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TRANSCRIPT:
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ACT1.

[INT.Hotel. Day.]

(Michael,Sara and Lincoln listen to the audio file on the lap top - the audience can'thear it at this point. Then it finishes.)

Sara (shocked): Oh my God...

Lincoln: Yeah.

[INT.FBI Field Office. Day.]

(Mahonestands in front of a room full of FBI agents, briefing them. He crosses outHaywire's mugshot.)

Mahone: Patoshik, dead. Franklin, incarcerated, andassisting with the capture of Scofield and Burrows.

AgentWheeler: What exactly is the protocolwith that?

Mahone: I'll handle that. We're at the halfway mark, people.Burrows, Scofield, Bagwell, Sucre. They're still out there. Now, I heard areport came in from...

AgentLang: Mexico. Fernando Sucre wasalmost apprehended at the airport in Ixtapa.

(BeforeMahone can voice his opinion on that, he looks up to see Bellick standing inthe office doorway.)

Mahone: Excuse me. My office, please.

[INT.Mahone's Office. Day.]

Mahone: What the hell are you doing here?

Bellick: I came for my damn money.

Mahone: Your what?

Bellick: The Patoshik reward money. See, how a reward worksis, someone gets rewarded the money. And since I'm the one who bloodhoundedHaywire, the money is rewarded to me.

Mahone (in disbelief): You come to myoffice....?

Bellick: If you'd returned any of my calls, I wouldn't havehad to! We had a deal.

Mahone: The deal was that you stay under the radar. Is thisunder the radar, Brad? No, this is an office full of federal agents who nowhave all seen your face.

Bellick: Hey, I don't care what they see. Hell, if you don'tpay up, I'll go out there and drop trou. (He sits down at Mahone's desk andputs his feet up on it.)

(Mahoneexplodes, kicking Bellick's legs off the desk and then treading on one of hisfeet.)

Mahone: Patoshik died, you stupid son of a bitch. There'spaperwork involved. Of course you're gonna get the money. But you're gonna haveto be patient. And if you ever come in my office again...you will not onlynever see the cash, you'll never see another sunrise. (He steps offBellick's foot.) Now, are we gonna keep crying about money you've alreadygot coming to you, or do you wanna make some more?

Bellick: I'm listening.

Mahone: Ever been to Mexico?

[INT.Hotel. Day.]

Lincoln: If we give this thing to the press, the government'sgonna discredit it. Just like they did with the tape we made.

Sara: Okay. So, what do we do with it?

Michael: Dad said there are still people in theadministration he was working with. If we give the tape to them, they'll finallyhave the smoking gun they need to bring Caroline Reynolds down. But they'llrelease the tape, not us.

Sara: And how can she discredit her own appointees? Sure.

Lincoln: We're gonna give the only thing that can exonerateme to someone who works for the government? The same government that set meup?!

Michael: We'll have to find someone we can trust. Someonehonest.

Lincoln: Jane Philips. She'll know someone that can help us.She worked with Dad. She's watching LJ. I trust her, Michael. She'll do it. She'llfind someone.

Michael: Well, I hope you're right. Because this is our lastshot.

[EXT.Secluded Alley in Chicago. Day.]

(Aman hands Kellerman a sniper rifle from the trunk of a car.)

Man: This'll do you right. It's good from a thousandyards out.

Kellerman: She a clean shot?

Man: Like a good woman, she does not stray. Barimentstainless steel fluted barrel, .308 caliber, 175 grain, hollow point.

Kellerman: I'll take the case too.

Man: She's a throw in.

(Kellermanhands the man some money and starts to load the rifle into its case in thetrunk.)

Man: The serial numbers have been cleaned, the chamber'sbeen scraped to throw off ballistics, just in case you're not, youknow...shooting at tin cans.

Kellerman: No, I'm hunting bigger game than that. (He picksup a pistol and cocks it.)

Man: Hey. Hey, hey!

(Kellermanshoots the man dead.)

OPENINGCREDITS.

[INT.Prison Visitation Room. Day.]

(C-Notesits in an orange jumpsuit, huddled in front of a laptop. On the screen is thewebsite "EuropeanGoldfinch.net", and a message from C-Note askingMichael for help for his sick daughter.)

Mahone: Radio silence.

C-Note: Look, I just don't know how often he checks thisthing, all right?

Mahone: It seems not that often, considering you've postedthree messages. I'm starting to wonder why I need you at all.

C-Note: To get Scofield. What? What are we doing here?

Mahone: Well, I can type, and Scofield can't see who'ssending him the messages.

C-Note: Well, you know what, he is gonna see whatever littlerent-a-fed cops you guys have set up. Whatever place you guys are gonna set upto meet him. Now, you and I both know how smart this kid is, right?

Mahone: Clearly, smarter than you considering you're the onewho's wearing bright orange.

C-Note: Oh yeah?

Mahone: Yeah.

C-Note: Fish is not gonna peek his little white ass out fromany rock that he's hiding unless he sees a friendly face.

Mahone: A familiar...and that's your face, right?

C-Note: Yeah. Damn straight it is. So don't pretend like youdon't need me.

Mahone: You said you overheard him telling Sucre about awebsite.

[Theyboth shout in unison.]

Mahone: You said he was telling Sucre. You said youoverheard something. I don't see how that helps!

C-Note: Don't pretend you don't need me! He's a Boy Scout,okay! If you have a little bit of patience, he will hit me back!

[Theyare calm again.]

Mahone: I'm the only one in the world right now helping yourfamily.

C-Note: I help my family, okay?

Mahone: So do I. I'm the one that got Kacee released. I'mthe one that gets Dede medical care. I'm the one that allows you to visit them.And I'm the one that can take it away.

C-Note: You know what, it looks like we both need eachother, doesn't it?

Mahone: Do we?

C-Note: So I'm gonna hold up my end of the bargain. Andguess what? You hold up yours. Now, get off my back!

Mahone: You can get what you want. Just give me what I want.Give me Scofield.

[TitleCard: Pullman, Washington.]

[INT.House. Day.]

[Ahouse phone rings. LJ reaches over some school books and answers it.]

LJ: Hello?

Lincoln (v/o): Hey, buddy.

LJ: Dad?

CUTTO: Lincoln, in the hotel room in Chicago.

Lincoln: Yeah, it's me. How are you holding up?

LJ: Okay. How about you?

Lincoln: Good. Good. I, uh...I miss you.

LJ: Yeah, me too. I didn't know you had Jane's number.

Lincoln: Yeah. Well, we exchanged numbers when you guyssplit.

LJ: You never called.

Lincoln: No. Yeah. I'm sorry. It's been, uh...it's beendangerous, you know. Real dangerous.

LJ: It's okay.

Lincoln: LJ, listen. I know I've said this before. But I thinkwe've found something that's finally gonna put this stuff behind us. When it'sgood, when it's safe, I'm gonna come and get you. You, me, your uncle, wecan...

LJ (interrupts): Dad.

Lincoln: Yeah?

LJ: I want you to end this. More than anything.But...I'm in school again. Under a fake name, but it's still school, you know?I mean, it's not the same but it's the closest thing to a home I've had in along time. I guess...I guess I'm just saying that for now...for a while...Ijust wanna stay in one place. Have something normal.

Lincoln: Yeah, yeah. I get it. I, uh...I need to speak withJane.

LJ: Okay. (Prompting) I love you, Dad.

Lincoln: I love you too, son. (He sits down on the bed,upset.)

[TitleCard: Birmingham, Alabama.]

[INT.Therapist's Waiting Room. Day.]

(T-Bagstands in a waiting room, looking at framed diplomas on the wall.)

Dr.Stammel: Mr. Webster. Sorry to keepyou waiting.

T-Bag: Oh, it's no problem, doc. I just wanted to tell youhow much I appreciate you seeing me on such short notice.

Dr.Stammel: That's what I'm here for.

T-Bag: Good. Because I got a few things I need to get offmy chest.

[INT.Hotel. Day.]

Lincoln (on phone): See you, Jane.

(Michaelsighs and checks his watch. Lincoln hands him the note he just wrote.)

Michael: Cooper Green?

Lincoln: Former deputy attorney general. Splits his timebetween D.C., Chicago and New York. Jane says he's been an ally of Dad'sforever. We find him, we got a shot.

Michael: How's LJ?

Lincoln: He's all right.

(Lincolnturns away. Michael looks down at the note. It reads: "Cooper Green (312)555-0124")

[INT.Cooper Green's Office. Day.]

Receptionist: Cooper Green's office. I'm sorry, Mr. Green isn'tavailable at this time.

CUTTO Michael: Please, this is very important. Just tell him I have someinformation regarding the sons of Aldo Burrows.

Receptionist: Aldo Burrows?

Michael: Yes. He and Mr. Green used to work together.

Receptionist: Please hold. I'll try to reach him.

(Sheputs Michael on hold. He turns to Lincoln.)

Michael: She's tracking him down.

CooperGreen (v/o): Hello.

Michael: Cooper Green. This is Michael Scofield. Do you knowwho I am?

CUTTO: Cooper Green, a man in his early 50s, grey hair and wearing asuit. He's walking down a street.

CooperGreen: Of course, I knew your father,and I know what happened to him. I'm sorry. He was a good man, trying to dogood things.

CUTTO: Michael: Well, so are we. We have something.

CooperGreen: The tape?

Michael: You've heard of it?

CooperGreen: Well, I know a lot of peoplehave been looking for it. What's on the tape?

Michael: If you want to find out, there's a bronze statue ofa mammoth at the southwest corner of Ebert Park. I need you there in an hour.Do you have a blue suit?

CooperGreen: Yes.

Michael: Wear it. And a red tie. That way we'll know who youare. (He hangs up.)

Lincoln: Ready?

Michael: Yeah.

Sara: Good luck. (She reaches out and clasps his hand.)

Lincoln: This'll work.

Sara: You think? (She gazes down at her father's goldkey.)

[EXT.Cemetery. Day.]

(Sarawalks through the cemetery and stops by a large headstone. It reads:"Frank Tancredi. March 7 1945 - June 1 2005". Suddenly she isapproached by a man. She looks up to see Bruce Bennett.)

Bennett: Hello, Sara. I figured you'd show up eventually.

Sara: You look good, Bruce. You've done well for yourselfat my father's expense.

Bennett: I had nothing to do with your father. Your fatherwas murdered.

Sara: By you. And then you tried to have me killed.Don't...

Bennett: How can you say that? My line was tapped, they heardyou tell me that you were at that payphone. Sara, I've known your family myentire life.

Sara: Which makes your betrayal disgusting. For what it'sworth, I've been tortured already. It didn't work.

Bennett: I shouldn't have to defend myself to you, Sara. Ifyou can't trust me, then all I can do is just wish you luck. Go.

(Sarastares at him.)

[INT.Fox River Penitentiary. Day.]

(Manchecautiously enters a conference room. Bellick is standing in a corner. He isnervous, and sits down at the table.)

Manche: Look, before you get started, I'm gonna save yousome time here, jefe. I played rat for you once, and that was it. I gotprotection now. I let the top bangers in here cherry-pick the laundry, cleansheets, new shorts. And for that, I'm untouchable. So threaten all you want,homes.

(Bellickwalks over to the table. Manche cowers away.)

Manche: Yo, man, what are you gonna do?

Bellick: You don't look like you play too much tennis,Manche. This is probably more your speed. (He hands Manche a pamphlet.)Entertainment center. Wide-screen plasma. Pinball. Pool table.

Manche: What the hell is this?

Bellick: Your future. At Kankakee Minimum SecurityCorrectional Center. Where the only thing softer than the pillows are theguards. I didn't come here to threaten. I mean, why whip the mule when he'llwork even harder for a sugar cube? The same connections got this fox out of theriver so quick. Well, I can use them for you too. All I need to know is wheredown in Mexico your cousin Sucre is headed.

[TitleCard: Rio Juarez, Mexico.]

[EXT.Farm House. Day.]

(Atruck drives down a dirt road to a secluded farm house. Sucre and Maricruz aresitting in the back. The truck stops in front of the farm house and they jumpoff, Sucre gathers the luggage and bangs on the truck's side, calling somethingin Spanish to the driver. The truck drives off.)

Sucre: Look, mami, look. I told you, llamas!

Maricruz: I think those are alpacas.

Sucre: That's what I said. A pack of llamas.

(Awoman exits the house, calling.)

Sucre'sAunt: Fernando! Fernando!

Sucre (in Spanish): Auntie!

Sucre'sAunt (in Spanish): My sister'sbaby boy.

(Theyhug.)

Sucre (in Spanish): It's so good tosee you. This is my Maricruz. (He puts a hand on her stomach.) And thisis our child. We will be safe here?

Sucre'sAunt (in Spanish): Yes. Thisis your home now.

[INT.Therapist's Office. Day.]

(T-Bagis sitting opposite the doctor, opening up. At first, we do not see thedoctor's face, just the back of his head.)

T-Bag: What I'm trying to tell you doc, is I just feel likeI've been a penny on the train tracks my entire life. And that old UnionPacific just keeps on coming every day. Back and forth, just running me down,running me over, but I will not flatten. I will not flatten.

Dr.Stammel: You know the nice thingsabout pennies, Mr. Webster? They have dates on them. And you can pick the date.Your own date. Today's date. You can get a fresh start. You can be a brand newshiny penny.

T-Bag: Yeah, I gotta be honest with you, doc. I had nointention of, whatsoever, talking to you once I got inside your office today.But I have to admit, I find therapy...well, it's therapeutic.

Dr.Stammel: I don't follow. If youdidn't plan on talking today, why did you come in?

T-Bag: Well, I saw that ad on the back of the bus stoptoday...and uh, though it wasn't exactly like looking in the mirror you can'tdeny that there's a certain commonality in our visages.

(Camerapans round to show the doctor - he does look remarkably like T-Bag.)

Dr.Stammel: I guess we do look a littlebit alike. But I don't understand.

(T-Bagsmiles and slowly stands. He picks up a heavy statue from a nearby table.)

Dr.Stammel: What...? What the hell youthink you're doing?

(T-Bagtakes a hefty swing, striking Stammel in the head. Blood spatters everywhere.T-Bag lifts the statue to deliver another blow.)

ACT2.

[EXT.Ebert Park. Day.]

(CooperGreen waits near the Woolly Mammoth statue, wearing a blue suit and red tie. Apay phone rings nearby. Cooper moves to answer it.)

CooperGreen: Hello?

Lincoln (v/o): Mr. Green?

CooperGreen: Yes.

CUTTO: Lincoln, using binoculars in the hotel window.

Lincoln: This is Lincoln Burrows. Do exactly as I say. Yoursuit jacket - toss it in the trash behind you.

CooperGreen: Excuse me?

Lincoln: Do it.

(Coopersighs, and does as Lincoln asked.)

CooperGreen: All right, I just threw my$2000 Zegna suit jacket in the garbage.

Lincoln: Good. There's a fountain on the other side of thepark. Be there in four minutes.

CooperGreen: Four...? (Lincoln hangs up.)

CUTTO: Lincoln, in the hotel room. He watches Cooper Green hang up thephone and jog off through the park. Behind him are two agents in suits. Lincolnpicks up his cell phone and dials.

CUTTO: Michael (on phone): Make it quick. The cell is running out ofjuice.

Lincoln: You were right.

Michael: He's being tailed?

Lincoln: Yeah. On it.

[EXT.Park. Day.]

(Thepayphone across the park rings. A homeless man sitting next to it picks it up.)

HomelessMan: Yeah?

Lincoln (v/o): I'm looking for a guy in asuit.

HomelessMan: There's a lotta guys with suits...

(CooperGreen runs up, shoving the man aside and snatching the phone.)

CooperGreen: It's me.

Lincoln (v/o): See the fountain?

CooperGreen: How could I not?

Lincoln (v/o): Get in.

(CooperGreen hangs up the phone and slowly walks into the water until he's up to hisneck. The two men in suits watch him from a distance.)

Agent1: They wanna drown the mics in casewe bugged him.

[EXT.Park. Day.]

(Adrenched Cooper Green is out of the water. A kid approaches him.)

Kid: Hey, mister. This is for you. (He holds out acell phone.)

CooperGreen: I'm not interested.

Kid: I'm not selling it. Some dude gave me 20 bucks togive it to the first wet guy I see. Here.

(CooperGreen takes the phone and the kid runs off. The phone rings. Cooper answers it.)

Lincoln (v/o): See the building across fromyou?

CooperGreen: Yeah.

Lincoln (v/o): Go inside.

CooperGreen: Look, this is gettingridiculous. I've done everything you asked. If you wanna meet me...

CUTTO: Lincoln, watching Cooper Green through his binoculars.

Lincoln: Been burned way too many times, Mr. Green. We needto make sure that this thing goes down right. Go inside and keep the phone toyour ear.

CUTTO: Cooper Green. He sighs, and heads into the building.

CUTTO: The two agents in suits. A cell phone rings.

Agent1 (on phone): Yeah?

CUTTO: Bill Kim, in his office.

Kim: Where are we?

Agent1: They've gone inside the BeckMuseum. But we got men out back. He's not going anywhere.

(Kimputs the phone down and picks up his cell.)

[INT.Prison Hallway. Day.]

(Mahone'scell phone rings. He answers it.)

Mahone: Yeah?

Kim (v/o): Get to Ebert Park. I have menon Scofield and Burrows.

Mahone: Ebert Park?

Kim: Scofield set a meet with a target we're surveilling.

Mahone: What the hell's Scofield doing in Chicago?

Kim:You're asking why the deer walkedinto your cross hairs? Just take the shot, Mahone.

Mahone: I'm on it, I'm on it.

Kim: And Alex. Franklin.

Mahone: I'm using Franklin to help me find Scofield.

Kim: Yeah. We don't need him for that anymore. What I doneed is a death with no questions.

(Mahonehangs up and walks into C-Note's holding room.)

[INT.Holding Room. Day.]

C-Note: Hey, look. It's nothing yet, man. But I'm sure he'llhit me real soon, okay?

Mahone: You know, if I were in your situation, everythingyou've done, every decision you've made...I'd have done the same thing. You'rea good man, a good father. There's been a change of plans. And it looks likeI'm not gonna need your help after all.

C-Note: So you found Scofield.

Mahone: My colleagues are getting pretty close, yeah. So...

C-Note: So I guess you can set me free then? (Mahoneshakes his head with a small smile.) Of course not.

Mahone: You and me, we had a deal, right?

C-Note: Right.

Mahone: I get your wife released, take care of yourdaughter's health...and you get me Scofield.

C-Note: But you're getting him yourself. You just said that.

Mahone: I know. I know. I just want you to know...that,uh...I'm gonna keep my promise to you, and I'm gonna help your family. But I'mgonna need your help too. And this is something that you're not gonna wanna do,and I don't want you to do this, but I need you to do this, and if you don't, Iwill have Kacee arrested again and I will have Dede's medical care stopped andI will hate myself and it'll make me sick but I swear to God...I will ruin theirlives. Don't make me.

C-Note: Man, what the hell are you saying to me?

Mahone: Later today, you'll get a package in your cell, it'sgonna be from me. I need you to use it, okay?

C-Note: Okay, well, what's in it?

(Mahonelooks at him for a second, then walks to the door.)

C-Note: Yo, yo, what the hell is in it, man?

Mahone: Just use it or you'll wish you had!

C-Note: What's in the package? What the hell is in thepackage, man? (Mahone leaves the room.) Yo, what the hell is in thepackage, man?

[INT.Museum. Day.]

(CooperGreen walks into the lobby and looks around.)

CooperGreen: Okay, I'm in the lobby.

Lincoln: Take the stairs to your left.

(CooperGreen heads up the stairs.)

Lincoln (v/o): When you get to the top, crossthe catwalk.

CooperGreen: Okay, I'm across.

Lincoln: Go down the hall, down the stairs to the basement.

(CooperGreen does as he's told. Finally he gets to the basement.)

Lincoln: Go through the white door. The one on the left.

[INT.Cooper Green's Office Building. Day.]

Bennett: Sara, I wish you'd come to me first. Cooper Greenand I go way back. If anyone can help Michael and Lincoln, it's him.

(Theyapproach the receptionist Michael spoke to earlier.)

Receptionist: Can I help you?

Bennett: Yeah, is Mr. Green in?

Receptionist: Is he expecting you?

(Aman appears behind them - the real Cooper Green. He's a little younger andlarger than the man speaking with Lincoln.)

RealCooper Green: Bruce!

Bennett: Oh, good, you're back. I'm here to help you.

RealCooper Green: Help me? With what?

Bennett: Scofield and Burrows. Where are they?

[INT.Museum Basement. Day.]

FakeCooper Green: This is absurd.

Lincoln (v/o): Mr. Green, this tunnel goesunderground. You're already under another building. See the second door on yourright? Congratulations. You made it. (He hangs up.)

(FakeCooper Green enters a room and looks around.)

[INT.Cooper Green's Office. Day.]

Sara: I'm sorry, Sara Tancredi. I trust you've met withMichael Scofield and Lincoln Burrows today?

RealCooper Green: I'm sure I'd rememberif I did.

Bennett (confused): Sara?

Sara: If you're Cooper Green, who's with Michael rightnow? (She snatches up the receptionist's phone.)

[INT.Museum Basement. Day.]

Michael: Mr. Green? I'm Michael Scofield.

FakeCooper Green: Well, it's nice tofinally meet you. Do you, uh...do you have the tape?

Michael (holding up the memory stick):It's right here.

[INT.Cooper Green's Office. Day.]

(Sarafrantically dials on the phone keypad.)

CUTTO: Lincoln (on phone): Yeah?

CUTTO: Sara: Lincoln, it's Sara. Listen to me. The man that Michael's withright now is not Cooper Green. Do you hear me? The man that Michael's withright now is not Cooper Green!

ACT3.

[EXT- Lincoln runs down the street towards the museum - Day.]

[INT.Museum Basement. Day.]

FakeCooper Green: We should hurry. Won'tbe long before the Company knows you're in town. (He reaches out for thememory stick but Michael moves it away.)

Michael: Where are we going?

FakeCooper Green: Well, we're gonna makesure that that tape goes into the right hands.

Michael: Whose?

FakeCooper Green: A friend.

Michael: What kind of friend?

FakeCooper Green: He's a federal judge.Is that good enough for you?

Michael: Well, this tape is my brother's life, and mine. Andconsequently, I need a name.

FakeCooper Green: Judge Scott Warren. Alifetime appointee, who was put on the bench by President Mills. He has no jobto lose, no loyalty to Reynolds. Wants to see her gone, just like us. Well, let'sgo. I left my car over by the statue.

Michael: You were tailed, Mr. Green. The judge comes to us.I'll set up the meeting.

FakeCooper Green: Do you see my clothes?Your brother made certain that anybody who was tailing me is long gone. And ontop of that, I'm an asthmatic. My inhaler is in my jacket pocket which Lincolnmade me throw away. I'm okay now, but in about 10 minutes, I'm gonna have ahard time breathing. I've got a spare in my glove box, so could we please justget back to my car?

[INT.Museum Basement. Day.]

(Lincolnraces through the corridor and into the room. It's empty.)

[EXT.Museum. Day.]

FakeCooper Green: My car is just a fewblocks away.

Michael: Albuterol, Cortizaide or prednizone?

FakeCooper Green: What?

Michael: My mother was an asthmatic. What do you use in yourinhaler?

FakeCooper Green: What the helldifference does it make?

Michael: Just answer the question, please?

FakeCooper Green: You're a real piece ofwork, you know that? How many times I gotta prove myself to you?

Michael: Just one.

FakeCooper Green: Fine. Uh, Cortizaide.

Michael: I'm sorry, it's just, uh...if you knew what...if youknew what we'd been through.

FakeCooper Green: I understand. Can wenow just please go to my car?

Michael: Yeah.

(Suddenly,Michael pushes Fake Cooper from behind and slams his head into a building,knocking him out. Lincoln runs out of the exit behind them, ready for battle.)

[TitleCard: Birmingham, Alabama. Birmingham International Airport.]

[INT.Airport. Day.]

(T-Bagstands at the ticket counter, donning Dr. Stammel's sweater and glasses.)

T-Bag: A one-way ticker to Bangkok, s'il vois plait.

Clerk: Oh, I'm sorry. We don't have anything untiltomorrow. Unless you don't mind taking a few connections through Chicago? Andthere's one more international stop.

T-Bag: Whatever leaves first.

Clerk: Okay. ID, please. (T-Bag hands it over.)Okay, Mr...Stammel?

T-Bag: Oh, it's Dr. Stammel. And thank you.

Clerk: All right. It'll be just a few minutes.

(Abaggage claim man walks up and tries to take the rucksack full of money.)

BaggageMan: I'll check this bag for you,sir.

T-Bag: Oh, no, it's coming with me. (The bag slips fromhis grasp and some money falls out. He stoops to pick it up.)

BaggageMan: Sir, I know that bag is way overthe weight limit for carryon.

T-Bag: What difference does a few extra pounds make on a3-ton aircraft whether it's up above or in a...

BaggageMan: It's an FAA violation. Sir, yourbag will be safe.

(T-Bagknows better than to make a scene, so he relents and watches the bag roll downthe conveyor belt.)

[INT.Kellerman's Car. Day.]

(Kellermanlistens to the radio.)

Man (on radio): Today will be atough day for travelers in the Windy City as all streets in a six-block radiusof the Grand Carlisle Hotel have been closed to traffic in anticipation ofPresident Reynolds' speech there this evening. This will be one of severalMidwestern stops for the president as she ramps up her election campaign.

[INT.Environmental Office. Day.]

Kristine: Hey, I know you're new but we use both sides oflegal pads in this office, okay? Before we recycle, we reduce. The Comancheused the entire buffalo. So can we.

Kellerman (in the doorway): Actually,majority of tribes would farm land till it was stripped of its fertility, thenthey'd just move on. The Indian as conservationalist is a myth created by whiteliberal guilt.

Kristine (smiling): Paul.

Kellerman: Hi, Kristine.

[INT.Break Room. Day.]

Kristine: I hoped maybe I'd see you at Dad's funeral.

Kellerman: That man died long before his heart stopped. Thatfuneral was a formality.

Kristine: That's really not fair.

Kellerman: It's true.

Kristine: So you wanna know how mom is?

Kellerman: Just because someone spits you out of their crotch,doesn't make them your mother. That woman is insane. Do you remember? Have yousuppressed it all?

Kristine: I know, Paul. I was there every day, unlike you.

Kellerman: I was there for 18 years.

Kristine: And then you just left. I was 10, Paul. You were allI had in the world, and you just left me there.

Kellerman: I'm sorry. If I could've taken you with me, Iwould've...and I've thought about you every day. (He pauses) I'm not thebrother you remember. I've changed...in a really bad way. To the point where Idon't know what good or bad is anymore. And I am gonna do something, I have todo something...that a lot of people are gonna think is horrible.

Kristine: Paul...

Kellerman: And you just remember...the brother you grew upwith. Just remember him. You're my sister, Kristine. I love you. (He touchesher face gently then walks out of the room, leaving Kristine looking confused.)

[EXT.Ebert Park. Day.]

(Mahoneis with the fake Cooper Green and the two agents.)

FakeCooper Green: I was out cold. I don'tknow where they went.

Mahone: And it was their idea for you to meet them here inthe middle of Chicago?

FakeCooper Green: Yeah.

Mahone (quietly): Oh, man... (He walksaway from the men and dials on his cell phone.)

CUTTO: Agent Kim, pacing in his office. His cell phone rings.

Kim: Mahone?

Mahone: You brought me in too late. They're gone.

Kim: Then find them.

Mahone: Let me get this straight. They come back to a citythat's 15 miles from the prison they escaped from. Why would they do that?

Kim: Maybe it's because the president's in Chicago makinga speech. They're up to something. Which is why we need to find them.

Mahone: And of all people, they wanna meet with somebodyfrom the attorney general's office.

Kim: Your point?

Mahone: Burrows is innocent.

Kim: Wow. You're good, Alex. As advertised. No-one'struly innocent. You of all people should know that.

(Mahonehangs up, troubled.)

[INT.Hotel Room. Day.]

Michael: It must have been the receptionist. She's the onlyone I spoke to.

(There'sa knock at the door. Michael runs over and checks the spy hole. Then he opensthe door. Sara is standing there with Cooper Green.)

Sara: Michael Scofield, Cooper Green.

[INT.Prison Cells. Day.]

(Aninmate pushes a book trolley along the wing, handing a book into each cell.When he reaches C-Note's cell, he hands over a cardboard box shaped like abook. C-Note takes it and sits down on his bunk. He slits open the tape on thebox and opens it - inside is a rope, with a noose tied to one end.)

ACT4.

[INT.Farm House. Day.]

(Sucreand Maricruz are in bed together.)

Sucre: We gotta get as much of that in as possible beforethe baby gets here.

Maricruz: Why?

Sucre: Because. Once the baby's growing in there, doesn'tit just get kind of wrong?

Maricruz (laughing): Oh, yeah.

(Sucrestarts kissing her then jumps back.)

Sucre: Whoa!

Maricruz: What?

Sucre: I just felt the baby move!

Maricruz: No, Fernando, that's impossible.

Sucre: I know what I just felt.

Maricruz: Well, the doctor did say that he can become activeafter certain activities. (She kisses him but he jumps back again.)

Sucre: Whoa! Did you feel that?

Maricruz: Yeah, like a flutter?

Sucre: Flutter, my ass! He's strong! He's gonna be thecaptain of the national soccer team. You hear that, junior? As soon as you'reborn, I'm putting a soccer ball in your hands.

Maricruz: No, he's gonna have books.

Sucre: Fine. Books about soccer. Hey, baby. I told youeverything was gonna work out. We're out in the middle of nowhere. The baby'sdoing great. Everything's gonna be perfect.

[INT.Airplane. Day.]

Man (over PA): Your attentionplease. It looks like we've got nothing but smooth skies ahead so we should bearriving in Mexico...

(Astewardess walks past Bellick and he hails her.)

Bellick: Excuse me, when is the meal coming? I'm starved!

Stewardess: As a way to keep ticket prices low, we have removedin-flight meals from our service package.

Bellick: Well, what's left on the "servicepackage"?

Stewardess: Pretzels, and bags of Krispity Krunch.

Bellick: Pretzels.

Stewardess: Just a few minutes.

(Sheheads down the plane into first class. T-Bag holds out an empty glass.)

T-Bag: Freshen me up when you get a chance, darling.

Stewardess (smiling): Right away, Dr.Stammel.

[INT.Prison Conference Room. Day.]

Kacee: Dede's doing real good. Responding to the meds,eating. She's gonna be okay. (C-Note is upset.) Because of you. She'sgonna be okay because of you.

C-Note: Yeah. I need to know...that you forgive me.

Kacee: I know that. Of course I forgive you.

C-Note: You know, when Dede was like 4, she wanted to watchthis video. And I kept telling her, you know, after the game. After the game,okay? She kept asking and kept asking and I lost my patience and I snapped ather. I snapped at her real bad. Well, she went over into the corner and...Ididn't even go over and say anything.

Kacee: Why are you getting yourself upset over somethingthat happened years ago? Years ago, baby. Dede loves you.

C-Note: I want you to do something for me. I want you totell her that I'm sorry. I'm so sorry. And that my baby girl means everythingto me. I want you to tell her that she means everything to me, okay? You tellher that every day.

(Abuzzer sounds and an officer enters.)

Officer: Time. Ma'am.

C-Note: No matter what. Tell her. Tell her, okay? No matterwhat, he loves her, okay?

Officer: Ma'am.

C-Note (crying): Please. Please, you gotta tell her.You have to tell her, baby...

Kacee: Okay, okay, okay...

Officer: Ma'am, you really have to go.

C-Note: Tell her that her daddy loves her.

(Kaceekisses him and then leaves the room. The officer closes the door leaving C-Notealone.)

[EXT.Street in Chicago. Day.]

(Spectatorsare gathered, waving "Reynolds Again" banners.)

Man (over PA): Attention, attention.All spectators must remain behind the barricade at all times. The presidentwill be arriving...

CUTTO: Kellerman walks out of a rooftop exit and heads towards anotherfederal agent. He's dressed in a suit and carrying his sniper rifle in a case. Theagent pulls out his gun. Kellerman flashes his badge at the agent.

Kellerman: Whoa, whoa, whoa. We got a Boom Charlie half a blocksouth. Team leader wants you there right now.

Agent: What's the M.O.?

Kellerman: He's got an I.E.D. strapped to... (He puts awayhis ID and pulls out a silenced handgun. He fires at the agent's chest closerange, killing him.)

[EXT.Ebert Park. Day.]

(Mahonedips his hand into the fountain.)

Mahone: He asked you to come to this fountain specifically?

FakeCooper Green: Yeah.

Mahone: Let me take a look at that park map. Why not thefountain on the east side of the park?

FakeCooper: Because this was closer tothe payphone they called me at.

Mahone: No, because this one's closer to them. They tell youto meet them at the statue, then the fountain...then they send you to thebuilding across the park. Why? Because they wanna keep you in their sights.Because they're watching you. But from where? The statue, fountain,building...There. The hotel.

[INT.Hotel Room. Day.]

(Sara,Michael, Lincoln and the real Cooper Green are sat round the laptop.)

CooperGreen: You know what you have?

Michael: I think we have a pretty good idea.

Lincoln: What you doing?

CooperGreen: Getting all unique data fromthe memory key...so we can identify this key from any other...label it, start aproper record of the chain of custody to present to the judges I trust.

Lincoln: Cool.

CooperGreen (to the laptop): No.

Michael: What's wrong?

CooperGreen: No, it's the date stamp on thememory key. It's the copy date.

Sara: I'm sorry, what's that?

CooperGreen: It's the date the damn thingwas copied. Not the date that the conversation was originally recorded.

Lincoln: So what? I mean, you heard what was on the tape.

CooperGreen: Without a time stamp ofexactly when this conversation took place, we can't prove that this is TerrenceSteadman talking after you supposedly killed him. This could've happened a yearbefore his funeral. No, it can't be authenticated so it can't be admitted toany court as evidence.

Lincoln: People died because of this. My family died.

CooperGreen: I'm sorry. Legally speaking,this tape is useless.

[INT.Hotel Reception. Day.]

(Mahoneapproaches the desk.)

Clerk: Hi.

Mahone: Alexander Mahone, FBI. Have either of these menchecked in? (He holds up mugshots of Michael and Lincoln.)

Clerk: Not that I've seen.

Mahone: How about this woman? (He holds up a picture ofSara.)

Clerk: Yeah. Um. Room 1006.

Mahone: Ten-o-six. Ten-o-six, thank you. (He runs for thestairs.)

[INT.Hotel Room. Day.]

Michael: It's not over. We're this close.

Lincoln: You've already said it's done.

CooperGreen: Actually, I said it couldn'thelp exonerate you in a court of law. Maybe it can help you outside the law.

Lincoln: How?

CooperGreen: Well, we all heard theconversation. There's more to this tape than potential proof of Lincoln'sinnocence. There is proof of Caroline Reynolds' guilt. Guilt about somethingshe does not want anyone to know anything about.

Michael: So we blackmail her.

CooperGreen: I'm an officer of the court. Ididn't say that.

Sara: Blackmail in exchange for what?

Michael: A presidential pardon.

Lincoln (excited): So the woman thatset me up is gonna set me free.

Michael: I think she'll sign it with her own hand.

[EXT.Rooftop. Day.]

(Kellermansets up his sniper rifle, listening to the chatter in his ear piece.)

Man (on radio): Ace team, betateam, this is leader one. The president will reach Home Base in T-Minus 2minutes.

Man (over PA): The president willbe arriving shortly.

[INT.C-Note's Cell. Day.]

(C-Notestands on his bunk, he pulls the noose around his neck.)

C-Note: I love you...

(C-Notesteps forward...)

END CREDITS.

==========================
CAST:
==========================
Dominic Purcell (Lincoln Burrows)
Wentworth Miller (Michael Scofield)
Amaury Nolasco (Fernando Sucre)
Wade Williams (Brad Bellick)
Paul Adelstein (Paul Kellerman)
Robert Knepper (Theodore 'T-Bag' Bagwell)
Rockmond Dunbar (Benjamin Miles 'C-Note' Franklin)
Sarah Wayne Callies (Sara Tancredi)
William Fichtner (Alexander Mahone)
Camille Guaty (Maricruz Delgado)
Reggie Lee (Bill Kim)
Joseph Nunez (Manche Sanchez)
Kevin Dunn (Cooper Green)
Barbara Eve Harris (FBI Agent Lang)
Conor O'Farrell (Agent Miller)
Tina Holmes (Kristine Kellerman)
Brian Nicholas (Dr. Erik Stammel)
Jason Davis (FBI Agent Wheeler)
Cynthia Kaye McWilliams (Kacee Franklin)
Wilbur Fitzgerald (Bruce Bennett)

Special Guest Star:
Marshall Allman (LJ Burrows)

FADE TO BLACK

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