. About 60 percent.

[Mahone looks back at Lang and nods, pointing towards Pertz appreciatively. Pertz brings up an article about D.B. Cooper.]

Pertz: It looks pretty random.

Mahone: Print it up. All of it. I want it on my desk.

[6. EXT. Tooele. Day.]

(Michael looks down the phone directory at the 'K's.)

Michael: Well, guess what. No listing for a Double K Ranch.

(Lincoln stops a local.)

Lincoln: Excuse me. Do you know where I might find a Double K Ranch?

Local: What do you call it?

Lincoln: Double K Ranch.

Local: No.

Lincoln: You from around here?

Local: Yeah. Born and raised. There's no Double nothing.

Lincoln: Great. Thank you.

(He walks on. Lincoln turns to Michael.)

Lincoln: Looks like Westmoreland spent his last breath blowing smoke up your ass.

Michael: There's one way to find out. The county keeps property records. Every plot is mapped out with dimensions. It's public record. But if there is a tax assessor's office here... (He walks to the corner.) ...it's gonna be in there. In the municipal building.

Lincoln: Lot of cops in there, Michael.

[7. EXT. Highway. Day.]

(Tweener drives down the highway in Debra Jean's car.)

[O/S - Phone Ringing.

Officer: Dispatch.

Debra Jean: Someone...someone stole my car this morning. I'm at the Lotus Motel off Interstate 80.

Officer: Did you see who took it?

Debra Jean: No. I went out for a walk. And when I came back it was gone.

Officer: This morning? Why didn't you call before?

Debra Jean: I...I don't know.]

(Tweener, looking very upset, pulls the car over. He hits the steering wheel in anger and regret. Then he wipes the steering wheel, door and door handles clean of prints with his jacket. Before he walks away, he uses his jacket to write a message to Debra Jean in the dust on the car window: it says 'Aloha'.)

[8. EXT. Street. Day.]

(Kellerman sits in his car, when a man in a dark suit and sunglasses pulls up next to him. Kellerman isn't all that happy to see him, and is all attitude.)

Kim: Mr. Kellerman.

Kellerman: Mr. Kim. Surprised to see you in Chicago.

Kim: Just looking for updates.

Kellerman: Sara Tancredi. I'm on it.

Kim: Is pursuing her the best use of your time?

Kellerman: It is. She's in contact with Scofield. I was there when he called yesterday. We stay with her, she takes us right to him, he takes us to Burrows.

Kim: All right. If you're that confident.

Kellerman: I am.

Kim: I'll let the president know.

Kellerman: I contact the president directly.

Kim (smiles condescendingly): I'll contact her. Keep me posted.

[9. INT. Sara's apartment. Day.]

(Sara sorts through her mail, and comes across a handwritten envelope. She rips it open and empties the contents in her hand - it's a blue origami crane. She opens the fold of the crane's wing - there's a number written there - 736-339-8687. She cradles it in her hands.)

[10. INT. NA Meeting. Day.]

Counselor: If you wanna restore dignity, you need to take action. Making amends requires much more than saying 'I'm sorry'. It means learning to change. The apology's just the first step. The most important thing is that you display honesty, courage and compassion when you extend your apologies. You need to earn your forgiveness. We'll talk about it more on Friday.

(Sara plays with the crane while the counselor talks. When he's finished, the group clap and get up to leave. Sara stays sitting. Kellerman/'Lance', sitting behind Sara, checks everyone has left and then leans forward.)

Kellerman: I got a great idea.

Sara: What's that?

Kellerman: Since you are such a fan of lame, store-bought blueberry pie, I'm gonna bake you a real pie of your choice tonight.

Sara: I can't. I really don't need to be seeing anyone right now who isn't my therapist.

Kellerman: I've been a hermit lately too. My partner Daniel's away on business. I've been sitting around every night by myself. Kinda pathetic.

Sara (embarrassed): I'm so sorry. I thought you meant...um...I thought...um...the pie...

Kellerman (laughing): Oh! No...

(They both laugh.)

Kellerman: No, I was really talking about...

Sara: Pie?

Kellerman: Yeah, actual blueberries. Like we'd make pie and watch Fried Green Tomatoes.

Sara: I get it. I get it.

Kellerman: I'm the best ex-junkie cook in this town.

Sara: Thank you. I just...I...I gotta clean my apartment, it's disgusting. And I realise that sounds like an excuse, but it's not.

Kellerman: No, no, no, I get it. You do what you gotta do. Have a good night.

(He turns to leave.)

Sara: Do you deliver?

[11. INT. FBI Field Office. Day.]

(Mahone sits in the command center staring at the article on D.B. Cooper. He looks agitated, like he might be losing it. Then Pertz approaches.)

Pertz: Next batch.

(He leaves the papers on the desk. Mahone gets up and goes over to the pins, and stabs his finger on one.)

Mahone: Ow.

(He pushes pins into the map. He's sweating now. He reaches for his pen and opens it, but it's empty. Mahone looks panicked. Pertz approaches again.)

Mahone: Just put it on the desk.

Pertz: Any of this stuff mean anything?

Mahone: I don't know. Ask me later.

Pertz: You think he's a genius or a whack job?

Mahone: I think we answered that question when we assigned 100 agents to the case. So, why don't you go and get me the rest of it, huh? Does that work for you?

[12. EXT. Store. Day.]

(T-Bag checks his surroundings, then steals a bag of Cheetos from the back of a delivery truck. He can't open them with one hand so he uses his teeth to tear the bag open. Then he notices someone walking towards the store, head down, trying to look inconspicuous. T-Bag's eyes open wide with recognition - it's Tweener.)

(Tweener walks towards the door but a man comes out with a box, so he stands aside. As he does so, T-Bag makes his approach.)

T-Bag: Alackaday!

(Tweener stares in shock. T-Bag slings an arm around him and marches him away.)

T-Bag: I just found me an inbetweener!

(He shoves Tweener against the wall, holding him there with his arm over Tweener's throat.)

T-Bag: Where you going in such a hurry, hm?

Tweener: None of your beeswax, yo!

T-Bag: I know where. The same place as every other man that was in that room that night. They all coming round here for a big family reunion at the Ku Klux Ranch, if they ain't here already.

Tweener: There ain't no country fool in this town ever heard of the Double K Ranch.

(He tries to get away but T-Bag holds him fast.)

T-Bag: Seems you've been misinformed. There is a Double K. It's just a matter of who gets there first, all right? The stars are gonna collide in Tooele, my friend. You'll need me on your side.

(He lets go of Tweener but stands very close to him by the wall.)

Tweener: This ain't Fox River, a'ight?! I don't need any...

(T-Bag grabs him as he tries to walk away, shoving him to the wall again.)

T-Bag: As you can see... (He holds up his bad hand.) ...I need you.

Tweener: Get your grubby paws off me, you freak. I ain't your ditch digger!

(He fights his way out of T-Bag's grip and backs away.)

Tweener: I don't need nothin' from you! I don't need nothin'!

T-Bag: You might. If a man knew where he was supposed to be looking...

(Tweener stops, but he's not happy about it.)

[Title Card: 100 Miles Outside Las Vegas, Nevada.]

(Sucre zooms along the road on Petey's motorcycle.)

[13. EXT. Roadside Motel. Day.]

Sucre (on phone): Hi, hi. Are you having the Hector Avila and Maricruz Delgado wedding today? Avila? No? Thanks.

(He hangs up and checks the list of Las Vegas chapels pinned up into the phone booth. He dials the next one.)

Sucre: Hi. Are you having the Hector Avila and Maricruz Delgado wedding today? Avila. Delgado. Really? When?

[14. EXT. Street. Day.]

(Lincoln and Michael approach the municipal building. There a security guy just inside the door doing security checks. Lincoln turns around at the doorway.)

Michael: Stay calm. We'll be out of here in 10 minutes.

Security Guy: One at a time.

(Lincoln walks through the metal detectors without trouble.)

Security Guy: Clear.

(Michael walks through but the alarm goes off.)

Security Guy: Back up. You wearing a watch?

Michael: Uh, yeah.

(He unstraps it, trying not to show his tattoo. He hands it over, walks through the metal detectors without trouble this time, then picks his watch back up.)

Michael: Nice day. Thanks.

(They both head up the stairs.)

[15. INT. County Records room. Day.]

(Michael flicks through the book of maps.)

Michael: This is exactly what we need. It's a map of every parcel of land. Topography, buildings, everything.

(He runs his finger down the list of K names.)

Michael: Karl Kokosing. Double K.

Lincoln: I don't like the way this guy's looking at us.

(They both look over: the clerk is staring at them, he moves away when they look.)

(Michael moves his finger across from the name to the page number: 1213.)

Michael: Twelve-thirteen... (He flips through the pages.) Where's 1213?

(The clerk is watching them again. He walks to the door and calls out.)

Clerk (o/s): Seifert, I need to speak with you.

Lincoln: Come on, man, we gotta roll. Now.

(The clerk walks past the doorway, still watching them.)

Clerk: Hey, Seifert!

Lincoln: Come on, you got the map?

(Michael flips the pages. It goes from 1212 to 1214. Then he notices the torn paper in the middle.)

Michael: No. Someone else does.

ACT 2.

[16. INT. Municipal building. Day.]

Michael: Someone got here before us. It's the only explanation.

(They reach the top of the stairs and look out of the window. They see T-Bag walking away from the building.)

Lincoln: Son of a bitch is still alive.

[17. EXT. Street. Day.]

(Michael and Lincoln run after T-Bag.)

Michael: Hey, Pretty!

T-Bag: What the...?

(Lincoln throws an arm  around his neck, walking with him.)

Lincoln: What are you gonna do, scream? Hm?

(They round the corner, and Lincoln throws him down onto the hood of a car.)

Lincoln: How the hell are you still breathing?

(T-Bag groans in pain as he hits his reattached hand on the car.)

Michael: What the hell did you do to your hand?

(Lincoln takes the hint and grabs this wrist where the hand was stitched and T-Bag's in major pain.)

T-Bag: Easy, easy...I recently had some work done.

Lincoln: Where's the map?!

T-Bag: Easy, easy, easy! I don't have it.

Michael: Well, where is it?

(Lincoln searches him.)

T-Bag: I'm telling you, I don't have it.

Lincoln (grabs him roughly): Don't have it, huh?

Michael: You were there, we saw you.

T-Bag: It was gone when I got there. Why don't you keep your pooch away from me, I'll tell you everything I know.

(Michael indicates Lincoln should back off.)

T-Bag: It's the kid. He has it. I saw him this morning. I needed some help. We made a deal, all right? He said that he would dig, I told him where he could get a map at.

(Lincoln grabs him by the hair.)

Lincoln: What kid? What kid?!

[18. EXT. Street. Day.]

(Tweener crosses the street, on whatever mission T-Bag put him on. He checks his surroundings and walks on.)

[Title Card: Illinois Governor's Residence. Chicago, Illinois.]

[19. INT. Conference room. Day.]

Bennett: The best thing to do is nothing.

Governor Tancredi: That's how I'm gonna get the U.S. Senate to confirm my vice-presidency? Do nothing?

Aide: Shows them you can do the job.

(Governor Tancredi's cell phone rings.)

Governor Tancredi: Wait a minute. (He checks the read out.) It's my daughter.

(Bennett and the aide exchange glances.)

Aide: Sir, we need to talk about your daughter.

Governor Tancredi: What about her?

Aide: Well, the media is all over this Fox River situation. We think it would be best if you distance yourself from her just...

Governor Tancredi: If I hear this one more time. I paid her bail. I walked away. I have distanced myself! (Testily.) Give me a minute.

(He walks away from the table, leaving his cell phone there to pick up the message.)

[20. INT. Sara's apartment. Day.]

Sara (on phone): Hey, Dad, it's me. Um...when you get a chance, I really need to talk to you about some things. Um, actually, a lot of things. Uh...the most important one is that, uh, I owe you an apology. I uh, I realised that I've made things difficult for you lately. Um...

(The doorbell rings.)

Sara: And I wanna take responsibility for that. Um...call me back. Bye.

(She hangs up and opens the door to Kellerman/'Lance')

Kellerman: Hi. I know I'm early, but I brought dinner.

Sara: Come on in.

Kellerman: You're not a vegetarian are you?

Sara: No. Just shut that behind you.

(Kellerman closes the door.)

[EXT. Railway bridge over the lake.]

[21. INT. Train. Day.]

(C-Note looks at the laptop the woman next to him has on the table.)

C-Note: Do you mind if I check my email?

Woman: No, not at all. Here.

C-Note: Oh, you're so kind, thank you.

Woman: Absolutely.

(C-Note checks she isn't looking, then types in the web address for United States Army - Signal Corps and is asked for a secure password. He enters it. The woman is reading her magazine and isn't watching. He searches for 'K K Ranch 1971'. The site brings up an exact location with GPS coordinates in Tooele, Utah.)

C-Note: Do you happen to have a pen handy?

Woman: Yeah.

C-Note: Thank you so much. I'm so sorry to bother you.

Woman: No, look, I have a little pencil and a pad.

C-Note: Thank you.

(He quickly traces a map on the paper. The ticket checker approaches, and he rips the page off, putting it in his pocket.)

Ticket Checker: Sir. Sir.

C-Note: Yeah?

Ticket Checker: No Sherry in Cheyenne. Your ticket is not valid for travel.

C-Note: Oh, well, hold on, now. That can't be right. That can't be right. (to the woman.) Excuse me for a second.

Woman: Sure.

(C-Note gets up and steps into the aisle, standing by the ticket checker.)

C-Note: All right, now listen brother, I'm gonna give it to you straight up. Seriously, I don't...I'm broke, okay? Now that's the truth. Now, I just ran into some trouble a while back. I'm just really trying to pull it all together now. You understand?

Ticket Checker: Well, you can tell that to the authorities in about five minutes.

C-Note: Oh, come on, brother, we don't have to get the authorities...

Ticket Checker: It's too late. They're already waiting at the next stop. These guys here are gonna sit with you until we stop.

(C-Note sees two guards heading down the carriage towards him.)

C-Note: I understand. I understand.

(Then he bolts, back towards the end of the train.)

Ticket Checker: Hey!

Guard: Come here! Sir...

Ticket Checker: Hey! You can't go in there!

(C-Note reaches the end carriage, pushes through the gate and jumps from the train, landing in the lake below.)

[22. INT. FBI Field Office. Day.]

Agent Wheeler: Okay, we've got a confirmed sighting on Franklin. He jumped out of a moving train in Preston, Idaho.

Agent Lang: What is a black man from Chicago doing in Idaho? He's gotta be lost.

(Mahone is busy sticking pins in the map.)

Mahone: Franklin's in Preston, Idaho. Bagwell's in Nebraska. Both men have never been across the Mississippi. Visiting friends and family? I don't think so. And not south of the border. They're due west and we need to know why.

[23. EXT. Rural road. Day.]

Lincoln (to T-Bag): Out.

T-Bag: What's going on?

Lincoln: Where'd you say Tweener was headed?

T-Bag: Up on the main drag. He's supposed to find a shovel.

(Lincoln takes the keys from Michael and unlocks the trunk.)

Lincoln: In.

T-Bag: No.

(Lincoln produces his gun.)

T-Bag: No, no, no.

Lincoln: In.

(Michael taps on the trunk. T-Bag reluctantly gets in.)

T-Bag: You're coming back, right? You're coming back?

Lincoln (quietly): Yup.

(T-Bag pounds on the trunk door.)

T-Bag: Hey, you guys! Hey! Come on, man, I'm boiling up in here!

[24. EXT. Street. Day.]

(Tweener walks up the street and into Woody's Garden Center.)

[25. INT. Garden Center. Day.]

(Woody is mid-story with a customer when Tweener enters.)

Woody: I was on my ATV and I was hauling ass. I was right on her tail. And I pulled out my gun and bam! That bitch treed herself and I brought her down in one shot.

(Tweener busies himself looking for what he needs.)

Customer: What'd she weigh?

(They both glance over at Tweener.)

Woody: At least a hundie. Maybe 110.

Customer: Come on out and see us if you want. It's gonna be a good time.

Woody: Yeah, I just might do that.

(The customer leaves. Tweener selects a flashlight and a shovel.)

Woody: Hey, now. What you digging?

Tweener: Uh...some stuff in my grandpa's yard.

Woody: I got a bigger one in the back if you're going deep.

Tweener: No, this'll do.

(He makes the mistake of looking up at Woody. He looks down again immediately but Woody is staring at him now.)

Woody: Damn it if I don't know you from somewhere. Maybe I know your grandpa.

Tweener: Doubt it, man. He moved here like a month ago, so...

Woody: What's his name?

Tweener: His name's Grandpa, a’ight? Look, man, can you just ring this up? I gotta get outta here.

Woody: Sure thing, fella. I'll ring it up. (he reaches behind the counter) I'll ring it up right now.

(He smashes a baseball bat across Tweener's head, knocking him to the floor. His baseball cap flies off. Woody walks round to where he's fallen, whacking Tweener again and again with the bat.)

Woody: I know where I've seen you. On TV! You're one of them Fox River boys!

ACT 3.

[26. INT. Garden center. Day.]

(Woody drags the semi-conscious Tweener across the floor and into the back room. He grabs some rope to tie him up.)

Tweener (weakly): You got it wrong, man.

Woody: No, I think I got it right.

[27. INT. Garden center. Day.]

(Michael enters the store and the bell above the door rings.)

Woody (o/s): We're closed!

(Michael looks down at the floor. He sees the baseball cap, then the bat. Woody comes out from the back room and locks the door. Michael looks at the counter, sees the flashlight and the shovel.)

Woody: Sorry, bud. We're closing up early today.

(He gets a good look at Michael.)

Woody: Hey, hold on. Stay right there.

(Tweener groans in pain from the back room. Woody looks back, and when he turns back Michael hits him. But Woody's more brawn than Michael is and grabs him round the middle, stopping him from heading to the back room. He soon gets Michael in a choke hold.)

Woody: You're going down just like your buddy, you son of a bitch!

(Lincoln enters at that moment, kicking Woody in the ribs so he's forced to release Michael. Lincoln pulls out his gun. Michael gets up and goes to the back.)

Lincoln: Where's the kid? Where's the kid?!

Michael: He's back here.

Lincoln (to Woody): Get up. Come on, tough guy. Let's go.

[28. INT. Car's trunk. Day.]

(T-Bag thumps on the trunk's inside until he manages to free some wires. He twists them together which causes the light to come on.)

T-Bag: All right.

[EXT. City of Las Vegas - day.]

[Title Card: Las Vegas, Nevada.]

[29. INT. Chapel. Day.]

(Sucre runs through the chapel and to the dressing room.)

Sucre: Maricruz? Baby, open up.

(Maricruz's sister Theresa opens the door and gasps. Sucre puts a hand over her mouth, pushing her back into the room.)

Sucre: Shh, shh. It's me, it's me, okay?

Theresa: Fernando, what are you doing here? You can't be here!

Sucre: I know, Theresa, I know, I just...where's your sister? I need to see Maricruz.

Theresa: She's getting her picture taken with my mom and dad. The wedding's at 2:30.

Sucre: I need to see her now!

Theresa: You have to go!

Sucre: She's the mother of my kid, Theresa! Please! You don't want her to marry Hector, do you? Do you?

Theresa: I'll go see if I can go get her. Wait in here.

Sucre: Okay.

[30. INT. Sara's apartment. Day.]

Sara: Lance, I got a question for you.

Kellerman: Yes?

Sara: You know who I am?

Kellerman: Uh...I happened to see the news last night, yes. Hey, I don't care, I got some skeletons in my closet too. One of whom wears a dress.

Sara: Thank you. I appreciate your lack of judgment.

Kellerman: From what I can tell, you didn't do anything wrong. But it's none of my business, and you don't need to talk about it.

Sara: The whole thing just...I never meant for it to happen.

Kellerman: Okay, you do not need to answer this question.

Sara: Hm?

Kellerman: But were you and that guy, like...uh...?

Sara: You right, I don't wanna talk about it. (She laughs nervously, then gathers their plates.) You're done?

Kellerman: Yeah. Does it worry you that he's...out there?

[There's a knock at the door.]

Sara: Give me one second.

(She goes to answer it. It's her father and a couple of aides.)

Sara: Dad.

Governor Tancredi: Sara, hi. I got your message.

CUT TO: Kellerman, in the living room. He looks up, interested.

Sara: Please, come in.

(Governor Tancredi gestures that the aides should stay put. He follows Sara in.)

Sara: Uh, Lance, this is my father, Frank.

Governor Tancredi: How do you do?

Sara: Dad, this is my friend Lance.

Kellerman: Pleasure to meet you, sir. And I voted for you.

Governor Tancredi: Thank you. I appreciate that.

[There's a small, awkward pause.]

Kellerman: Uh, Sara, I can take off.

Governor Tancredi: No need. Only take a minute.

Sara: Why don't you step into my office? (To 'Lance'.) And you make yourself at home.

Kellerman: Sure.

(Sara and her father go into the kitchen.)

[31. INT. Sara's Kitchen. Day.]

Sara: So, uh...so in my program, um, we've been talking a lot about making amends. And I've been thinking a lot about, um...about some of the choices I've made lately. And I know that that affects you. And...and, uh...

CUT TO: Kellerman, in the living room. He flicks through the mail on the desk, picking up the blue origami crane.

CUT TO: Sara: And I wanted to tell you that I'm sorry.

Governor Tancredi: You don't have to say you're sorry.

Sara: Yeah, I do. And it must be hard to understand why I did it.

CUT TO: Kellerman flips up the crane's wing and sees the phone number written underneath.

CUT TO: Sara: I had no idea that I was putting these guys back out on the streets. I thought I was saving the life of an innocent man. And I know that you didn't read the information I gave you on Lincoln Burrows, but he is innocent. And a lot of the people involved right now are dead.

CUT TO: Kellerman, programming the number into his cell phone. Then he replaces the crane on the desk.

CUT TO: Sara: I'm sorry. This isn't why I called you. Um...I'm fine. But I'm scared.

Governor Tancredi: Sara. I'm gonna help you through this. We're gonna get through this together.

Sara: Thank you.

Governor Tancredi: I promise.

[32. EXT. Street. Day.]

(Kellerman's cell phone rings. He answers it.)

Kellerman: Kellerman.

Man (v/o): We ran that trace you requested.

Kellerman: What'd you get?

Man (v/o): The line is disconnected.

Kellerman: And whose was it?

Man (v/o): Apparently no-one.

Kellerman: What does that mean?

Man (v/o): It's been out of service for 17 years.

[33. INT. Chapel. Day.]

(There's a knock on the dressing room door. Sucre rushes to answer it, expecting Maricruz.)

Hector: Fernando.

(Sucre grabs his jacket, pulling him into the room.)

Sucre: Where is she?!

Hector: Now, calm down. Calm down. She's gonna come down and talk to you. She's on her way down right now.

(Sucre lets him go. Hector walks further into the room.)

Hector: You and I got history. We're family. And out of respect for that, I'm gonna let her make her own decision.

Sucre: I'm not leaving without her.

Hector: That's for Maricruz to decide.

Sucre: You've been filling her head with all this crap.

Hector: She's a smart girl. I personally don't think she's gonna wanna live her life on the run, but...we'll see.

Sucre: You know she doesn't love you.

Hector: Yeah, well, I don't wanna get into that right now.

Sucre: You're not raising my kid. (He speaks Spanish, pointing to his head. Hector just smirks.)

[Sirens wail in the distance.]

Hector: That don't sound good, cuz.

(Sucre hauls off and punches him. Then he runs out of the dressing room.)

Sucre: Maricruz? Baby? Where is she?

(Theresa comes round the corner.)

Theresa: You have to go!

Sucre: Where is she?!

Theresa: Please Fernando! They're coming!

Sucre: Did you tell her I was here? Did you?

(Theresa shakes her head sadly. Sucre rips the gold crucifix off his neck.)

Sucre: Maricruz.

(He puts it in Theresa's hand.)

[34. EXT. Chapel. Day.]

(Sucre leaps over the small fence then onto his motorcycle, and roars away.)

[35. INT. FBI Field Office. Day.]

(Mahone is drawing on his map, agitated. Then he stops, groans. His cell phone rings and he scrambles for it.)

Mahone (on phone): Mahone. I'll be right down.

[36. EXT. FBI Field Office. Day.]

(Mahone hurries outside, checking his surroundings. He approaches a dubious looking guy - B.Fanatic.)

Fanatic: Mr. Mahone.

Mahone: Where are they?

Fanatic: I had a hard time getting my hands on these. Be easier to go to go to a doctor. Tell him you need something to calm your nerves.

Mahone: Doctors take notes. That's why I have a deal with you.

Fanatic: The way things have been doing, I thought maybe our deal was over.

(Mahone snatches the pill bottle and checks the contents.)

Fanatic: You don't ask me about Shales no more.

Mahone: That part of our deal *is* over. I no longer need an informant on the case.

(He takes one of the pills.)

Fanatic: I thought that's all you cared about, was finding him.

Mahone: You can't get them all.

Fanatic: If you want, I can keep an ear out on the street...

Mahone: Midazolam, 1500 milligrams every thirty days. That's all I want from you. We understand each other?

(Fanatic nods. Mahone starts to walk away.)

Fanatic: You gonna pay me for it?

(Mahone storms back and pushes a bunch of bills at Fanatic's chest.)

Mahone: Right there.

[37. INT. Garden Center. Day.]

(Lincoln ties up Woody. Tweener holds his head, disorientated. Michael shoves the baseball cap back at him and he groans.)

Tweener: What are you doin' here?

Michael: Had to come for you, buddy.

Tweener: How'd you know?

Michael: T-Bag.

(Lincoln grabs him and shoves him against the wall.)

Lincoln: Hand over the map!

Tweener: What?

Lincoln: The map! Hand it over.

Tweener (chuckles in disbelief): He told you I had it?

[38. INT. Car trunk. Day.]

(T-Bag studies the map, muttering under his breath, clearly trying to memorize it. When he's sure he's got it, he puts it in his mouth, chews it and swallows it.)

ACT 4.

[39. EXT. Rural road. Day.]

(Lincoln, Michael and Tweener make their way back to the car. Lincoln shoves Tweener to hurry him up.)

Michael: We are gonna sort this out right now.

(He opens the trunk. T-Bag's still lying there, he's got a scrap of paper on his chest, displaying the number 1213.)

Michael: Tell me that's not what I know it is.

T-Bag: It is. But don't worry. Before I destroyed it, I committed it to my photographic memory.

Michael: Coming from a compulsive liar, I find that a little hard to believe.

T-Bag: I'd have tattooed it to my body but I didn't have the time. Whenever you strip search a lifer, you should always check his coin purse.

(Lincoln yanks him out of the trunk.)

Lincoln: Tell us where the money is!

T-Bag: Now, let's not dissolve into threats, all right? I'm gonna take the high road here. Suggest a mutually beneficial arrangement. I have the information. You have the manual requirements necessary to unearth Westmoreland's buried booty. We're partners.

Michael: And why is that?

T-Bag: Because as of this moment, I'm your map.

(He saunters round the car and gets in the back seat.)

Tweener: So, then, yo, we split it four ways, right?

Lincoln: Wrong. Get in.

Tweener: Whoa, whoa...

Lincoln (shoves him towards the trunk): You're not worth 1.5. Get in!

Tweener: Okay!

(He gets into the trunk and closes it on himself.)

[40. EXT. Rural road. Day.]

[Title Card: Cache County. Utah.]

(C-Note's done a lot of walking in the hot sun. He walks into someone's front yard and uses the hose to get a drink and sprays it over his head. The home owner comes out.)

Woman: Excuse me, can I help you?

C-Note: Oh, yeah, sorry, yeah. Uh...woo. It's hot.

(The woman nods, warily.)

C-Note: I was really wondering how much you're selling your RV for.

Woman: Probably out of your price range.

C-Note: Come on. Give me a shot.

Woman: Forty thousand dollars.

C-Note: Look, I'll tell you what. I'll be back in a couple of days, okay?

Woman: I can't hold it for you.

C-Note: I said I'll be back. With cash.

[41. EXT. Gas Station. Day.]

[Title Card: Mesquite, Nevada. One Mile From The Nevada/Utah Border.]

(Sucre fills up the motorcycle.)

Attendant: Nice bike.

(Sucre glances up at the clock. It's 2:30pm.)

Theresa (v/o): The wedding's at 2:30, Fernando.

(Sucre's a broken man.)

[42. INT. FBI Field Office. Day.]

(Mahone comes into the Command Center.)

Mahone: We just got confirmation on Fernando Sucre. He was in Las Vegas around 2. Then a gas station attendant spotted a guy on a bike matching his description in Mesquite...an hour later.

(He sticks pins in his map and stares at it.)

Wheeler: Out west. Just like Bagwell and Franklin.

Mahone: Yeah, but he was heading east, and Bagwell's in Nebraska on I-80 heading west...and Franklin's train was heading west but he jumped off to the...

(Mahone draws lines on his map, connecting up the three guy's routes, and then laughs. Agents Wheeler and Lang look confused.)

Mahone: You know D.B. Cooper?

Wheeler: Yeah, yeah, the hijacker.

Mahone: The hijacker.

Lang: But he was never found.

Mahone: Yeah, but he's gotta be somewhere, right? Because someone hijacked that plane in Portland, and jumped out over the Pacific Northwest and someone was arrested two days later in Bisbee, Arizona.

Wheeler: Not the same guy.

Mahone. Same guy. Same guy who was treated for a broken knee at a free clinic somewhere around Salt Lake City. Same guy whose Nova blew a head gasket 10 miles short of the border. Same guy who almost got away with a stolen car, but he ran a woman down in Bisbee. Vehicular manslaughter. Arrested and booked as Charles Westmoreland. But he didn't have the money on him. Which means he got rid of it somewhere along the way.

Wheeler: Wait, wait. This is fact? You figured all this out?

Mahone: No, Scofield did. That's why he was bringing the old man along. The money's in Utah. And they're all going to get it.

[43. INT. Car. Day.]

(Lincoln's at the wheel, Michael shotgun and T-Bag in the back seat.)

T-Bag: You know, in uh, in Thailand, they got a black market where you can get any kind of surgery you need, even a hand transplant.

Lincoln: You're sick, you know that?

T-Bag (smiles): Keep going there. The turnoff's just up here somewhere.

Lincoln: Before or after Sheep Road?

(T-Bag considers, checks behind him.)

Michael: What's the matter, Theodore? Did you forget?

T-Bag: How could I forget a road called Sheep? It's after. Don't you feel all warm inside now that we're working together?

Michael: We aren't working together. You're just here to lend a hand.

T-Bag: Wait, wait, wait. Slow down. That was it. That little bitty road right back there.

(Lincoln slows and reverses.)

Michael: How far is it from here?

T-Bag: A quarter mile, if I remember the scale properly.

Michael: Let's start walking.

(They all walk through a field marked by a sign saying "Private Property. No Trespassing".)

[44. INT. Governor Tancredi's office. Day.]

(Governor Tancredi is reading from a file.)

Bennett: Frank?

Governor Tancredi: Yeah, I'm almost ready. What time did you say the flight was?

Bennett: Eight. Listen, I hope you get this nomination more than anyone, but be prepared. This Burrows thing may steamroll.

Governor Tancredi: Well, we'll wait it out, just like you said.

Bennett: Problem is too many headlines. His lawyer, Nick Savrinn, is already dead. His kid's awaiting trial for double homicide, and now his lead counsel is classified as missing.

Governor Tancredi: Well, is she missing or is she dead?

Bennett: I just thought you should know before you go to Washington.

Governor Tancredi: Bruce, is there something connecting all of this?

Bennett: It's probably best you don't ask a whole lot of questions.

(Bennett leaves. Governor Tancredi looks down at the file he was reading: it's marked Lincoln Burrows. He tosses it to one side.)

[45. EXT. Hill. Day.]

(Michael, Lincoln and T-Bag hurry up the hillside. T-Bag is limping a way behind them but they don't wait.)

Michael: Where now?

T-Bag: Right up there. The hill borders the property. The K.K is on the other side.

Lincoln: First thing I'm gonna do with the money: buy new shoes.

Michael: Second thing: Tacos.

Lincoln: Third thing: ice cold beer.

Michael: Fourth thing: a little toothpaste.

(T-Bag steps in a big muddy puddle.)

T-Bag: Dang!

[The water in the puddle fades to the water in Mahone's birdbath.]

[46. EXT. Mahone's backyard. Day.]

(Mahone stares into his birdbath. His phone rings.)

Mahone: Mahone.

Man (v/o): Agent Mahone, your car's out front, sir. The flight to Utah leaves in an hour.

Mahone: I'll be there. Thank you.

(Before he leaves, he takes another long look at the birdbath. Camera pans down to the grass beneath it. The images fades into another muddy puddle.)

[47. EXT. Hill. Day.]

(The guys circumnavigate another muddy puddle.)

Michael: Ninth thing: a shower.

Lincoln: Tenth thing: a good night's sleep.

Michael: A nice hotel. Clean sheets.

Lincoln: Look, stakes marking the property line.

T-Bag: Should be dead ahead. Can you see the silo?

(As they reach the top of the hill - first Michael, then Lincoln, then T-Bag - each of their faces becomes a mask of disbelief. Spread out below them is a huge housing development where their ranch should be.)

T-Bag: The bastards built over it.

Michael: It's gone.

END CREDITS.

==========================
CAST: in credits order
==========================
Dominic Purcell (Lincoln Burrows)
Wentworth Miller (Michael Scofield)
Amaury Nolasco (Fernando Sucre)
Paul Adelstein (Paul Kellerman)
Marshall Allman (LJ Burrows) (credit only)
Robert Knepper (Theodore 'T-Bag' Bagwell)
Wade Williams (Brad Bellick)
Rockmond Dunbar (Benjamin Miles 'C-Note' Franklin)
Sarah Wayne Callies (Sara Tancredi)
William Fichtner (Alexander Mahone)
Lane Garrison (David 'Tweener' Apolskis)
John Heard (Governor Frank Tancredi)
Kurt Caceres (Hector Avila)
Reggie Lee (Bill Kim)
Barbara Eve Harris (FBI Agent Lang)
Jason Davis (FBI Agent Wheeler)
Kristin Malko (Debra Jean Belle)

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