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TRANSCRIPT:
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ACT
1.Opening
Scene.
[The
action continues from the previous episode.]
(Jeanette
Owens tries to bite T-Bag's arm to get out of his grip. T-Bag presses the pick
harder on her throat.)
T-Bag: You try that again, I'll pry those vocal cords right
out of your throat!
(Michael
looks out the window at the female police officer.)
Michael: She's coming up.
T-Bag: What's she doing?
Michael: She's coming up here. Stay there, stay there.
[The
cop wipes her feet on the step, then enters the house.]
Ann
Owens: Hey Mom, you home?
(Michael
and T-Bag glance at each other in shock.)
Michael: Stay here. Stay quiet.
CUT
TO: Ann, putting her keys down on the side. Then she notices the broken
glass and ice all over the kitchen table and floor.
Ann: Mom?
(Her
hand goes to her gun holster, and she makes her way upstairs. Behind her, C-Note,
Sucre and Lincoln are pressed up against the wall, hiding.)
CUT
TO: Michael and T-Bag, waiting anxiously.
CUT
TO: Ann, taking her gun out. Suddenly, Jeanette screams and Ann runs into
the bedroom, gun raised.
Michael: It's okay. It's okay.
Ann: Back away and put your hands up!
Michael: Just go easy!
T-Bag: Go nothing! She ain't the one carrying the cards
here.
Ann: Back away and put your hands up.
T-Bag: I put my hand up, I'm gonna take her jugular with
it.
Ann: I don't want anyone to do anything stupid, okay?
(Sucre
sneaks up behind her, but she catches him with an elbow to his face. She points
the gun at him.)
Ann: Don't move!
(Lincoln
grabs her from behind and disarms her.)
Lincoln: Let's be civil. Stop, relax. Here you go.
[Title
Card: Tooele, Utah. Tooele Police Department.]
[1.
INT. Tooele Police Department. Day.]
(Mahone
walks through with Lyle Sands.)
Sands: Guy at the garden center said Burrows was strong as
a gorilla.
Mahone: It was 1pm when they tangled it up.
Sands: Yeah, guy ID'd both of them. Scofield, Burrows. No
doubt about it in his mind. Course, that was 1pm, those two could be 300 miles
from here by now.
Mahone: You have a half a dozen picks, shovels and power
tools missing from that store. They're here and they're digging.
Sands: Five million dollars buried somewhere beneath the
streets of Tooele. You really believe that?
Mahone: They believe that. And that's the important thing.
Sands: They could be anywhere now. We don't have the units
to go door to door.
Mahone: And we won't need them. He's gonna tell us where to
look.
(He
walks up to the window of an interrogation room, where Tweener is sitting alone
at a table.)
OPENING
CREDITS.
[Title
Card: Chicago, Illinois.]
[2.
INT. Grocery Store. Day.]
(Sara
nervously moves through the store as Kellerman chats.)
Kellerman: It's so funny, uh, I was just about to text you.
Today's your lucky day.
Sara: Is it?
Kellerman: Yeah, my Aunt Maxine finally gave me her famous
chocolate chip cookie recipe. And if you're free tonight, I'd love for you to
be my guinea pig.
Sara: Uh, I can't. Not tonight.
Kellerman: Come on, you sound just like Daniel. "Not
tonight, not tonight".
Sara: You know what? If you don't mind, I've actually
gotta go.
Kellerman: Um...
(He
puts a hand on her cart, stopping it moving.)
Kellerman: Are you okay? I mean, your cart's empty...
Sara
(trying to smile): I'm good,
yeah. I just gotta go.
Kellerman: Sara...
(She
walks away from him. He knows something is wrong.)
[3.
INT. Jeanette's House. Day.]
(Ann
and Jeanette, both tied up and gagged, sit next to each other on chairs. Sucre
closes the blinds.)
Michael: This is going wrong in every possible way.
C-Note: This is stupid, man. We cannot do this!
T-Bag: Hat's over the wall now.
C-Note: What the hell is that supposed to mean?
(T-Bag
closes another set of blinds.)
T-Bag: I mean, we committed. It's time to go get the hat.
We don't have a choice.
C-Note: Yeah we do. (to Michael) We can walk right up
out of here right now, man.
T-Bag: And then what? We are already in the house. Those
women are bound. We have already committed this crime. We leave, it ain't gonna
change any of that.
(Michael
walks away from them all.)
Michael
(quietly): Why couldn't there
just be a silo in the middle of a field with no one around?
Lincoln: We'll figure it out and get the money another way.
Michael: Yeah, maybe I can rob another bank. You know what
Charles once said to me? He said, "There's no such thing as an
ex-con". Because I used to think there was a way we could wipe the slate
clean. Make up for everything we've done. The hat's over the wall, Linc. For
everyone.
(He
walks over to the two women.)
Michael: Sorry isn't gonna mean anything to you right now.
But I wanna say it anyway. This wasn't supposed to happen. One or two hours
tops, and we'll be out of here. You have my word, no one will harm you.
(He
walks over to Sucre and lowers his voice.)
Michael: Keep your eyes open, okay? Nothing happens to them.
Nothing.
[Camera
pans over to T-Bag, who's staring at the women.]
[Title
Card: Chicago, Illinois.]
[4.
INT. Kellerman's Office. Day.]
(Kellerman's
on the phone in his office.)
Kellerman: The doctor is suspicious.
CUT
TO: Bill Kim, his office.
Kim: She should be. She was on the line with the governor
when you walked up.
Kellerman: You were listening.
Kim: Both lines are tapped. We're not rookies.
Kellerman: Did her father tell her what he found?
Kim: Not over the phone. But he knows who you are. And so
does she. Seeing how she was supposed to lead you to Scofield and eventually to
Burrows, it looks like we're back to square one.
Kellerman: Not necessarily. There are other people they care
about.
Kim: The kid. LJ.
Kellerman: Now, in terms of the governor, Bill...
Kim: The Burrows kid, Paul. Focus.
[Camera
pans over Chicago.]
[5.
INT. Governor Tancredi's Office. Day.]
Secretary
(on phone): Governor
Tancredi's office, please hold. (She answers another line.) Governor
Tancredi's office, hold please.
Sara: Is my father in, Chris?
Secretary: Just a second.
Sara: Okay.
Secretary
(on phone): Governor
Tancredi's office...
(Sara
spots Bruce Bennett.)
Sara: Hey, Bruce.
Bennett: Oh, hi, Sara.
Sara: I'm trying to get a-hold of Dad. I need to reach him
on his cell.
Bennett: He actually just landed. Should be home soon.
Sara: Okay.
Bennett: I don't know if he's gonna be in much of a mood to
talk though.
Sara: Why?
Bennett: Your father got a call from the White House. They
withdrew his nomination.
Sara: What? I talked to him two hours ago, he didn't say
anything about that.
Bennett: It just happened. According to them, his
confirmation was going to be a problem.
Sara: We had the votes, right?
Bennett: Supermajority.
Sara: Okay, so President Reynolds pulled the plug on a
sure thing, in order to start over from scratch? I...how often does something
like that happen in politics?
Bennett: Never.
[6.
INT. Garage. Day.]
(C-Note
joins Michael and Lincoln digging in the hole. The TV is on in the garage, on
the Fox News channel.)
Lincoln: Since when did we become kidnappers? It ain't right.
Michael: Well, we can buy a conscience tomorrow.
Lincoln: Yeah, well, yeah, closing your eyes ain't gonna make
it go away.
Michael: I'll take five minutes of a situation I can control
over 50 years of one I can't, any day.
(T-Bag
is looking through a pile of National Anthropology magazines. He holds one up
to C-Note.)
T-Bag: Hey, Mr. Hundred Dollar Bill. What's it like being
with the African persuasion anyhow, huh?
C-Note: Yo, shut the hell up.
T-Bag: Oh, hit me a nerve.
(C-Note
throws his shovel down and goes over to T-Bag.)
C-Note: Why don't you get in that hole and dig, huh?
T-Bag: How about you backing up, dark fella?
C-Note: You're a long way away from home, Trailer Park. I
could put you in that hole and nobody would ever hear you scream.
Lincoln: Knock it off!
Newsreader: We have security expert Mark Bruni with us, who will
explain how other prisons are ensuring that they are not victimized by the next
Fox River Eight.
T-Bag: Should be the Fox River Seven, now that Abruzzi's
taken his dirt nap. God rest the man's soul, of course.
Lincoln: Speaking of numbers, we're short one. Kid's taking a
long time to fill that gas tank up.
[7.
INT. Tooele Police Department. Day.]
(Lyle
Sands exits the interrogation room, leaving Tweener alone.)
Sands: I leaned on him in every way I can think of. He's
not talking.
(Mahone
is silent. He walks into the interrogation room holding a file, and pulls the
blind closed.)
[8.
INT. Interrogation Room. Day.]
(Mahone
sits across from Tweener.)
Mahone: Are you Catholic?
(Tweener
glances up at him but says nothing.)
Mahone: Are you Catholic? Not much good in it. A lot of
guilt. But the one good thing is confession. Whatever you got eating at you,
you just give it up. Feels good, I have to say. Guess it's letting it out.
Letting another human being hear --
Tweener
(bangs his hand on the desk):
I got nothin' to say to you, man!
Mahone: What if I told you something? A secret nobody else
knows. Oscar Shales. A guy I was chasing a few years back. Smart as hell. I
kept just missing him. It became kind of a game, like chess. Would've almost
been fun if it weren't for the fact that he were killing people all along the
way. Bodies kept stacking up, and I started to feel that it was because of me.
Because I couldn't do my job. Because I wasn't smart enough. Never did catch
him. But I did lose it. Saw things when I would drive at night. Bodies.
Nightmares to the point where I couldn't sleep. It was a complete break from
reality.
(He
unscrews his pen, and empties the pills onto the table.)
Mahone: That's what these little guys are for. Keep me in
the game. So now you know. Now it's off my chest. Ought to try it sometime.
(Tweener
stares at him, then leans forward and looks like he's going to start talking.)
Tweener: Like I said before...I ain't gonna tell you nothin'.
Mahone: You know where those guys are.
Tweener: If you're lookin' for a rat, you got the wrong guy,
man.
(Mahone
opens the file on the desk. It's full of pictures of the dead Dr. Gudat.)
Mahone: No, I'm just trying to spare you some guilt. Bagwell
was free less than 24 hours before he killed his first victim. If you don't
tell me where he is now, he's gonna kill again. And that blood is gonna be on
your conscience and nobody else's.
(Tweener
stares at the photos, in shock and horror.)
Mahone: Confession might not be such a bad thing, huh?
[Title
Card: Kingman, Arizona. Klipton Detention Center.]
[9.
INT. Detention Center. Day.]
(A
C.O. walks LJ down the halls.)
C.O.: He just arrived, LJ.
LJ: That's impossible. I don't have a meeting scheduled
with my lawyer. He's a court appointed public defender in Illinois. I doubt he
would come to Arizona without calling me.
C.O.: Let's go.
[10.
INT. Kellerman's Car. Day.]
(Kellerman
watches Sara leave her father's office. His cell phone rings.)
Kellerman: Yeah?
Bill
Kim (v/o): We're all set in Arizona
with the Burrows kid.
Kellerman: Good.
Kim: The kid's as good as gone.
[11.
INT. Detention Center. Day.]
LJ: What'd you say the name of that lawyer was?
C.O.: Didn't give it to me. Gave it to the warden.
LJ: Then I wanna talk to the warden. Hey, you hear me?
C.O.: After.
(The
C.O. pushes LJ into a room and closes the door. LJ looks around, bewildered.
When he looks back, a man in a suit is in front of him.)
Man: Hello, LJ.
LJ: What do you want?
Man: They didn't tell you why I came here?
LJ: No.
Man: I'm an ADA here in Mojave County. I'm here to serve
you with these.
LJ: What are those?
Man: Your release papers.
[Title
Card: Chicago, Illinois. Governor's Residence.]
[12.
EXT. Governor Tancredi's Residence. Day.]
(Sara
gets out of her car and approaches the house.)
Sara: Hey.
Aide: Ms. Tancredi.
Sara: Is my dad in?
Aide: In the study.
Sara: Great, thank you.
[13.
INT. Study. Day.]
(Sara
knocks on the door, then enters.)
Sara: Dad?
(She
notices him over by the door. She walks closer, then covers her mouth in shock.
Governor Tancredi is hanging from a rope over the door. She runs to him and
pulls the rope, lowering him down. As she lays him down, a gold key falls from
his pocket.)
Sara: Help!
ACT
2.
[Shot
of Ann Owens' police car outside Jeanette's house - day.]
[14.
INT. Jeanette's House. Day.]
(Sucre
sits in the kitchen, with Ann's police radio, gun and keys beside him.)
Ann
(mumbling through the gag): I
need my pills. Please, I need my pills.
(Sucre
stomps over to her and removes the gag.)
Sucre: What?
Ann: I need my pills.
Sucre: Forget it.
Ann: No, you don't understand. I need them. They're for
my baby. They're Metformin, to prevent a miscarriage. Please. They're in the
drawer in the kitchen.
(Sucre
walks over to the kitchen.)
Ann: That one right there.
Sucre: How many?
Ann: Two. And water, please.
(Sucre
gives her the pills and helps her sip some water.)
Sucre: Now I gotta put the gag back on.
Ann: Before you do, I just have one more question. You
seem like a really good guy. Why are you doing this?
(Sucre
puts the gag back in her mouth.)
Sucre: I'm not a good guy.
[15.
INT. Garage. Day.]
(T-Bag
watches the news while the other guys are still digging.)
Woman
(on TV): And these changes, do
you really think they'll help keep predators like Theodore Bagwell safely
behind bars?
Man
(on TV): Without a doubt.
(A
mugshot of T-Bag appears on the screen.)
T-Bag: Picture makes me look like a sociopath.
(He
walks around the garage and C-Note throws a shovelful of earth at him.)
C-Note: I'm not joking with you, Trailer Park. Now, get in
here and dig.
T-Bag (angrily): I am incapable, thanks to all
y'all. Just remember, my X marked the spot. You remember that.
Lincoln: We got a bigger issue. The kid. How long's it been
since he left?
Michael: An hour and a half, maybe.
Lincoln: An hour and a half to fill a tank of gas? That ain't
right.
(His
attention is turned to the TV.)
Woman
on TV: There's been a breaking
development in the double-homicide prosecution of Lincoln Burrows, Jr. Due to
the sudden disappearance of crucial blood and...
T-Bag: Hey, Linc, I didn't know you had a boy.
Woman
on TV: ... the Cook County District
Attorney's Office had no choice but to drop all charges against the
16-year-old. Burrows is scheduled to be released from the Klipton Detention
Center in Kingman, Arizona where he's currently being held, tomorrow morning.
[16.
INT. Kitchen. Day.]
(Lincoln
storms through to the kitchen, followed by Michael.)
Lincoln: Keys to her car, where are they?
Sucre: Here.
Michael: Just hold on, okay? You can't do this. Linc!
(He
follows Lincoln out into the hallway. Sucre watches them go.)
Michael: We are five minutes away in there!
Lincoln: We've been five minutes for four hours.
Michael: Just give me some time. Be patient.
Lincoln: You think I give a damn about the money?
Michael: I'm doing what's necessary.
Lincoln: You're afraid to fail. You're afraid this big plan
of yours ain't gonna work out. You wanna get caught proving you can pull this
thing off, be my guest. LJ's out there, I'm gonna get him.
(He
goes to leave but Michael puts a hand on his arm, stopping him.)
Michael: We have come 1500 miles across country. We have made
it this far.
Lincoln: Then I guess this is where we part ways.
[17.
INT. Tooele Police Department. Day.]
(Tweener
stands in the interrogation room alone. He's anxious, agitated, staring down at
the photos of the deceased Dr. Gudat on the table.)
(Outside,
Mahone watches him in silence.)
[Title
Card: Chicago, Illinois. FBI Field Office.]
[18.
INT. Field Office. Day.]
Man: Any word on the interrogation this morning?
Wheeler: No, the kid's still stonewalling. But we've got
confirmation on Patoshik, his prints were all over that old lady's house. So he
leaves the cash and the jewellery. The only thing he steals is the $10 oil
painting. What the hell does he want with that?
[19.
INT. Camping Store. Day.]
(Haywire
frantically dumps beef jerky and other items in a duffle bag. A dog in the
store barks. Haywire stops. The store owner approaches, using a walking stick.)
Store
Owner: Is there something I can help
you with?
Haywire: What? No.
Store
Owner: You know, it'd be a little
easier if you used a cart for all that stuff.
Haywire: I'm just, uh...I wanted to see if it all fit in the
bag. What happened to your knee there?
Store
Owner: Motorcycle accident.
Haywire: Oh. So, uh...you don't move around too well then, do
you?
Store
Owner: Not really.
Haywire: Well, that's good.
(He
bolts towards the door.)
Store
Owner: Hey. Hey, hey!
(Haywire
hurries away down the road, the barking dog walking after him.)
[20.
EXT. Jeanette's House. Day.]
Lincoln: You can still come with me.
Michael: No, I could...I could do this.
Lincoln: And if you can't?
Michael: Then we still meet up. Exactly where we planned.
Lincoln: Bulshai Booze.
Michael: Bolshoi.
Lincoln: Bolshoi. LJ's gonna be with me.
Michael: You remember how to get there?
Lincoln: How can I forget?
Michael: Thursday night, six 'o clock. It's our last shot. If
we're...um...if we do this right, we're gone forever.
Lincoln: A lot of ground to cover in three days.
Michael: A lot of ground.
Lincoln: All right.
(They
hug.)
Lincoln: Take care.
Michael: They'll be gunning for you. They'll get you anyway
they can, so...
Lincoln: Yep.
Michael: Tell LJ...tell him I said there'll be a surfboard
with his name on it.
Lincoln: Nice. Bolshoi Booze.
Michael/Lincoln: Three days.
Lincoln: Keep your head down.
(He
gets into the car and drives away.)
[21.
INT. Governor Tancredi's House. Day.]
(Sara
sits on the window seat, crying, as EMTs wheel out her father's body on a
gurney.)
Detective: Ms. Tancredi? Hi. Um, I just wanted to let you know
that the M.A., she's finished her preliminary examination of the body. She
found no signs of foul play. I know it's a shock but we've also spoken to the
detail guard stationed outside, and he didn't see anyone other than your father
enter or exit the mansion since he came back from Washington.
Sara: My father's not a suicidal man.
Detective: Look, is there any extended family I should call?
Sara: I'm an only child, and my mother passed away. Could
I have a moment, please?
Detective: Yeah.
(She
wipes her eyes, and goes to pick up her bag from the floor. Underneath it is
the gold key. She picks it up and pockets it.)
[22.
INT. Tooele Police Department. Day.]
(Mahone
puts a soda can in front of Tweener.)
Mahone: That's a hell of a good deal, son. I mean, we're
talking no additional time on your sentence for the escape. You want it in
writing, I'll put it in writing. We will put you up at Club Fed. You'll spend
your days playing racquetball, with stockbrokers and lawyers. Four years from
now, you'll be out on the street. Twenty-two years old, with a clean
slate...and your whole life ahead of you. And no blood on your hands. Okay?
Tweener: There's a woman in the house. If you guys show up,
they're just gonna turn her into a hostage. T-Bag, he ain't comin' out alive.
And he's gonna take her with him.
Mahone: Let me worry about that.
Tweener: No, hell, no. The only way that that woman comes out
free is if someone shows up on that porch that they trust.
Mahone: Being you.
Tweener: Being me.
(He
opens the soda can and sits back.)
Tweener: I'll take you to 'em.
ACT
3.
[23.
EXT. Street. Day.]
(Haywire
stops running for a rest. There's no sign of the dog. He notices a boat parked
in a driveway. He gets inside and finds a life jacket, puts it on. The dog
appears again, barking. Haywire throws the bag down, and some beef jerky falls
out. The dog eats and quiets.)
Haywire: Oh, you like...you like jerky? You like jerky.
[24.
INT. Jeanette's House. Day.]
(Sucre
gives Ann some water.)
Ann: What were you in for?
Sucre: I don't wanna talk, lady. (He gives Jeanette some
water as well.)
Ann: I'm a prisoner in my own house. The least you could
offer me is a little conversation. (Sucre stays silent.) All right. Just
let me know when I hit it. Murder. Rape. Kidnapping. Sexual Abuse. Child Sexual
Abuse.
Sucre: Aggravated robbery.
Ann: How long were you doing?
Sucre: Five years.
Ann: How much longer did you have left to serve?
Sucre: Eighteen months.
Ann: Why on earth would you break out of prison with--? (She
realizes.) What's her name?
Sucre: Doesn't matter.
Ann: So, what? She was running away with another man?
Maybe you should’ve let her go instead of...
Sucre: She's having my baby.
Ann: How far along is she?
Sucre: I don't wanna talk about it!
Ann: I'm two months. I just had my first-trimester
sonogram on Tuesday.
(The
police radio bursts to life.)
Woman
(on radio): Ten-five. Dispatch
to all units.
Ann: Has she shown you pictures of...?
Sucre: Shhh! (He grabs the radio.)
Woman
(on radio): Transporting David
Apolskis in FBI custody. Stand by.
[25.
INT. Garage. Day.]
C-Note: Yo. This is gonna take all day. We need more
manpower.
T-Bag
(taking two pills): Well,
standing around jabbering ain't gonna get that dirt outta that ground.
C-Note: All right, that's it.
(C-Note
storms over and shoves him into the hole.)
C-Note: You son of a bitch! Now what?
(As
they fight, Sucre comes running in.)
Sucre: We gotta roll.
Michael: Why?
Sucre: They got Tweener. It was on the radio.
(C-Note
and T-Bag stop fighting.)
T-Bag: Nice knowing y'all.
Michael: Did they say anything about where we are?
Sucre: I'm not hanging around to find out.
(C-Note
looks down at the hole.)
C-Note: Yo, maybe you should.
(He
moves hit foot, seeing some money sticking out from the dirt.)
C-Note: Maybe you should!
(He
starts digging at it, uncovering bundles of dollars.)
C-Note: Maybe we all should!
(Camera
pans to all the smiling faces as C-Note picks up some of the money, laughing.)
[26.
INT. Mahone's Car. Day.]
(Mahone
drives, another agent fits a wire to Tweener in the back seat.)
Mahone: Let's go over this again. None of them were armed?
Tweener: Guns? No. Bagwell had a screwdriver or somethin'. Do
we really need this, man?
Mahone: Yeah. In case you decide to do something stupid,
like tip them off. You don't have a problem with that, do you?
[27.
EXT. Beach. Day.]
(Haywire
sits on the beach with the dog. He lays out a map, rope and compass.)
Haywire: Compass, check. Map, check. Rope, check. Okay. (to
the dog) I bet you're wondering what we're doing down here by Lake
Michigan, huh? It's because if you go far enough that way, you get to the
ocean. You know what's out there. Holland!
(The
dog barks.)
Haywire: We're gonna live in a windmill. All we need is a raft.
I'm gonna build it. All starts with this...(He reaches down for a stick,
then changes his mind and picks up another one) No, this stick.
[28.
INT. Garage. Day.]
(The
guys dig up the sack of money.)
C-Note: Charles Westmoreland, God bless you and your
wrinkled old sack.
Michael: It's all here.
T-Bag: I owe you a profound thanks, Pretty. A couple of
days from now, I'm gonna be walking down the streets of Bangkok with a million
U.S. in my pocket. That's about 40 million baht in the local currency.
C-Note: What the hell is up with you and Thailand, huh?
T-Bag: Black-market surgery, anonymous transplant donors,
he's dressed like she's, what's there not to like?
C-Note: Are you really gonna try to replace that hand?
T-Bag: Body ain't taking to this one.
(They
lift the huge crate out but it falls apart, bags of money falling with it.)
C-Note: Unbelievable.
Michael: All right, let's move.
C-Note: You know, that hand ain't gonna be white.
T-Bag: What?
C-Note: The new one. Even if you get down there, it ain't
gonna be white. Hey, Johnny KKK over here's gonna have an Asian hand.
(He
and Michael laugh, in good spirits. T-Bag shoves C-Note lightly, but then a car
door slams outside and they all freeze.)
[29.
EXT. Street. Day.]
(Tweener
slowly moves towards the front door. He glances back at the agents' vehicles
parked on the street.)
CUT
TO: Mahone, in his car.
Mahone
(through the radio): No
mistakes. Let's get them clean.
CUT
TO: Tweener walking up the front path, looking anxious and guilty.
*FLASHBACK*
[Michael
and Tweener at Fox River.]
Michael: I need to know if I can trust you.
*END
FLASHBACK*
(Tweener
runs a hand over his face.)
*FLASHBACKS*
[Tweener
with Bellick in the yard.]
Tweener: They're escaping!
[Tweener
with Michael, after the escape.]
Tweener
(v/o): No, man, you can't leave me
out here. Not like this.
Michael
(v/o): We had a deal, remember?
[Images
of Avocado, and Tweener crying in his cell.]
Michael: Now walk.
*END
FLASHBACKS*
(Tweener
wipes his hands on his trousers and approaches the door. He glances round.)
(Mahone
sits in his car, ready with the radio.)
(Tweener
reaches out slowly and presses the doorbell.)
ACT
4.
[30.
EXT. Street. Day.]
(Tweener
pushes the doorbell again. Someone peeks out through the blinds in the house.
Tweener waits, anxious and worried. Then the door opens - it's Debra Jean.)
Debra
Jean: Scott.
Tweener: I don't got much time, a’ight? I had to tell you
somethin'.
CUT
TO: Mahone. He hears Tweener through the wire, over the radio. He furiously
jumps out of the car.
Tweener: What you did for me that day at the motel...ain't
nobody in my life that's been to bat for me like that.
(Mahone
runs down the street, drawing his gun.)
Mahone: Get him. Go, go, go!
[The
air fills with sirens.]
Tweener: And I lied to you, okay? My name ain't Scott, my
name's Dave. David Apolskis.
Debra
Jean: Oh, my God...
Man
1: Go now, go!
Man
2: Get away from the door!
Man
3: Get down. Now!
Man
4: Put your hands on your head!
Tweener: And I just...
(He
puts his hands on his head as agents prepare to drag him away.)
Man
4: Put him in the car!
Tweener: I wanted you to know, all right? 'Cause I'm gonna be
writin'...and I sure as hell hope that you write back.
(They
cuff him. Tweener smiles at Debra Jean.)
Man
4: All clear!
(The
agents drag him to the car, but he keeps smiling at her. Finally she smiles
back. Mahone notes the exchange, and looks regretful.)
[31.
EXT. Jeanette's House. Day.]
Michael: Can I help you?
Keith: I'm sorry, do I know you?
Michael: Contractor. Got some electrical issues.
Keith: No, you can't help me.
(He
goes to approach the front door but Michael grabs his arm.)
Keith: Excuse me, is there a problem?
CUT
TO: T-Bag and C-Note, frantically stuffing the money into duffle bags.
Michael: Ms. Owens? She's not home.
CUT
TO: Michael and Keith.
Keith: Yeah, well, I'm supposed to drive her to the club
for...
Michael: She already went to the club.
CUT
TO: Jeanette, bound and gagged, listening. Sucre listens too, anxiously.
CUT
TO: Michael: Yeah, she came out, said she was gonna go to the club, she
got in her car and left. I don't know what else to tell you.
Keith: Yeah, okay, thanks.
(Michael
waves as he drives away.)
[32.
INT. Garage. Day.]
(Michael
re-enters.)
Michael: He's gone. But we gotta get outta here, because once
he gets to the club he's gonna find out she's not there and he's gonna be back.
[33.
INT. Mahone's Car. Day.]
Tweener: You know what? You were right. It does feel good to
get stuff off your chest. I'm sorry I had to play you like that, bro.
(The
car drives down a rural road, then Mahone pulls it over and stops.)
Tweener: Yo, what's up?
Mahone: Come on. It's gonna be a long drive. Stretch your
legs.
Tweener: A’ight.
[34.
EXT. Road. Day.]
(Lincoln
drives down a deserted road in Jeanette's car, towards Arizona, towards LJ.)
[35.
EXT. Street. Day.]
(Kellerman
is on the phone.)
Kim
(v/o): Kellerman. I thought you were
gonna deal with the LJ Burrows situation?
Kellerman: Oh, I did.
CUT
TO: Kim: Then why is he being released from custody tomorrow?
Kellerman: In and of himself, the kid is useless to us. His
only value is in who comes looking for him. More importantly, Bill. Governor
Tancredi. Not part of our plan.
Kim: Last time I checked, you left no shortage of bodies
in your wake.
Kellerman: No, I did what I had to do to get Caroline where she
is. Now that she's there, let's not draw any more attention than we have to.
Kim: You think getting to the top is the hard part? She's
a hundred times more visible. Has a hundred times more enemies. Anyone who knows
anything has got to be dealt with. If someone is a liability, they go. Tancredi
was becoming a liability. So is his daughter.
Kellerman: Wait. What? Sara?
Kim: Goodbye, Paul.
[Shot
of Sara's apartment building.]
[Title
Card: Chicago, Illinois.]
[36.
INT. Sara's apartment. Day.]
(Sara
enters, clutching her mail. She holds up one envelope to the light - the
outline of an origami crane can be seen. She throws the mail down on the side,
and it falls to the floor. She turns to the coffee table and stops, shocked.)
(On
the table are some lit candles, Morphine bottles and hypodermic needles. A
shadow moves behind her.)
[37.
INT. Jeanette's Kitchen. Day.]
Ann: You walk out that door with those guys right now,
and it's only a matter of time before you get caught. You realize that, don't
you? You're not just gonna be dealing with escape charges. But assault,
unlawful imprisonment, kidnapping...
Sucre: I don't need to hear this right now, lady.
Ann: Oh, no, you do. How much longer do you really think
you can stay ahead of the cops?
(Sucre
runs the faucet over his head.)
Ann: Look, if you turn yourself in, I will testify at the
sentencing. I will say that you co-operated. That can make a huge difference.
Sucre: Shut up.
Ann: Be smart. You have a baby on the way. Do you wanna
be around for its 2nd birthday or its 22nd?
Sucre: Shut up!
Ann: If you didn't wanna hear what I had to say, if you
didn't wanna hear what a big mistake you were making, you would've put that gag
back on...
(Sucre
grabs the gun off the side and points it at her, shouting in Spanish.)
Michael
(o/s, yelling): Fernando! It's
time to go!
Ann: You can still do the right thing, Fernando.
[38.
INT. Garage. Day.]
T-Bag: Hey, looky here. Looky here. Pocket change, in case
you wanna tip the valet when you're at the Ritz.
(He
throws C-Note, then Michael, a bundle of notes.)
C-Note: Yeah, that's what I'm talkin' about, boy. Where's
Sucre?
Sucre: Right here.
(They
turn to him, he's pointing the gun at them.)
Michael: What are you doing?
Sucre: Drop the bag. No-one's going anywhere.
[39.
EXT. Field. Day.]
(Tweener
waits anxiously, while Mahone paces, looking like he's thinking deeply.)
Tweener: Hey, yo. Just so you know, man, I'm not gonna roll
on those guys. It ain't gonna happen, so...if that's what this is about...
(Mahone
walks closer, right up to him.)
Mahone: We were talking about confession earlier. And,
uh...I think I owe you an apology because I lied to you. About Oscar Shales.
Smart ass just kept pushing it. I snapped. Right there.
(He
grips Tweener's neck.)
Mahone: That's where I put the bullet in him.
Tweener: I don't care about none of this.
Mahone: Mistake about that is that forensics will tell the
whole tale. Powder burns. The gun was right against his head.
Tweener
(suddenly scared): Sir...I
think we should go back...
Mahone: That's what good about confession. Because you say
something, you get it off your chest, and it just goes out there into the whole
world, and I'm so sorry about this, kid, because I hope you understand.
(He
reaches for his gun.)
Tweener: Yo, yo, hold on...
Mahone: I got nothing against you, kid.
(He
walks backwards and raises the gun.)
Tweener: What are you doin', man?
Mahone: But they do.
(Mahone
shoots him twice, a third shot shattering the car window. He shoots twice more,
until Tweener slumps down, dead. Mahone places another gun in Tweener's dead
hands. He leans on the car, beginning to crumble, and reaches for his pills
with shaking hands.)
END CREDITS.
==========================
CAST: in credits order
==========================
Dominic Purcell (Lincoln Burrows)
Wentworth Miller (Michael Scofield)
Amaury Nolasco (Fernando Sucre)
Marshall Allman (LJ Burrows)
Paul Adelstein (Paul Kellerman)
Wade Williams (Brad Bellick) (credit only)
Robert Knepper (Theodore 'T-Bag' Bagwell)
Rockmond Dunbar (Benjamin Miles 'C-Note' Franklin)
Sarah Wayne Callies (Sara Tancredi)
William Fichtner (Alexander Mahone)
Lane Garrison (David 'Tweener' Apolskis)
Silas Weir Mitchell (Charles 'Haywire' Patoshik)
John Heard (Governor Frank Tancredi)
Reggie Lee (Bill Kim)
Diana Scarwid (Jeanette Owens)
Alexandra Lydon (Ann Owens)
Jason Davis (FBI Agent Wheeler)
Kristin Malko (Debra Jean Belle)
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