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TRANSCRIPT:
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ACT 1.

[Title Card: Evansville. Indiana.]

[EXT. Train Station. Day.]

(Sara steps off a train and looks around. She notices Michael and Lincoln and walks over to them. Kellerman watches her from the corner of the station. His cell phone rings.)

Kellerman (on phone): Agent Kellerman.

President Reynolds (v/o): Paul, where are you?

Kellerman: Out in the cold, remember?

President Reynolds (v/o): I'm speaking in Chicago tonight.

CUT TO: Sara walks up to Michael and they hug each other tightly. When they break apart he touches her cut and dyed hair with a slight smile.

Sara: Yeah, well... (she nods at Lincoln.) Lincoln.

Lincoln: Sara.

CUT TO: Kellerman, still on the phone.

Kellerman: It's funny how you only call me when you need me. Maybe funny's not the right word.

President Reynolds (v/o): All of this can go away, Paul.

Kellerman: Can it?

President Reynolds (v/o): Yes. I am the president of the United States. Please just come back to Chicago and turn Burrows and Scofield in. I promise you that I will make everything go back to the way it was.

Kellerman: I have to go.

President Reynolds (v/o): Just come back, Paul. I need you.

CUT TO: Michael talking to Sara.

Sara: You actually think we have a shot?

Michael: It depends on what your father gave you.

Sara: This fell out of his pocket when I found him. (She shows Michael the gold key on a length of string around her neck.) I don't recognize the insignia, do you?

Michael: No. But, uh... (He glances across at Kellerman.) Sara, we've got someone working with us now.

(Sara follows Michael glance and sees Kellerman. She's frozen in fear.)

[INT. Susan Hollander's House. Day.]

(T-Bag cuddles closely to Susan in bed.)

T-Bag: Good morning, sunshine. How'd you sleep? I'll tell you what. I'll go and unlock the kids and make us all breakfast.

Susan: No, I'll get the kids.

T-Bag: No, I insist.

Susan: No. No!

(T-Bag angrily pulls a large knife from the nightstand. He storms around the bed and pulls the pillow from under Susan's head to reveal he tied her wrists together and to the bedpost. He uses the knife to cut her free.)

T-Bag: I'll get the kids. And my hand cream will make them rope burns feel better.

Susan: It won't work.

T-Bag: Of course it will. Says right here on the bottle. "Soothes skin irritations and..."

Susan: No. This. It won't work. I've got a job. The kids have school.

T-Bag: We're all gonna get back to our normal routines once this little adjustment period is over.

Susan: There's someone coming over today.

T-Bag: Who?

Susan: This woman, Patty, from the Welcome Wagon Committee.

T-Bag: Call her and cancel.

Susan: I don't have her number. And if she shows up, and I don't answer the door, she's gonna know something's wrong.

(T-Bag pauses, thinking.)

Susan: Teddy. Teddy bear. You need to go. If she recognizes you...I don't want you to get in trouble.

T-Bag (chuckles): That's nonsense. It's no trouble. No trouble at all. (He picks up his gun from the side and stashes it in his waistband before walking out.) Wakey-wakey, children!

[EXT. Train Station. Day.]

(Michael, Lincoln and Sara walk over to Kellerman. Kellerman picks up his rucksack.)

Kellerman: Hi, Sara. What's done is done. We all want the same thing...

(Michael and Lincoln grab him, pinning him to the wall. Michael grips him in a choke hold.)

Michael: You didn't tell us you left her to die!

Kellerman (strangled): I was scaring her. I would've pulled her out.

Sara: No. No, you left me in there to drown.

Michael: I wonder how long you can hold your breath. Maybe we should find out.

Kellerman: You need me and you know it! You need me. You need me and you know it!

(Michael lets him go, knowing he's right.)

Sara: Why? Why do we need him? We have the key. We'll find out what it's for.

(Kellerman looks at the key around Sara's neck.)

Kellerman: I can tell you what that key's for right now. (He tries to catch his breath.) It's to a private cigar club.

Lincoln: Where?

Kellerman: Chicago.

OPENING CREDITS.

[EXT. Woods. Day.]

(Haywire sits on his raft by the riverside with his dog.)

Haywire: We have to hurry. We have to hurry, Larry, I did a bad thing. (Sobbing.) I did a very bad thing.

[INT. FBI Field Office. Day.]

Mahone: All gas stations. On 80. 30. 77. I want Scofield and Burrows' pictures on each and every gas pump. If they have no fuel, they can't get anywhere.

Wheeler: Sir.

Mahone: What?

Wheeler: We might need to divert our attention away from Scofield and Burrows for a while.

Mahone: And why would I do that?

Wheeler: Because one of the other escapees just killed a civilian. Patoshik. A man fitting his description was spotted running from the scene of a brutal homicide. It happened in Algoma, Wisconsin. It's less than four hours from the prison.

Mahone: Call the field office in Madison and have them get some agents out there right away.

Wheeler: Okay, I'll notify headquarters.

Mahone: I didn't say headquarters. I said...are you not following direct orders?

Wheeler: Oh, I'm following direct orders, sir. Just not from you anymore. Everything goes through headquarters from now on. May I?

(Mahone nods and Wheeler walks away. Mahone's cell phone rings.)

Mahone (on phone): Yeah?

CUT TO: Bill Kim, in his office.

Kim: You heard about Patoshik?

CUT TO: Mahone: Just now.

Kim: Good. He goes.

Mahone: Come on. The man is mentally ill. He doesn't know anything. He's not a ...

Kim: Patoshik was one of Scofield's cellmates for a while. Scofield included him in the escape. Who knows what he knows.

Mahone: Scofield and Burrows are still out there.

Kim: Don't worry about Scofield and Burrows right now. So. Again. Patoshik goes. Take care of it.

[EXT. Train Station. Day.]

(Sara sits on a bench looking upset, while Kellerman escorts Michael towards a ticket taker.)

Kellerman: Hi. Are you in charge of seating?

Ticket Taker: Yeah. Can I help you?

Kellerman (showing his ID): Agent Paul Kellerman, Secret Service. I'm transporting a fugitive to Chicago. I need you to clear a car for me.

Ticket Taker: A fugitive? (He eyes Michael.)

Kellerman: That's right.

Ticket Taker: Well, it's just that, we're already near capacity, I mean...

Kellerman: Do you really want him to rub elbows with the other passengers?

Ticket Taker: No, sir.

Kellerman: Okay.

Ticket Taker: What's he wanted for?

Kellerman: Killing people.

Ticket Taker: Good Lord.

Kellerman: Make it happen.

Ticket Taker: Come on. Follow me.

(The three of them disappear into the train. Lincoln comes to sit by Sara.)

Lincoln: It's gonna be all right.

Sara: If you say so.

Lincoln: We use him to get what we need...then we dump him.

Sara: Okay.

Lincoln: I'm sorry you got involved in this. The fact that you're helping us...it means a lot. Thank you.

(He puts a hand on her arm. She smiles.)

[INT. Train Car. Day.]

(Kellerman pushes Michael down into a seat in an empty car.)

Ticket Taker: The other riders aren't in any danger, are they? I mean, should I make an announcement or anything?

Kellerman: You want pandemonium?

Ticket Taker: No, sir.

Kellerman: Okay, then no announcements, all right. Keep everybody out of this car and everything's Jake. I've done this a million times, never had a problem.

Ticket Taker: Yeah. Will do.

(He disappears into the next car. Kellerman walks over to the car door and whistles.)

Kellerman: Let's go.

(Sara and Lincoln get onto the train.)

Man (over PA): For all passengers going to Chicago, we will be stopping at stations...

(Sara sits opposite Michael. Lincoln sits further down.)

Kellerman: We'll be in Chicago in about five hours. You wanna get some rest?

(Kellerman sits in the opposite seat aisle to Sara, but positions himself so he is looking at her. Sara doesn't meet his eyes. She plays with the drawstring in her hood.)

Michael: You okay?

Sara: Yeah. (She glances at Kellerman nervously.)

[Title Card: Joliet, Illinois. Fox River State Penitentiary.]

[INT. Fox River Visitation Room. Day.]

(Mahone walks in to see a very annoyed looking Bellick.)

Mahone: Brad. You don't look too good.

Bellick: I helped you with Sara Tancredi, and you were supposed to get me into Ad Seg.

Mahone: I tried. But your new warden...ugh. Straight as an arrow. But I might be able to do you one better than Ad Seg. You found Scofield and Burrows through the Russian girl, right?

Bellick: Yeah. Nika. Why?

Mahone: And you tracked down Bagwell by following Susan Hollander.

Bellick: Yeah. And I blow my nose with my right hand and I wipe my ass with my left. What of it?

Mahone: I've got very powerful people behind me that want me to finish my job. They can push through the quickest habeas corpus proceedings the courts have ever seen. The paperwork's sitting on the right person's desk as we speak, setting forth all the constitutional violations in your prosecution. It's just waiting to be rubber-stamped.

Bellick: And what do I have to do?

Mahone: You just find those cons. Only this time, you're gonna do it for me. Unofficially, under the radar, no paper trail. I need a junkyard dog who's willing to do the ugly things it takes to bring a con to justice. Are you my dog, Brad?

Bellick: Damn hell yeah I am.

[INT. Hollanders' Dining Room. Day.]

(The Hollanders and Patty are sitting down to dinner. T-Bag brings in another dish and puts it on the side.)

Patty: Mmm. This is delicious! What did you call it again?

T-Bag: That, my dear Pattycake, is what my auntie back in 'Bama used to call hobo chicken.  One part chicken, two parts spice, three parts actual hobo.

(Patty laughs loudly. Zack looks sullen. Susan gives him a warning look.)

T-Bag: I know, uh...fowl isn't part of a traditional brunch, per se, but I have found a lean meat can act as an aperitif to awaken the palate for more subtle flavors and textures such as...(He hands over a dish of dessert to her)...Mama-mia - pumpkin cinnamon bread with fresh strawberries and cream.

Patty: Oh, boy! Now, how did you two meet?

(Susan glances at T-Bag.)

T-Bag: Church.

Patty: Aww.

T-Bag: After my, uh...accident, I was volunteering with some other amputees. My parish back home did an exchange program with churches all over this fine country, and well, the good Lord just saw fit to plop my country rump in the pew right down beside my Suzie Q.

Patty: And you just stole her heart.

T-Bag: I'm a regular one-armed bandit.

Patty (laughs): Oh, I love it!

Zack: Mrs. Wallace. Teddy just bought me a brand new bike. It's out in the garage. Wanna go see?

Patty: Sure!

(He gets up but T-Bag catches his arm.)

T-Bag: We have got company.

Patty: Oh, that's okay.

T-Bag: No, it's not. It's rude. Zack knows better, ain't that right? (He subtly shows Zack the gun in his waistband.) You do know better, Zack.

(Susan gestures for him to sit down. Zack mutinously sits back down.)

T-Bag: You gotta have discipline. Without a strong father figure, a young man might just end up in prison.

[INT. Train Car. Day.]

(Lincoln and Kellerman doze in their seats. Michael gazes out of the window. Sara sits reliving the lies Kellerman told her.)

*FLASHBACKS*

[In the church AA meeting]

Kellerman/'Lance': Since you are such a fan of lame store-bought blueberry pie, I am gonna bake you a real pie.

[In the very first meeting]

Kellerman (distorted voice): My name is Lance, and I'm an addict.

[In Gila]

Kellerman (pointing a gun at her): Hi, Sara.

[In the hotel room]

Kellerman: Hi, my name is not Lance, and I am not an addict.

[Sara relives the moment Kellerman tried to kill her]

*END FLASHBACKS*

(Sara glances back at Lincoln, his eyes at closed.)

Sara: Michael. Do you know if there's any way I can get any water?

Michael: Yeah, I think there's a bathroom downstairs. I'll check.

Sara: Thanks.

(Michael walks past Kellerman and out of the car. Sara takes off her jacket and moves after Michael.)

Kellerman: It was never personal, Sara. War never is.

Sara: Yeah.

(She walks past him, clear of his periphery, then reveals she is holding the drawstring from her jacket in her hands. She wraps the slack around Kellerman's neck.)

ACT 2.

[INT. Train Car. Day.]

(Kellerman grasps for it, but she is leaning back and pulling full force. His arms flail to get a hold on her. Sara's mind flashes back to the torture Kellerman subjected her to in the hotel room: forcing her under water and electrocuting her.)

Lincoln: Sara!

(Lincoln races down the aisle and grabs her wrists. Michael runs back into the cart and pulls her away.)

Lincoln: Sara, back off! Let him go, Sara! Sara!

Michael: Sara.

(Kellerman, free of the drawstring, gasps for breath. Sara struggles against Michael's hold.)

Michael: Settle down.

(Kellerman lunges toward Sara, but Lincoln holds him back.)

Lincoln: Hey, hey, hey, hey!

Kellerman (pointing at Sara): You get one of those! You get one of those. One.

(Someone bangs on the car door at the other end.)

Kellerman: Down. Get down. Right now.

(Michael, Sara and Lincoln drop down into seats. Kellerman pulls open the door.)

Kellerman: What?

Ticket Taker: These three guys said they saw what looked to be a fight going on in there.

Kellerman: They didn't, okay? Just get the train to Chicago.

Ticket Taker: Do I need to notify the police?

Kellerman: You need to do what I just told you to do. You take the tickets, I'll watch the fugitive, (to the teenagers) you guys can just continue to do bong-hits or whatever you do back there, okay? You guys mind your own business. Everybody clear? Great. Don't interrupt again please.

(He shuts the door. The Ticker Taker shuts his door too but looks suspicious.)

Kellerman: Just so we're all clear, if she tries that again...

Michael: You'll do what?

Lincoln: Just stay on the other side of the car.

Sara: It wasn't personal, Paul.

(She leaves the car at the other end. Kellerman chuckles.)

[EXT. Fox River Penitentiary Motor Pool. Day.]

(Bellick walks up to a brand new pick-up truck, and finds the keys on the back wheel. Inside, he finds a folder containing all known information about the escapees, a gun and a badge.)

[INT. Hollanders' House. Day.]

(T-Bag is showing Patty out.)

T-Bag: The pleasure was all ours, Pattycake.

Patty: Oh, what are these?

(She's noticed the marks from where T-Bag took down the planks of wood that were barricading the door.)

T-Bag: Oh, I'm gonna do some renovations. I was just tapping the sheetrock, looking for the stud.

Patty (to Susan, chuckling): Look like you already found one!

T-Bag (smiling): Ooo, potty mouth!

Patty: Oh, me and the girls get together every Friday for book club. You ought to host it this week and everybody can meet you. I'll see you then.

Susan: Can't wait.

(T-Bag closes the door, stops smiling and sighs.)

T-Bag: This ain't never gonna work here. Go pack your things. We're moving.

[EXT. Road. Day.]

(T-Bag drives Susan's car, Susan in the front and the kids in the back. He's smiling as they drive along, and puts his arm out of the window to jokingly indicate turning left.)

[Title Card: Benson, Minnesota.]

[INT. Diner. Day.]

(C-Note and Dede sit at the counter. He's trying to encourage Dede to eat.)

C-Note: Now, if you don't stop me, I am gonna eat this whole thing by myself. Huh?

(Dede stays looking miserable.)

C-Note: All right, sweetie. Listen, I'll make a deal with you. Remember that merry-go-round that we saw today? You're not gonna get a chance to ride it if you don't eat something. Go ahead.

Dede: I don't feel good. (She pushes the plate away.)

CUT TO: The diner bathroom. C-Note supports Dede at the toilet and then flushes it.

C-Note: Okay, come on. Let's go, all right? I got you.

CUT TO: The counter.

C-Note: Okay, just hold on, okay, sweetpea? (To the waitress.) Check, please.

(Suddenly the door opens and a robber enters, pointing a gun around.)

Robber: All right, nobody move!

(The customers gasp and shriek. C-Note stares at him in disbelief.)

[INT. Train. Day.]

(Michael moves through the train to the bathroom and knocks on the door.)

Michael: Hey, Sara?

Sara: Not now.

(Michael walks back into the train car and stares angrily at Kellerman. He sits down by Lincoln.)

Lincoln: How is she?

Michael: Well, she wants to be alone.

Lincoln: So we get what her dad locked away with that key. What do we do then? I mean, you saw what they did with the tape we made. They're gonna bury everything we put out there.

Michael: That's why we're keeping him close to us. He's got a lot of connections in Washington.

Lincoln: Mm-hm. So we get to this cigar club, open her dad's box. What if the only thing inside's a bunch of stogies?

Michael: I think its worth making the trip to find out.

(Kellerman gets up and walks past them.)

[INT. Train. Day.]

(Kellerman stands at the back of train where he can't be seen or heard, and calls President Reynolds on his cell phone.)

President Reynolds (v/o): Yes?

Kellerman: Caroline.

President Reynolds (v/o): Paul, where are you?

Kellerman: I need to know exactly what you meant when you said you are gonna make this right. I need specifics.

President Reynolds (v/o): Where are you? What's that noise?

Kellerman: I'm on a train. I'll be in Chicago later today. But I need to know some specifics.

President Reynolds (v/o): Where are Burrows and Scofield? Are they with you?

Kellerman: Don't worry about them, worry about me.

President Reynolds (v/o): Paul, there are still positions in my administration that need to be filled, including chief of staff. I want that to be you.

Kellerman: When I get to Chicago, we'll meet and we'll talk. (He hangs up.)

[INT. Diner. Day.]

(The robber holds out a carrier bag for people to put in their money. C-Note drops in a couple of dollars.)

Robber: All of it.

C-Note: Man, I just brought enough to get a sandwich. I was sitting right there, okay? (He gestures to the plate with the sandwich.)

Robber: If you're lying...

C-Note: Look, my daughter is sick and I don't wanna spend any more minutes in here than necessary. Trust me, that is all that I have.

(The robber turns around to the other people.)

Robber (to the waitress): What do you got, sweetheart? Huh? What do you got?

(A male customer tries to make a run for the door. The robber hits him around the face with the gun, the customer falls into a booth.)

Robber: You don't wanna listen?!

C-Note: Hey, hey, calm down, man.

Robber: Shut up!

C-Note: All right. Listen to me. You've got to calm down. I can help you get everything that you want. But you don't wanna hurt anybody else, right? Come on. Look, listen, hey. (to a customer.) Why don't you go ahead and lock the door, and turn the closed sign back so everybody thinks that this place is closed, all right? And then we can get everybody away from the window. Is that cool with you? Everybody's away from the window, okay. Let's move everybody on to this side of the room. Get on this side of the room. Everybody, let's move to this side of the room, away from the window.

Robber: Move. Move!

C-Note: Let's get on this side of the room, okay? This side of the room. (to the waitress.) Why don't you take my daughter? Okay. Take on this side of the room so that everybody, everything is gonna be okay. Everything is gonna be fine. (to the robber.) Because you're not gonna put your hand on another person, right? Right. We're all good. We're all good? We're good, right?

[INT. Train. Day.]

(Michael knocks on the bathroom door again.)

Michael: Hey, Sara?

Sara: Come on in.

Michael: Hey.

Sara: I've been sitting here, evaluating. I, uh...I jumped bail, I'm on the run. And I just tried to take a man's life. I'm not using. Which is actually quite an accomplishment. But three weeks ago, I was a doctor.

Michael: You can get that back. All of it. You need to believe that.

Sara: You believe that? You think you can get it all back?

Michael: I choose to have faith. Because without that, I have nothing. It's the only thing that's keeping me going. (He goes to sit beside Sara.)

Sara: Well, I got two things keeping me going. The first is that I want the people who took my dad. And actually, the second...ironically, I probably wouldn't even say if I hadn't lost it. But...you should know that...uh...the first thing they tell you when you take the job is...never to fall in love with an inmate.

(She looks up at Michael. They kiss. Suddenly the car jolts and the train begins to slow down.)

[INT. Train. Day.]

(Lincoln moves to the door and opens it.)

Kellerman: What's going on?

(He and Lincoln peer out of the train: a police roadblock is up ahead. Michael and Sara join them at the door.)

Lincoln: Roadblock.

ACT 3.

[INT. Train. Day.]

(The four of them make their way to the door of the engine. Michael tries the handle, but the door is locked.)

Michael: Linc, it's locked.

[EXT. Train. Day.]

(Lincoln climbs up a ladder at the end of one of the cars, onto the train roof. He makes his way precariously along it, until he gets to the front and climbs down to access the side door to the engine. He slides inside and draws his gun on the engineer.)

Engineer: Hey, you can't be in here!

(Lincoln unlocks the door, and Kellerman, Michael and Sara enter.)

Lincoln: Run the roadblock.

Engineer: Man, I can't do that!

Lincoln: Run it!

(The engineer turns the throttle to 5.)

CUT TO: Several police officers and squad cars on the track.

Various Officers: Hey, hold up! Hold up!

CUT TO: The engine car. Lincoln keeps his gun at the engineer's head. The train's horn honks loudly. The cops are forced to jump aside as the train smashes through the squad cars.

[INT. Bellick's Car. Day.]

(Bellick looks in his rearview mirror, holding up his badge.)

Bellick: Bradley Bellick, FBI. Brad Bellick, Federal Bureau of Investigation. Brad Bellick, FBI. Special Agent Brad Bellick, FBI. Hi there, I'm Brad Bellick with the FBI. I'm an agent with the FBI, Brad Bellick. Brad Bellick, I'm with the Bureau.

[INT. Sasha's House. Day.]

Bellick: Brad Bellick, I'm with the Bureau.

Sasha: I already talked to the cops. Told them all I had to say.

Bellick: Yeah, well, I'm no local hayseed cop. I'm federal. And you're not gonna get away with lying to me.

Sasha: I didn't lie to nobody.

Bellick: Really? (He reads from her statement.) "He was just some homeless guy, hangs around Hancock Square, hitting up college kids for change. He's down there all the time. If he's not there, I don't know where to find him." That's your statement, right?

Sasha: Pretty much.

Bellick: You see, the problem is, Charles 'Haywire' Patoshik's a paranoid, who suffers from fear of crowds, who's terrified of strangers. If he's anywhere, he's  in the middle of nowhere, keeping to himself, being a weirdo.

Sasha: And?

Bellick: And if you want to get tough, how about I arrest you right now for hindering a federal investigation? Who they gonna believe? An agent with 15 years on the force and three presidential citations, or a piece of white trash with a juvie record?

Sasha: I didn't ask him to do it. But in case you haven't noticed, I ain't exactly broken up over my dad's death. Why can't you just leave this Patoshik guy alone?

Bellick: Where is he? Or do you wanna get locked up, right now?

[INT. Mahone's Office. Day.]

(Mahone's phone rings. He answers it.)

Mahone: Yeah?

CUT TO: Bellick, walking outside Sasha's house.

Bellick: I got a lead on Patoshik.

CUT TO: Mahone: Where? I'm on my way. Keep him there. Alone.

(Mahone walks out of his office and over to Wheeler.)

Mahone: Any information on Scofield and Burrows, I want to be notified immediately. If that works out for you.

[INT. Train. Day.]

(In the engine car.)

Michael: They're gonna have the cops waiting for us at the next station.

Lincoln: We need to jump then.

Kellerman: And do what? Hide under a barrel?

Michael: Linc's right. (He stares at Lincoln with a slight smile.)

[INT. Diner. Day.]

(The robber keeps the gun trained on the customers, while C-Note collects everybody's valuables in the carrier bag.)

C-Note: Okay, just put those in there. So sorry about all this. (to Dede.) It's okay, sweetpea. (He takes the bag over to the robber.) Here's everything right here, man. It's good.

Robber: All right. Everyone in the storage room, now.

C-Note: What?

Robber: Get back there, until the cops show up.

C-Note: No, no, no, no. I can't go back there.

Waitress: Come on!

C-Note: No.

Robber: You kept a cool head this whole time, don't get yourself killed now.

C-Note: You know what? Listen to me. I'm a wanted man. Okay? The police show up here, they'll take me back to prison. And you know what? That's fine. But my little girl right here? She's sick. And she's gonna be left alone. And I can't let that happen. So can you please let us go?

(The robber and C-Note stare at each other for several seconds.)

Robber: Split.

C-Note: Okay.

Robber: Go on!

C-Note: Come on, sweetie, let's go.

(C-Note and Dede walk towards the door.)

Robber: All right, everyone in the back. Move!

(They start walking towards the storage room, but the robber grabs hold of the waitress.)

Robber: Not you. You're coming with me. Go on, move.

C-Note (whispers, to Dede): Look, I want you to stay right here, okay?

(He walks back over to the robber. The robber holds the waitress while shooing the other customers away.)

Robber: Go on!

C-Note: Hey. I think you should let her go, man.

Robber: Take off. Last chance.

C-Note: You got the money. Burglary and assault, man. Hey, that's change, that's little time. But this right here? You will be in prison for the rest of your life. You believe me on that.

Robber: Unless you want your daughter to see you die, move!

(C-Note grabs the robber and wrestles him down.)

C-Note: I'm trying to help you, man!

(The robber fights back, but C-Note is stronger, hitting him round the face and then breaking his arm. The robber yells in agony and falls to the floor. Sirens fill the air.)

C-Note (to Dede): Sweetie, stay right there. (He looks out of the blinds.) Oh, no.

[INT. Diner. Day.]

(Two cops hurry in with their guns drawn. They approach the robber, still groaning on the floor.)

Cop: Who did this?

(They survey the customers. The customer who the robber hit with the gun earlier steps forward.)

Customer: I did.

[EXT. Diner. Day.]

(The waitress opens the back door and lets C-Note and Dede out.)

C-Note: Thank you.

[EXT. Woods. Day.]

(Haywire rummages in his camp for string. Suddenly Bellick's voice shouts out.)

Bellick: Haywire! Don't move!

Haywire: Run! Larry, run! Run! Run!

[INT. Train Engine Car. Day.]

Ticket Taker (over radio): Deano, it's Eric. We got four jumpers. Three males and a female. Call it in and get us to the next station. Do you hear me? Get us to the next station.

(Deano looks out through the window. He sees a couple of men running alongside the train further down. He picks up his radio.)

Deano (on radio): The men who pushed the roadblock are jumping off the train near mile marker 54 just south of the Tedford Bridge. (He looks out his window again and sees a third man jump from the train and roll.)

ACT 4.

[EXT. Woods. Day.]

(A helicopter buzzes overhead as dozens of armed cops comb the woods. Dogs bark as four people run through the woods away from the cops.)

Officer 1 (over loudspeaker): This is the state police. Stop. Stop where you are!

Officer 2: Freeze!

(The cops have trapped the four running people in the woods at gunpoint. One of them turns around - its the Ticket Taker. They are wearing Michael, Lincoln, Kellerman and Sara's jackets and hats.)

Ticket Taker: Don't shoot! Don't shoot!

Officer 2: Turn around!

Ticket Taker: I'm an employee of the train company.

*FLASHBACK*

(The ticket taker makes his message to Deano, while Lincoln holds him at gunpoint.)

Ticket Taker: Deano, it's Eric. We got four jumpers. Three males and a female. Call it in and get us to the next station.

Lincoln: Let's go, come on.

(He pushes the ticket taker from the train.)

*END FLASHBACK*

Ticket Taker: They told us to jump and run and not to look back, or they'd shoot us!

[EXT. Train Station. Day.]

(Kellerman, Sara, Michael and Lincoln calmly depart the train, Michael and Lincoln wearing different jackets.)

Kellerman: We need to find a car.

[EXT. Silo. Day.]

(Haywire is still running from Bellick. He finds a grain silo and begins climbing upward. Bellick runs out of the woods and sees Haywire making his way across a catwalk. Bellick calls Mahone.)

CUT TO: Mahone, in his car.

Mahone (on phone): Yeah?

CUT TO: Bellick (on phone): I got Haywire trapped.

Mahone (v/o): Don't do anything. Just hold him till I get there,

Bellick: No problem. I got this wing nut treed.

[EXT. Parking Lot. Day.]

(Lincoln, Michael and Sara look for unlocked cars. Kellerman's cell phone vibrates. He answers it, out of sight of the others.)

Kellerman: Caroline.

President Reynolds (v/o): Paul, where are you?

Kellerman: Did you send the police?

President Reynolds (v/o): No, of course not.

Kellerman: How did they know I was on that train?

President Reynolds (v/o): Paul, I have no idea.

*FLASHBACK*

Bill Kim: I'll let the president know.

Kellerman: I contact the president directly.

*END FLASHBACK*

President Reynolds (v/o): Are Burrows and Scofield with you?

*FLASHBACK*

Kellerman: I was expecting to brief the president.

Bill Kim: You report to me now.

*END FLASHBACK*

President Reynolds (v/o): Paul?

Kellerman: Where did we spend my 35th birthday?

President Reynolds (v/o): What?

Kellerman: The restaurant. Where was it? You remember.

CUT TO: A blonde woman, sitting in front of a computer. The camera only shows the back of her.

Woman: Don't be ridiculous. I have to go.

CUT TO: Kellerman: Do not hang up.

CUT TO: Woman/President Reynolds Voice: I have to go. (Camera pans out to reveal she is using computer software to make her voice sound like President Reynolds'.) Just get Burrows and Scofield...

CUT TO: Kellerman: Whoever this is, tell Bill Kim that he just screwed up. Big time.

CUT TO: Woman: Paul? Paul?

(She looks over at Bill Kim. Kim puts a hand to his face.)

CUT TO: Parking lot.

(Lincoln finds an open car window, and opens the door through it. Everyone slides in.)

[EXT. Silo. Day.]

(Mahone gets out of his car and walks over to Bellick. Civilians are standing around, watching Haywire.)

Mahone: What's all this?

Bellick: Some wacko climbed to the top of a grain elevator. People wanna watch.

Mahone: You were supposed to keep a handle on it. Do you know what that means?

Bellick: I got you Haywire. What else do you want?

(Mahone shakes his head, and shows his badge to an approaching cop.)

Mahone: FBI. He's my chargee. (He begins to climb up the silo. Halfway up, he stops and opens his pen, swallowing some of the pills inside.)

[EXT. Silo. Day.]

(Mahone reaches the top. Haywire cowers away from him.)

Mahone: How you doing, Charles?

Haywire: I don't wanna go back to prison.

Mahone: I don't blame you.

Haywire: I wanna go to Holland.

Mahone: That's not what I expected to hear. But you can't go there, son.

Haywire: I just... (He shows Mahone the painting.) I just wanna go here. Here?

Mahone: I'll tell you what. You don't have to go to prison. But you can't go to Holland either.

Haywire (upset): Oh, no, no, no, no...

Mahone: It's okay, it's okay, it's okay. Hey. You're in a tough spot. You feel trapped, you got no options, and you're caught in a situation where you have no control. I know how you feel. I do. It takes its toll on you, and all you wanna do is run. But run where?

Haywire: I just wanna go.

Mahone: There's a way out.

Haywire: A way out? Of this maze?

Mahone: Yeah.

[Title Card: Chicago, Illinois.]

[INT. Car. Day.]

(The car is stopped in front of the cigar club.)

Kellerman: There are private humidors in the back, each member's name is on their box.

Lincoln: Any security?

Kellerman: A receptionist, that's it. I'm not a wanted fugitive. Give me the key, I'll do it.

Michael (smiles, then to Sara): Wanna take a walk?

Sara: Yeah.

[EXT. Silo. Day.]

Mahone: I know you killed your parents because they hurt you. And I know you killed that guy yesterday because he was hurting Sasha, but what you did...was wrong. You know that.

Haywire (sighs, upset): I just wanna go.

Mahone: You can.

Haywire: I wanna go now.

(He climbs over the railing, and looks back at Mahone.)

Mahone: It's okay.

(Haywire leaps from the tower, holding his painting.)

[Camera interchanges between Haywire falling from the tower, and Michael and Sara walking towards the cigar club.]

[EXT. Cigar Club. Day.]

Michael: Sara. About before...me too.

Sara (smiles lightly): Yeah.

[EXT. Silo. Day.]

(Haywire hits the ground with a thud. Mahone looks away, Bellick looks sickened.)

[Camera close up on Haywire, his precious painting of Holland next to him on the ground.]

END CREDITS.

==========================
CAST:
==========================
Dominic Purcell (Lincoln Burrows)
Wentworth Miller (Michael Scofield)
Amaury Nolasco (Fernando Sucre) (credit only)
Wade Williams (Brad Bellick)
Paul Adelstein (Paul Kellerman)
Robert Knepper (Theodore ‘T-Bag’ Bagwell)
Rockmond Dunbar (Benjamin Miles ‘C-Note’ Franklin)
Sarah Wayne Callies (Sara Tancredi)
William Fichtner (Alexander Mahone)
Silas Weir Mitchell (Charles 'Haywire' Patoshik)
Reggie Lee (Bill Kim)
K.K. Dodds (Susan Hollander)
Kaley Cuoco (Sasha)
Channon Roe (Robber)
Jason Davis (FBI Agent Wheeler)
Helena Klevorn (Dede Franklin)
Quinn Wermeling (Zack Hollander)
Danielle Campbell (Gracey Hollander)

FADE TO BLACK

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